Charles Townsend Harrison (11 February 1942 – 6 August 2009), BA Hons (Cantab), MA (Cantab), PhD (London) was a prominent UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University.
He was tutor in Art History, Open University, 1977–2005, Reader in Art History 1985-1994, Professor of the History & Theory of Art, 1994–2008, Professor Emeritus, 2008–2009; Visiting Professor, University of Chicago 1991 and 1996, Visiting Professor, University of Texas, 1997.
In addition to being an academic and art critic he was also a curator and a member of the Art & Language Group. He curated the " seminal exhibition" When Attitudes Become Form at the ICA in 1969. And as a member of Art & Language, community of artists and critics who were its producers and users, he edited their journal Art-Language.
On English art
"The history of modern art in England.......is to a large extent a history of delayed and mediated responses."
On the value of art
"[V]ividness in representation must entail the reconciliation of technical concerns for expressive form and surface on the one hand with the requirements of realistic description on the other...the more the activity of art tends toward the pursuit of the one at the expense of the other, the smaller the value is to be attached to either."
Ben Nicholson: Catalogue of an Exhibition held at the Tate Gallery, with Ben Nicholson, Tate Gallery, 1969
The British Avante Garde, with Donald H Karshan, London: Studio International, 1971
Modern Art and Modernism: a Critical Anthology, with Francis Frascina & Deirdre Paul, Paul Chapman Publishing & The Open University, 1982
A Provisional History of Art & Language, with Fred Orton, 1982
Abstract Expressionism and Jackson Pollock, with Francis Frascina, Open University, 1983
English Art and Modernism, Open University, 1983 & New Haven: Yale University Press, 1994
Introduction, Modernism, Problems and Methods, Open University, 1984
Modernism, Criticism and Realism: Alternative Contexts for Art, 1985
Alfred Wallis, Christopher Wood, Ben Nicholson, with Margaret Gardiner, Alfred Wallis & Christopher Wood, Scottish Arts Council, 1987
A Quiet Revolution: British Sculpture Since 1965, with Graham Beal, Lynne Cooke & Mary Jane Jacob, London: Thames & Hudson Ltd, 1987
Art in Theory, 1900-90: Anthology, with Paul Wood, 1992
Modernism in Dispute: Art Since the Forties, with Paul Wood, Francis Frascina & Jonathan Harris, New Haven: Yale University Press, 1993
Modernity and Modernism: French Painting in the Nineteenth Century, with Paul Wood, Francis Frascina & Jonathan Harris, New Haven: Yale University Press, 1993
Primitivism, Cubism, Abstraction: the Early Twentieth Century, with Francis Frascina & Gillian Perry, New Haven: Yale Univ Press, 1993
Modernism (Movements in Modern Art series), Tate Publishing, 1997
Art in Theory 1815-1900, with Paul Wood & Jason Gaiger, 1998
Art in Theory 1648-1815, with Paul Wood & Jason Gaiger, 2000
Modernismus, 2001
2001 Retrospective - Master Stone Sculptors of Zimbabwe, Chapungu Sculptures Ltd, 2001
Blast to Freeze: British Art in the 20th Century, with Andrew Causey, Richard Cork, David Curtis, and Penelope Curtis, publ: Hatje Cantz; illustrated edition, 2002
Essays on Art & Language, MIT Press, 2003
Conceptual Art and Painting: Further Essays on Art & Language, MIT Press, 2003
Art in Theory, 1900-2000: an Anthology of Changing Ideas, with Paul Wood, 2003
Painting the Difference: Sex and Spectator in Modern Art, University of Chicago Press, 2005
Slideshow, with Darsie Alexander & Robert Storr, Pennsylvania State University Press, 2005
Art and Text, with Dave Beech, Will Hill & Aimee Selby, Black Dog Publishing, 2009
An Introduction to Art, New Haven: Yale University Press; 2009
Since 1950: Art and Its Criticism, New Haven: Yale University Press, 2009
Charles Harrison: Looking Back, London: Ridinghouse, 2011
