Church of St Francis in Warsaw

History

In comparison with other Polish cities, the Franciscans arrived relatively late in Warsaw, in 1646. They arrived thanks to King Władysław IV Vasa's chaplain - Italian Franciscan, Vincent Skapita. A religious, royal secretary Jakub Sosnowski donated the square, and the politician Zygmunt Wybranowski donated capital, and the two decided to create a church and a Franciscan monastery in Warsaw. The king agreed to this on 6 November 1645, and the Bishop of Poznan Andrzej Szołdrski issued a canonical license on 16 April 1646.

The small property was located at the corner of Przyrynek and Wójtowski and in the same year the monks traded the land for its present location nearby at Zakroczymska. In 1646 a small wooden church was built with two chapels dedicated to the Virgin Mary and St. Anthony, and the first superior of the monastery was Father Vincent Skapita. The General Order Catallani established the monastery in 1648, with higher education for the young religious students. A Warsaw merchant, David Mincer, donated a square in the (current) Warsaw district of Wola, which the king gave privileges to on July 12, 1647. The church was burned during the Swedish invasion. After the reconstruction from 1662 to 1663 the church took its current form.

According to the first draft by Giovanni Battista Ceroni from 1679 to 1691 only the chancel and the adjacent room were built - opposite the sacristy and chapel of Our Lady of Consolation. In 1700 they managed to lay the foundation for main aisle, but the death Ceroni in 1708 resulted in the interruption of work.

The construction resumed in 1713. Ceroni's project was slightly modified by Karol Bay, including the introduction of diagonal columns in the corners spanning the aisles. Construction management was entrusted to Józef Fontana and his son, Jakub. In 1737 the church was consecrated by the bishop Stanislaus Hosius. Later, from 1744 to 1745, Jakub designed the ornate rococo fence for the cemetery of the Church, which was demolished later in 1818.

From 1746 to 1749, the west chapel dedicated to the Holy Trinity was built (designed by Antonio Solari), and in 1788 Giuseppe Boretti reconstructed the facade.

From the beginning of the 19th century, the Monastery passed vicissitudes (among other things it housed a prison, an orphanage and also a Warsaw Clerical Academy). The monastery closed in 1864 and this was associated with the transformation of the church into a place of worship for Catholics serving in the Russian army, and in the location of convent the Tsar placed an orphanage for children. The Franciscans regained their church and part of the buildings after the First World War.

From November 1940 to December 1941, the church was located at the northeastern end of the Warsaw Ghetto.

After the outbreak of the Warsaw Uprising the church was bombed, and 40 people sheltering in its cellars were killed. The side walls and the altar of St. Anthony survived. The partially destroyed pulpit was reconstructed from the remains recovered from the rubble. In addition, many elements of Baroque architecture, epitaphs, organs, side altars, confessionals and paintings from the 17th and 19th centuries survived. By 21 January 1945 was mass was already being celebrated again.

Interior

The Franciscan church, like most churches in Warsaw, was damaged during the World War II, however many valuable objects were preserved. A number of leading artists in the 17th and 18th centuries contributed including sculptors Andreas Schlüter and Bartłomiej Bernatowicz (who had his studio in the New Town) and a painter Claude Callot - nephew of French artist Jacques Callot.

The choir has one of the best paintings of the Silesian painter Michael Willmann, transferred from the Lubiąż Abbey - Christ in Gethsemane ('Chrystus w Ogrójcu' - 1661).

The altars

In the chapel next to the sanctuary is a rococo altar from the third quarter of the 18th century, renovated in 1964, with a later placed painting of Maximilian Kolbe and the tabernacle of the first half of the 18th century. In the chapel are relics of St. Vitalis - martyr from the Roman period (embedded in the wax figure).

Epitaphs

Organ

The current, 43-stop organ with tracker pneumatic was built by organ master Wenceslas Biernacki in 1925. It was funded by contributions from the faithful, and initiated by Father Florian Koziura. Prospectus, in the Baroque style, was designed by Enrico Marconi (designer of the organ in the Holy Cross Church in Krakowskie Przedmieście).