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Combat of Love and Chastity

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Year
  
1503

Artist
  
Pietro Perugino

Created
  
1503–1505

Period
  
High Renaissance

Medium
  
Tempera on canvas

Location
  
The Louvre

Media
  
Oil paint

Support
  
Canvas

Combat of Love and Chastity httpsuploadwikimediaorgwikipediacommonsthu

Dimensions
  
160 cm × 191 cm (63 in × 75 in)

Similar
  
Pietro Perugino artwork, Artwork at The Louvre, High Renaissance artwork

Combat of Love and Chastity is a painting by the Italian Renaissance artist Pietro Perugino, currently housed in the Musée du Louvre, in Paris, France. It was originally commissioned for the studiolo (cabinet) of Isabella d'Este, Marchesa of Mantua, in the Castello di San Giorgio.

Contents

History

The painting was the third commissioned by Isabella d'Este for her studiolo, after the two canvasses by Andrea Mantegna, the Parnassus and the Triumph of the Virtues. The paintings of the Coronation of Isabella d'Este and Reign of Comus would be completed by Lorenzo Costa.

The subject was suggested by Isabella's court poet, Paride da Ceresara, documented by the correspondence between Isabella and Perugino, who was then active in Florence. The notary contract included all the details about the literary theme, as well as a drawing which the work had to be based on. For example, when Perugino painted a naked Venus, instead than dressed, the marchesa protested vigorously.

In 1505, when the painting was delivered, the marchesa was not entirely satisfied. She declared that she preferred it would have been painted in oil, instead of the tempera used under her directives in order to follow Mantegna's style. Perugino, who probably was not at ease with the small format of the work, received 100 ducats for the work.

After the extinction of the Gonzaga dynasty, the painting was gifted by Charles I of Nevers to cardinal Richelieu, and was thus moved to Paris. Later it was acquired by the state and was added to the collection of the Louvre.

Description

The painting, over a background with gently steeped hills, portrays a fight between the symbolic figures of Love and Chastity. The theme was similar to other commissioned for the studiolo. Among the numerous mythological figures are Minerva, Diana, Venus, Anteros, nymphs, fauns and others. In the background are depicted several mythological episodes showing the victory of Chastity over Carnal Love, such as Apollo and Daphne, Iupiter and Europa, Mercury and Glaucera, Polyphemus and Galatea, Pluto and Proserpina, and Neptune with the nymph transforming into a carrion crow.

Other paintings of Isabella's Studiolo

  • Allegory of Isabella d'Este's Coronation by Mantegna
  • Reign of Comus by Lorenzo Costa
  • Triumph of the Virtues by Mantegna
  • Parnassus by Pietro Perugino
  • References

    Combat of Love and Chastity Wikipedia


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