Concerning Violence

Synopsis

The film narrates the events of African nationalist and independence movements in the 1960s and 1970s which challenged colonial and white minority rule.

Release

The film premiered in-competition in the World Cinema Documentary Competition at 2014 Sundance Film Festival on 17 January 2014, after being pitched at the 2012 MeetMarket at Sheffield Doc/Fest.

In May 2013, Films Boutique acquired the worldwide distribution rights to the film. The film also screened at 64th Berlin International Film Festival in Panorama Dokumente section, in February 2014. It won a prize at the festival. The film also premiered in competition at 2014 Göteborg International Film Festival on 30 January 2014.

It had a theatrical release in Sweden on 15 August 2014. It was released in the UK on 28 November 2014 and in the United States on 5 December 2014.

Reception

Concerning Violence received positive reviews upon its premiere at the 2014 Sundance Film Festival. Review aggregator Rotten Tomatoes gives the film a 100% rating based on reviews from 5 critics, with an average score of 9/10. On Metacritic, which assigns a weighted mean rating out of 100 reviews from film critics, the film holds an average score of 86, based on 5 reviews, indicating a 'Universal acclaim' response.

Kevin Jagernauth of Indiewire praised the film and said that "Concerning Violence suggests that the lesson has yet to be learned, and it's only a matter a time until history repeats itself again, and action is taken." Joshua Rothkopf of Time Out gave the film four stars out of five and said that "A pulsing, echoing trumpet blast-repeated throughout-and some in-your-face political carnage identify Concerning Violence for what it is: a prickly, passionate call to arms." Boyd van Hoeij in his review for The Hollywood Reporter called the film "A tough and cerebral but finally illuminating documentary about the decolonization of Africa." Dan Schindel of Movie Mezzanine gave the film a positive review and said that "Concerning Violence is one of the best documentaries to hit this year’s Sundance. It also acts as an excellent companion piece to We Come As Friends, another great doc about imperialism in Africa that’s been playing the fest. It stands alone both as a work of history, sociology, psychology, and philosophy" and adds that the film is "A poetic, thought-provoking visual essay."