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Caroline Arscott

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Name
  
Caroline Arscott


Caroline Arscott Caroline Arscott The Courtauld Institute of Art

Books
  
William Morris and Edward Burne-Jones, William Morris

Similar
  
Alan Allport, Thomas Asbridge, Christopher Haigh

BAVS Talks 2018, Caroline Arscott, 'Victorian Art and Science'


Caroline Arscott is a professor at the Courtauld Institute. She is an expert on art of the Victorian period.

Contents

She has published extensively on Edward Burne-Jones and William Morris, including the book Edward Burne-Jones and William Morris: Interlacings (2008).

Arscott was on the Oxford Art Journal editorial board from 1998 to 2008, and was an editor of the RIHA Journal from 2009 to 2014.

Subject and Object in Whistler: The Context of Physiological Aesthetics


Selected publications

  • "Edward Burne-Jones (1833-98)" in E. Prettejohn (ed.), The Cambridge Companion to the Pre-Raphaelites, Cambridge: Cambridge University Press, 2012.
  • "Everyday Variety and Classical Constraint in Victorian Drawings" in Life, legend, landscape: Victorian drawings and watercolours edited by Joanna Selborne, exhibition catalogue, London: The Courtauld Gallery, 2011.
  • Edward Burne-Jones and William Morris: Interlacings, Yale University Press, New Haven and London, 2008. ISBN 0300140932
  • "William Powell Frith’s The Railway Station: Classification and the Crowd", in William Powell Frith, exhibition catalogue, London, Guildhall Art Gallery, November 2006, pp. 79-93.
  • "Representations of the Victorian City" in M. Daunton, (ed.), Cambridge Urban History of Britain: Volume Three (1840-1950), Cambridge University Press, Cambridge, 2000, p. 811-32.
  • "Convict Labour: Masking and Interchangeability in Victorian Prison Scenes", Oxford Art Journal, vol. 23, no. 2, 2000, pp. 119-42 (on Frith).

    • References

    Caroline Arscott Wikipedia
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