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Celine Parrenas Shimizu

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Name
  
Celine Shimizu


Spouse
  
Daniel P. Shimizu

Celine Parrenas Shimizu httpsphilippineexpressionsbookshopfileswordpr

Books
  
The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene

Education
  
University of California, Berkeley, University of California, Los Angeles, Stanford University

Celine Parreñas Shimizu (born December 28, 1969) is an award-winning filmmaker and film scholar.

Contents

Celine Parrenas Shimizu wwwcelineshimizucomwpcontentuploads2013120

Background

Shimizu is the daughter of political refugees from the Philippines. Her family relocated to Boston when she was in her early teens. She attended the University of California at Berkeley and received a B.A. in Ethnic Studies in 1992. She has an M.F.A. in Film Directing and Production from the University of California at Los Angeles and a Ph.D. from Stanford University in Modern Thought and Literature. She is married to Daniel P Shimizu with whom she has two sons.

Career

Shimizu is a Professor of Film and Performance Studies in the Asian American, Comparative Literature, Feminist, and Film and Media Studies Departments at the University of California at Santa Barbara. She is well known for her work on race, sexuality and representations.

Her sole-authored books include Straitjacket Sexualities: unbinding Asian American Manhoods in the Movies. The book studies scenes of cinematic intimacy in the forging of ethical manhoods on and off screen for Asian American men. Her first book The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene won the Cultural Studies Book Award from the Association for Asian American Studies. In it, she analyzes hypersexual representations of Asian American women in various media including industry and independent film, pornography and feminist video. She edited the book The Feminist Porn Book: The Politics of Producing Pleasure along with Constance Penley, Mireille Miller-Young, and Tristan Taormino.

Shimizu’s publications include interviews and articles in the journals Concentric, Signs: Journal of Women in Culture and Society, Wide Angle, Theatre Journal, Yale Journal of Law and Feminism, Journal of Asian American Studies and Sexualities. She served as a columnist for the new media journal FLOWTV.org in 2009 and blogger on the They're All So Beautiful web series in 2013.

Recently, her first feature film Birthright: Mothering Across Difference (2009) won the Best Feature Documentary at the Big Mini DV Festival. Her previous filmworks include Mahal Means Love and Expensive (1993), Her Uprooting Plants Her (1995), Super Flip (1997) and The Fact of Asian Women (2002/4), which won four festival awards.

She teaches popular culture, social theories of power and inequality, race and sexuality, feminist and film and performance theory as well as television and film production.

For her scholarship and film work, Dr. Parreñas Shimizu has received many additional awards, fellowships, grants and honors including the Social Science Research Council Sexuality Research Fellowship, the Stanford Asian American Studies Graduate Academic Award, the Edie and Lew Wasserman Directing Fellowship, the James Pendleton Foundation Directing Prize and the Eisner Prize for Poetry—UC Berkeley’s highest award in the creative arts.

While at the University of California at Berkeley, she founded "smell this", the magazine by and about women of color distributed by Third Woman Press and edited Tea Leaves, the Asian American arts and literary magazine as well as the undergraduate journal portfolio. At UCLA School of Theatre, Film and Television, she was founding president of the student body organization.

As a faculty member, Shimizu’s service and professional activity includes the leadership of the UCSB Senior Women's Council in 2007-09, and serving on the board of the University of California Committee on Academic Freedom, the UCSB Committee on Faculty Issues and Awards, UCSB Women's Center, the UCSB Interdisciplinary Humanities Center and the UCSB Center for Interdisciplinary Study of Music as well as serving as a jury member for the San Francisco International Asian American Film Festival and the Social Justice Award for Documentary at the Santa Barbara International Film Festival. She looks forward to serving on the board of The Fund for Santa Barbara for which she was recently elected. She convened the inaugural formation of the New Sexualities research focus group at UCSB. And she co-chaired the Asian Pacific Caucus for the Society for Cinema and Media Studies in 2008-10.

On a national level, she is a reviewer for the Ford Foundation Diversity Fellowships and the National Endowment for the Humanities' America's Media Makers Program. For New York University, Rutgers University, Temple University, University of Michigan Presses, and journals such as Signs, GLQ, and Frontiers she reviews articles and books.

Professor Shimizu advises undergraduate and graduate students in a wide variety of disciplines as well as interdisciplinary areas of inquiry at UCSB and beyond.

Sole-authored books

  • Shimizu, Celine Parreñas (2007). The hypersexuality of race: performing Asian/American women on screen and scene. Durham, North Carolina: Duke University Press. ISBN 9780822340331. 
  • Shimizu, Celine Parreñas (2012). Straitjacket sexualities: unbinding Asian American manhoods in the movies. Stanford, CA: Stanford University Press. ISBN 9780804773010. 

    • Edited books

  • Shimizu, Celine Parreñas; Taormino, Tristan; Penley, Constance; Miller-Young, Mireille (2013). The feminist porn book: the politics of producing pleasure. New York, NY: Feminist Press at the City University of New York. ISBN 9781558618183. 

    • Journal articles

  • Shimizu, Celine Parreñas (Spring/Summer 1998). "The necessary terror of Stephen Winter’s Chocolate Babies". Stanford Black Arts Quarterly (newspaper). Committee on Black Performing Arts, Stanford University. 
  • Shimizu, Celine Parreñas (October 1999). "Master-slave sex acts: Mandingo and the race/sex paradox". Wide Angle, special issue: Visual Culture and Black Masculinity. Johns Hopkins University Press. 21 (4): 42–61. doi:10.1353/wan.2004.0005. 
  • Shimizu, Celine Parreñas; Lee, Helen (Autumn 2004). "Sex acts: two meditations on race and sexuality". Signs: Journal of Women in Culture and Society, special issue: Beyond the Gaze: Recent Approaches to Film Feminisms. University of Chicago Press. 30 (1): 1385–1402. doi:10.1086/421886. 
  • Shimizu, Celine Parreñas (May 2005). "The bind of representation: performing and consuming hypersexuality in Miss Saigon". Theatre Journal. Johns Hopkins University Press. 57 (2): 247–265. doi:10.1353/tj.2005.0079. 
  • Shimizu, Celine P. (2006). "Queens of anal, double, triple, and the gang bang: producing Asian/American feminism in pornography". Yale Journal of Law and Feminism. Yale Law School. 18 (1): 235–276.  Pdf.
  • Shimizu, Celine Parreñas (April 2010). "Screening sexual slavery? Southeast Asian gonzo porn and US anti-trafficking law". Sexualities. Sage. 13 (2): 161–170. doi:10.1177/1363460709359230. 
  • Shimizu, Celine Parreñas (June 2010). "Assembling Asian American men in pornography: shattering the self toward ethical manhoods". Journal of Asian American Studies. Johns Hopkins University Press. 13 (2): 163–189. doi:10.1353/jaas.0.0082. 
  • Shimizu, Celine Parreñas (Fall 2010). "Intimate literacies: the ethics of teaching sexually explicit films". Films for the Feminist Classroom. Department of Multicultural Women's and Gender Studies, Texas Woman's University. 2 (2).  (Formerly published as part of Signs: Journal of Women in Culture and Society.)
  • Shimizu, Celine Parreñas (October 2012). "Asian American studies must be defended: subjugated knowledges in the age of new media". Journal of Asian American Studies. Johns Hopkins University Press. 15 (3): 342–346. doi:10.1353/jaas.2012.0021. 
  • Shimizu, Celine Parreñas (March 2013). "Can the Subaltern sing, and in a power ballad? Arnel Pineda and Ramona Diaz’s Don’t Stop Believin’: Everyman’s Journey". Concentric: Literary and Cultural Studies, special issue: Documenting Asia Pacific. Department of English, National Taiwan Normal University. 39 (1): 53–75.  Pdf.
  • Shimizu, Celine Parreñas (January 2013). "Asian American Cinema (definition)". Oxford Bibliographies Online. Oxford University Press. 

    • Digital humanities

  • “The Vexing Power of Sex and the Face” in Prints of Pop (& War): A Mini-Retrospective of Roger Shimomura. NYU A/P/A Institute. May 2013.
  • “Organic Asian American Sexualities” Theyreallsobeautiful.com A web series. April 2013.
  • “Straitjacket Sex Screens” A column commissioned by FlowTV.org, University of Texas. September 2009.
  • “The Hypersexual Power of the Hip Hop Hottie: The Black Eyed Peas’ ‘Bebot’” A column commissioned by FlowTV.org, University of Texas. July 2009
  • “The Making of My Mothering Movie: On Race, Neoliberalism and Mothering” A column commissioned by FlowTV.org, University of Texas, June 2009.

    • Book chapters

  • Shimizu, Celine Parreñas (2005), "Theory in/of practice: Filipina American feminist filmmaking and explicit sex", in de Jesús, Melinda L., Pinay power: theorizing the Filipina/American experience, New York: Routledge, pp. 309–326, ISBN 9780415949835. 
  • Shimizu, Celine Parreñas (2008), "Master-slave sex acts: Mandingo and the race/sex paradox", in Bernardi, Daniel, The persistence of whiteness : race and contemporary Hollywood cinema, London New York: Routledge, pp. 218–232, ISBN 9780415774130. 
  • Shimizu, Celine Parreñas (2009), "Pain and pleasure in the flesh of Machiko Saito's experimental movies", in Bernardi, Daniel, Filming difference: actors, directors, producers, and writers on gender, race, and sexuality in film, Austin: University of Texas Press, pp. 55–74, ISBN 9780292719743. 
  • Shimizu, Celine Parreñas; Taormino, Tristan; Penley, Constance; Miller-Young, Mireille (2013), "Introduction: the politics of producing pleasure", in Shimizu, Celine Parreñas; Taormino, Tristan; Penley, Constance; Miller-Young, Mireille, The feminist porn book: the politics of producing pleasure, New York, NY: Feminist Press at the City University of New York, pp. 9–20, ISBN 9781558618183. 
  • Shimizu, Celine Parreñas (2013), "Bound by expectation: the racialized sexuality of porn star Keni Styles", in Shimizu, Celine Parreñas; Taormino, Tristan; Penley, Constance; Miller-Young, Mireille, The feminist porn book: the politics of producing pleasure, New York, NY: Feminist Press at the City University of New York, pp. 287–302, ISBN 9781558618183. 

    • Interviews

  • Gonzalves, Theodore S. (2000), "Unashamed to be so beautiful: an interview with filmmaker Celine Salazar Parreñas", in Hamamoto, Darrell Y.; Liu, Sandra, Countervisions: Asian American film criticism, Philadelphia: Temple University Press, pp. 263–274, ISBN 9781566397766. 

    • Book Reviews

  • Shimizu, Celine Parreñas (February 2007). "Impossible desires: queer diasporas and South Asian public cultures". Journal of Asian American Studies. Johns Hopkins University Press. 10 (1): 106–110. doi:10.1353/jaas.2007.0009. 

    • Films

  • Producer, Director, Writer and Co-Editor, Birthright: Mothering Across Difference. (2009) Digital Film. 75 minutes.World Premiere: ReelHeart Film Festival. Toronto, Canada. June 2009. Best Feature Documentary, Big Mini DV Film Festival, New York 2009. Distribution: Progressive Films (May 2009).
  • Co-Producer, Director, Writer and Editor, The Fact of Asian Women (2002). Digital Film. 26 minutes. Experimental Documentary. The film evaluates the legacy of three generations of Asian American femme fatales in Hollywood. World Premiere: Silver Lake Film Festival, Los Angeles, CA. October 2002. Distribution: Third World Newsreel (Fall 2003)
  • Producer, Director, Writer and Editor, Super Flip (1997) 16mm. 30 minutes. An experimental narrative based on interviews with Filipino American low-wage workers in San Francisco regarding work and love. Considered an “underground” classic of Filipino American cinema. World Premiere: Pacific Film Archive, Berkeley Distribution: Progressive Films, Berkeley.
  • Producer, Director, Writer and Editor, Her Uprooting Plants Her (1995) An experimental narrative based on interviews with Filipino immigrant families regarding home, memory and exile. World Premiere: Women in the Director’s Chair, Chicago. Distribution: New York: Third World Newsreel.
  • Producer, Director, Writer and Editor, Mahal Means Love and Expensive (1993). An experimental narrative based on interviews with young Filipina women regarding race, colonialism, sex and love. World Premiere: Women in the Director’s Chair, Chicago.

    • Awards, Prizes and Distribution

    For The Hypersexuality of Race: Winner, 2007 Cultural Studies Book Award, Association for Asian American Studies

    For Birthright: Winner, Best Feature Documentary, Big Mini DV Festival, New York, November 2009. Distribution: Progressive Films.

    For The Fact of Asian Women: Winner, Best Documentary Short, Big Mini DV Film Festival, New York, 2002; Winner, Best Picture, Women’s Issues, ZoieFest 2003. Winner in Long Format-Education, DV Awards, 2003. Winner, Best of Festival—Documentary, Berkeley Film and Video Festival 2003; Distribution: Third World Newsreel. (Fall 2004)

    For Super Flip: Motion Picture Association of America Directing Award; Edie and Lew Wasserman Directing Fellowship, 1995-96. World Premiere: Pacific Film Archive, 1996.

    For Her Uprooting Plants Her: Distribution: Third World Newsreel.

    For Mahal Means Love and Expensive: Certificate of Merit, Berkeley Experimental Festival, 1995; Certificate of Merit, Long Island Film Festival, 1995 and Motion Picture Association of America Prize.

    Screenings

    Los Angeles Asian American Film Festival, Chicago Asian American Film Festival, Women in the Directors’ Chair International Film Festival in Chicago, Directors’ Guild of America, Arkipelago-NYU Film Festival, New York International Film and Video Festival, Memories of Overdevelopment – U.S., Canada and Latin America, Japanese American Cultural Center in Los Angeles, San Francisco and Los Angeles Filipino Film Festivals, Society for Cinema Studies, Kansas, SF Cinematheque, San Francisco Asian American International Festival, and Plug-In Gallery, Canada, Smithsonian Institution, Los Angeles Asian American Film Festival, Japanese American Cultural Center in Los Angeles, New York, San Francisco and Los Angeles Filipino Film Festivals; Japanese American Cultural Center in Los Angeles, San Francisco and Los Angeles Filipino Film Festivals, Society for Cinema Studies, Kansas, Long Island Festival in New York, San Francisco International Film Festival, Philippine Consulate – New York.

    Film Collections include

    Georgetown University, University of Michigan, University of Massachusetts at Boston; University of Vermont; Temple University, San Francisco State University; Asian CineVision; Visual Communications; Film Arts Foundation; NAATA; University of Hawaii; University of Wisconsin at Madison; Stanford University; Santa Clara University; Northwestern University; Wilfrid Laurier University, Canada; and University of California Berkeley, Davis, Riverside, Los Angeles, and Santa Barbara.

    Other Publications, Radio and TV Documentaries

    Interview with Desiree Gamotin, “Hypersexuality of Asian women, minorities: Despite stereotypes, race-positive sexuality is attainable” February 11, 2009 University of Western Ontario Gazette.

    Interview with Adrienne Clarke . “Professor Discusses Book on Sexuality in Asian Film” in the Daily Targum, Rutgers University. November 12, 2008.

    Interview with Sara Wright, “The Hypersexuality of Asian Women in Film and Other Media: Ridding the Exotification of Asian Women” Mustang Daily, Cal Poly San Luis Obispo. May 8, 2008. Interview with Jori Lewis, “Black Eyed Peas’ Bebot on Public Radio International’s The World. January 5, 2007.

    Interview with Poonam Sharma, “Hot or Not” in Audrey Magazine. July 2004.

    Poetry in Nick Carbo and Eileen Tabios, Babaylan: Filipina and Filipina American Literary Anthology. San Francisco: Aunt Lute Press, 2000.

    "Asian American Media Representations” Featured panelist on Forum/ National Public Radio, July 1998.

    Featured Cover Artist in Sau Ling Wong, Critical Mass. Online Journal. UCBerkeley, 1998.

    Featured Filmmaker in Yong Soon Min, Memories of Overdevelopment. Exhibition Catalogue. Irvine, 1997.

    Poetry in Elaine Kim, et al. Making More Waves, Beacon Press, Boston, 1997.

    Poetry in Walter K. Lew, ed. Premonitions, KAYA Press, New York. 1996.

    Editor-in-chief, smell this: women of color cultural production, Berkeley: Third Woman Press. 1990, 1992.

    References

    Celine Parrenas Shimizu Wikipedia
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