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Coleridge Goode

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Occupation(s)
  
Double bassist

Died
  
October 2, 2015

Role
  
Bassist


Name
  
Coleridge Goode

Instruments
  
Genres
  
Coleridge Goode Coleridge Goode Tomorrow39s Warriors

Birth name
  
Coleridge George Emerson Goode

Born
  
29 November 1914Kingston, Jamaica (
1914-11-29
)

Education
  
Royal College of Science and Technology

Associated acts
  
Similar People
  
Ray Ellington, Dick Katz, Louis Vola, Joseph Reinhardt, Django Reinhardt

Coleridge goode django reinhardt double bass echoes of france


George Coleridge Emerson Goode (29 November 1914 – 2 October 2015) was a British Jamaican-born jazz bassist best known for his long collaboration with alto saxophonist Joe Harriott. Goode was a member of Harriott's innovatory jazz quintet throughout its eight-year existence as a regular unit (1958–65). Goode was also involved with the saxophonist's later pioneering blend of jazz and Indian music in Indo-Jazz Fusions, the group Harriott co-led with composer/violinist John Mayer.

Contents

Coleridge Goode Coleridge Goode doublebass player obituary Telegraph

Coleridge goode django reinhardt double bass nuages


Biography

Coleridge Goode Coleridge Goode Tomorrow39s Warriors

Goode was born in Kingston, Jamaica. His father was a choirmaster and organist who promoted classical choral music in Jamaica and his mother sang in the choir. As Goode recalled: "My name comes from my father putting on a performance of Samuel Coleridge Taylor’s Hiawatha’s Wedding Feast as a tribute to him.... I was born a year after." Goode came to Britain in 1934 as a 19-year-old student at the Royal Technical College in Glasgow (later the University of Strathclyde), and then went on to read for a degree in engineering at Glasgow University. He was already proficient as an amateur classical violinist but turned to jazz and took up the bass after hearing the music of such stars as Count Basie, Duke Ellington, Billie Holiday and Louis Jordan. Abandoning his plans to return to Jamaica to work as an engineer, Goode decided to embark upon a musical career.

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His primary early influences as a bassist were Walter Page, Slam Stewart and Jimmy Blanton. Moving to London in 1942, Goode subsequently worked with Johnny Claes, Eric Winstone, Lauderic Caton and Dick Katz, became a founder member of the Ray Ellington Quartet and recorded with Django Reinhardt in 1946, alongside Stephane Grappelli. Later Goode played in Tito Burns' sextet and led his own group, before being invited to join Harriott's new band in 1958. In 1967 he recorded with Chris McGregor, Dudu Pukwana, Ronnie Beer, and Laurie Allan on Gwigwi Mrwebi's Mbaqanga Songs. During the 1960s and 1970s Goode worked extensively with pianist/composer Michael Garrick. Goode was still performing in the house band at Laurie Morgan's Sunday jam sessions at the King's Head in Crouch End into his nineties.

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One of the finest jazz bassists who has worked in Europe, Goode is an important link to a proud heritage of Caribbean contributions to the music. His achievements through a long career have been an important inspiration for some leading contemporary black British jazz musicians. In 2002, his autobiography Bass Lines: A Life in Jazz, co-authored with his friend, the academic and jazz writer Roger Cotterrell, not only told his own story but provided poignant and vivid memories of the brilliant and tragic Harriott and of the birth of free form jazz in Britain.

Awards

On 18 May 2011 Goode was honoured with the Services to Jazz Award at the Parliamentary Jazz Awards, held at the House of Commons. He died on 2 October 2015, the year after he celebrated turning 100, when a special performance was organised for him at the London Jazz Festival.

Personal life

In 1944, Goode married Gertrude Selmeczi, a Jewish refugee from Vienna, Austria, of Hungarian origin; the marriage, lasting 70 years until her death aged 96 in June 2015, produced a daughter Sandy and son James.

Discography

With Ray Ellington

  • The Three Bears (Avid, 2000)
  • With Joe Harriott

  • Southern Horizons (Jazzland, 1960)
  • Free Form (Jazzland, 1960)
  • Abstract (Capitol, 1962)
  • Movement (Columbia, 1963)
  • High Spirits (Columbia, 1964)
  • With Michael Garrick

  • Poetry and Jazz in Concert and Before Night Day (1964/1966) (Vocalion reissue, 2006)
  • October Woman and Wedding Hymn (1965) (Vocalion reissue, 2005)
  • Promises (1965) (Vocalion reissue, 2008)
  • Jazz Praises at St Paul's (1968)(Jazz Academy reissue)
  • Black Marigolds (1968) (Vocalion reissue, 2005)
  • The Heart is a Lotus (1970) (Vocalion reissue, 2005)
  • References

    Coleridge Goode Wikipedia


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