Chinese as a foreign language

History

The interpretation of the Chinese language in the West began with some misunderstandings. Since the earliest appearance of Chinese characters in the West, the belief that written Chinese was ideographic prevailed. Such a belief led to Athanasius Kircher's conjecture that Chinese characters were derived from the Egyptian hieroglyphs, China being a colony of Egypt. John Webb, the British architect, went a step further. In a Biblical vein similar to Kircher's, he tried to demonstrate that Chinese was the Primitive or Adamic language. In his An Historical Essay Endeavoring a Probability That the Language of the Empire of China Is the Primitive Language (1669), he suggested that Chinese was the language spoken before the confusion of tongues.

Inspired by these ideas, Leibniz and Bacon, among others, dreamt of inventing a characteristica universalis modelled on Chinese. Thus wrote Bacon:

it is the use of China and the kingdoms of the High Levant to write in Characters Real, which express neither letters nor words in gross, but Things or Notions...

Leibniz placed high hopes on the Chinese characters:

I thought that someday, perhaps one could accommodate these characters, if one were well informed of them, not just for representing the characters as they are ordinarily made, but both for calculating and aiding imagination and meditation in a way that would amazingly strike the spirit of these people and would give us a new means of teaching and mastering them.

The serious study of the language in the West began with missionaries coming to China during the late 16th century. Among the first were the Italian Jesuits, Michele Ruggieri and Matteo Ricci. They mastered the language without the aid of any grammar books or dictionaries, and are often viewed as the first Western sinologists. Ruggeiri set up a school in Macau, which was the first for teaching foreigners Chinese and translated part of the Great Learning into Latin. This was the first translation of a Confucian classic into any European language. He also wrote a religious tract in Chinese, the first Chinese book written by a Westerner. Matteo Ricci brought Western sciences to China, and became a prolific Chinese writer. With his wide command of the language, Ricci impressed the Chinese literati and was accepted as one of them, much to the advantage of his missionary work. Several scientific works he authored or co-authored were collected in the Siku Quanshu, the imperial collection of Chinese classics. Some of his religious works were listed in the collection's bibliography, but not collected.

Ricci and Ruggieri, with the help of the Chinese Jesuit Lay Brother Sebastiano Fernandez (also spelled Fernandes; 1562–1621), are thought to have created the first Portuguese-Chinese dictionary some time between 1583 and 1588. Later, while travelling on the Grand Canal of China from Beijing to Linqing during the winter of 1598, Ricci, with the help of Lazzaro Cattaneo (1560–1640) and Sebastiano Fernandez, also compiled a Chinese-Portuguese dictionary. In this latter work, thanks to Cattaneo's musical ear, a system was introduced for marking the tones of romanized Chinese syllables with diacritical marks. The distinction between aspirated and unaspirated consonants was also made clear through the use of apostrophes, as in the much later Wade-Giles system. Although neither of the two dictionaries were published—the former only came to light in the Vatican Secret Archives in 1934, and saw publication in 2001, while the later has not been found so far—Ricci made the transcription system developed in 1598, and in 1626 it was finally published, with minor modifications, by another Jesuit Nicolas Trigault in a guide for new Jesuit missionaries. The system continued to be in wide use throughout the 17th and 18th century. It can be seen in several Romanized Chinese texts (prepared mostly by Michael Boym and his Chinese collaborators) that appeared in Athanasius Kircher's China Illustrata.

The earliest Chinese grammars were produced by the Spanish Dominican missionaries. The earliest surviving one is by Francisco Varo (1627–1687). His Arte de la Lengua Mandarina was published in Canton in 1703. This grammar was only sketchy, however. The first important Chinese grammar was Joseph Henri Marie de Prémare's Notitia linguae sinicae, completed in 1729 but only published in Malacca in 1831. Other important grammar texts followed, from Jean-Pierre Abel-Rémusat's Élémens (sic) de la grammaire chinoise in 1822 to Georg von der Gabelentz's Chinesische Grammatik in 1881. Glossaries for Chinese circulated among the missionaries from early on. Robert Morrison's A Dictionary of the Chinese Language, noted for its fine printing, is one of the first important Chinese dictionaries for the use of Westerners.

Due to the status of Guangzhou as the only Chinese port open to foreign trade and exchange in the 1700s, Cantonese became the variety of Chinese that came into the most interaction with the Western world in early modern times. Foreign works on Chinese were largely centered around this variant until the opening up of other Chinese regions for commerce through unequal treaties, which exposed European scholars to a much larger number of Chinese varieties.

In 1814, a chair of Chinese and Manchu was founded at the Collège de France, and Abel-Rémusat became the first Professor of Chinese in Europe. In 1837, Nikita Bichurin opened the first European Chinese-language school in the Russian Empire. Since then sinology became an academic discipline in the West, with the secular sinologists outnumbering the missionary ones. Some of the big names in the history of linguistics took up the study of Chinese. Sir William Jones dabbled in it; instigated by Abel-Rémusat, Wilhelm von Humboldt studied the language seriously, and discussed it in several letters with the French professor.

Local Chinese variants were still widely used up until a Qing dynasty decree in 1909 that mandated Mandarin as the official language of China. After this period, only Cantonese and Mandarin remained as the most influential variants of Chinese, the former due to the importance of maritime trade in Guangzhou and the emergence of Hong Kong as a key economy in East Asia. Chinese departments in the West were largely centered on Cantonese due to British colonial rule over Hong Kong until the opening of communist-ruled China starting in the 1970s.

The teaching of Chinese as a foreign language in the People's Republic of China started in 1950 at Tsinghua University, initially serving students from Eastern Europe. Starting with Bulgaria in 1952, China also dispatched Chinese teachers abroad, and by the early 1960s had sent teachers afar as the Congo, Cambodia, Yemen and France. In 1962, with the approval of the State Council, the Higher Preparatory School for Foreign Students was set up, later renamed to the Beijing Language and Culture University. The programs were disrupted for several years during the Cultural Revolution.

According to the Chinese Ministry of Education, there are 330 institutions teaching Mandarin Chinese as a foreign language, receiving about 40,000 foreign students. In addition, there are almost 5,000 Chinese language teachers. Since 1992 the State Education Commission has managed a Chinese language proficiency exam program, which tests has been taken around 100 million times (including by domestic ethnic minority candidates).

Within China's Guangdong Province, Cantonese is also offered in some schools as optional or extra-curricular courses in select Chinese as a foreign language programs, although many require students to be proficient in the Mandarin first.

Difficulty

Chinese is rated as one of the most difficult languages to learn for people whose native language is English, together with Arabic, Japanese and Korean. A quote attributed to William Milne, Morrison's colleague, goes that learning Chinese is

a work for men with bodies of brass, lungs of steel, heads of oak, hands of springsteel, hearts of apostles, memories of angels, and lives of Methuselah.

Several major difficulties stand out:

Characters

While English uses an alphabet, Chinese uses hanzi, or Chinese characters, as its writing system. The Kangxi dictionary contains 47,035 characters (simplified Chinese: 汉字; traditional Chinese: 漢字; pinyin: Hànzì). However, most of the characters contained there are archaic and obscure. The Chart of Common Characters of Modern Chinese (simplified Chinese: 现代汉语常用字表; traditional Chinese: 現代漢語常用字表; pinyin: Xiàndài Hànyǚ Chángyòng Zì Biǎo), promulgated in People's Republic of China, lists 2,500 common characters and 1,000 less-than-common characters, while the Chart of Generally Utilized Characters of Modern Chinese (simplified Chinese: 现代汉语通用字表; traditional Chinese: 現代漢語通用字表; pinyin: Xiàndài Hànyǚ Tōngyòng Zì Biǎo) lists 7,000 characters, including the 3,500 characters already listed above.

In his 1991 article "Why Chinese is So Damn Hard," David Moser states that an English speaker would find the "ridiculous" writing system "unreasonably hard to learn" to the level of achieving literacy due to the large number of characters. Moser argued that he was unable to "comfortably read" a newspaper even though he knew 2,000 characters.

The 17th-century Protestant theologian Elias Grebniz, said that Chinese characters were:

through God's fate introduced by the devil / so he may keep those miserable people ever more entangled in the darkness of idolatry.

In Gautier's novella Fortunio, a Chinese professor from the Collège de France, when asked by the protagonist to translate a love letter suspected to be written in Chinese, replied that the characters in the letter happen to all belong to that half of the 40,000 characters which he has yet to master.

Tones

Mandarin Chinese has four tones (simplified Chinese: 声调; traditional Chinese: 聲調; pinyin: shēngdiào), namely the first tone (flat or high level tone, 阴平, denoted by " ¯ " in Pinyin), the second tone (rising or high-rising tone, 阳平, denoted by " ˊ " in Pinyin), the third tone (falling-rising or low tone, 上声, denoted by " ˇ " in Pinyin), and the fourth tone (falling or high-falling tone, 去声, denoted by " ˋ " in Pinyin). There is also a fifth tone called neutral (轻声，denoted as no-mark in Pinyin) although the official name of the tones is Four Tones. Many other Chinese dialects have more, for example, Cantonese has six (often numbered as nine, but three are duplicates). In most Western languages, tones are only used to express emphasis or emotion, not to distinguish meanings as in Chinese. A French Jesuit, in a letter, relates how the Chinese tones cause a problem for understanding:

I will give you an example of their words. They told me chou [shu in modern Pinyin] signifies a book: so that I thought whenever the word chou was pronounced, a book was the subject. Not at all! Chou, the next time I heard it, I found signified a tree. Now I was to recollect, chou was a book, or a tree. But this amounted to nothing; chou, I found, expressed also great heats; chou is to relate; chou is the Aurora; chou means to be accustomed; chou expresses the loss of a wager, &c. I should not finish, were I to attempt to give you all its significations.

Moser also stated that tones were a contributing factor to the difficulty of learning Chinese, partly because it is difficult for non-native learners to know how to convey emotion using intonation whilst retaining the correct tones.

Notable non-native speakers of Chinese

Politicians and government servants

Educators, historians and linguists

Missionaries

Actors, entertainers and cultural performers