Language English, French Name Carolyn Souaid Nationality Canadian Role Poet | Ethnicity Lebanese Education McGill University Genre poetry | |
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Born August 1, 1959
Montreal, Quebec, Canada ( 1959-08-01 ) Occupation writer, editor, educator Alma mater McGill University, Concordia University Books Blood Is Blood, This World We Invented, Swimming Into the Light, Snow Formations, Paper Oranges | ||
Carolyn marie souaid 2015 book launch 1
Carolyn Marie Souaid (born 1 August 1959) is a Canadian poet, educator, publisher and editor.
Contents
Biography
Born and raised in Montreal, Quebec, she studied at McGill University, where she received a Bachelor of Arts in English Literature (1981) and a diploma in Education (1983), and at Concordia University, where she earned a Master of Arts in Creative Writing (1995). Her first poetry collection, Swimming into the Light, won the David McKeen Award for Poetry in 1996. Her books have been nominated for a number of literary awards in Canada including the A.M. Klein Prize for Poetry and the Pat Lowther Award.
Souaid’s work focuses on pivotal moments in Québécois history and on the difficult bridging of worlds (English/French; native/non-native). In 2010, she and longtime poetic collaborator Endre Farkas produced Blood is Blood, a controversial video-poem dealing with the ongoing conflict in the Middle East.
Well known for her activism on the Montreal literary scene, Souaid co-produced Poetry in Motion in 2004 (which brought poems to Montreal buses) and Circus of Words / Cirque des mots, a multidisciplinary, multilingual cabaret showcasing the “theatre” of poetry. In 2009, she co-founded Poetry Quebec, an online review dedicated to the English language poetry and poets of Quebec. From 2008 to 2011, she served as poetry editor for Signature Editions, one of Canada’s top publishers of poetry.
Souaid has lived most of her life in Montreal, except for three years spent teaching in Inuit villages along Quebec’s Hudson-Ungava coast in the early 1980s.
Critical reception
Carolyn Marie Souaid's fourth collection of poetry, Satie's Sad Piano… is a fine achievement in attempting to explain the importance of Pierre Elliott Trudeau - and his passing, five years ago - for the national imagination. … This long poem is perhaps the first serious effort to encompass the nation since Dennie Lee's problematically Ontario centric/Torontonian Civil Elegies appeared in 1868 and 1972