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Calvary at Plougonven

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Calvary at Plougonven

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The Calvary at Plougonven (commune at Plougonven) is located within Brittany, France.

Contents

Background

This calvary is part of the Plougonven "enclos paroissial". On an octagonal base, the structure is 4 metres high and on the two corniches running around this base are a series of sculptural groups which depict scenes from the life and death of Jesus Christ. Erected in 1554, the sculptural work was executed by the workshop of the "ymageurs", Bastien and Henry Prigent (see note 1) who also worked on the calvary at Pleyben. The calvary suffered considerable damage in 1794 during the aftermath of the French revolution after which the statues were hidden away in the cemetery grounds by the local people for safe-keeping. In 1810 the calvary was re-erected but with a wooden cross, this replaced in 1836 by a cross in stone. Then from 1897 to 1898, the sculptor Yann Larhantec carried out a substantial restoration, taken further in 2009 by Pierre Floc'h. The Calvary is dedicated to St Yves the parish's patron. The enclosure church itself dates to 1523 and is designed in the shape of a Latin cross with a nave and eight side chapels. It contains many sculptures and interesting features. The "enclos" was listed as an historic monument in 1916.

The summit of the calvary

Three crosses reach up from the upper platform of the Calvary, that involving Jesus Christ's crucifixion and the crosses of the good and the bad robber. Jesus' cross has two crosspieces, on the first of which are back to back statues depicting the Virgin Mary with St Paul and his sword and John the Evangelist with St Peter and his key. On the second crosspiece are statues of two horsed cavaliers, St Longinus on the right of Jesus and St Stephaton, who reached up to Jesus with a sponge, on the left. These crosses and the statuary involved were created as part of Larhantec's restoration. There is a pietà at the base of the central cross showing the Virgin Mary distraught and in tears with the body of Jesus across her knee, her hands clasped together. She is surrounded by St John and Mary Magdalene. The pietà was the work of Bastien Prigent.

The north west face

On the upper platform, the subject dealt with is Christ carrying the cross, the composition including Jesus bending under the weight of the cross and accompanied by three Roman soldiers, Simon of Cyrene helping and holding a rope, St Veronica with her veil, another soldier, the Virgin Mary distraught and in tears, supported by John the Evangelist. To the right of the scene depicting Jesus carrying the cross is the "mise au tombeau"; Jesus being prepared for burial. On the lower corniche of the north west facing side, we commence with Jesus in discussion with the lawyers, John the Baptist baptizing Jesus (he wears an animal skin) whilst an angel holds Jesus' robe, Satan presenting bread to Jesus in the "temptation" scene and finally Jesus praying in Gethsemane with John the Evangelist asleep at his side.

  • In the "mise au tombeau", seven people surround Jesus and against normal convention Nicodemus stands at Jesus' head whilst Joseph of Arimathea is at his feet. John the Evangelist, the Virgin Mary, a female saint and Mary Magdalene look down on the body whilst Gamaliel is shown to be speaking with his index finger placed on his thumb. All have three tears running down each cheek. The "mise au tombeau" is the work of Bastien Prigent.

    • The south east face

    On the upper platform we have a scene showing four soldiers applying the Crown of thorns to Jesus' head, Jesus brought before Pontius Pilate behind whom a servant prepares a towel and a pitcher of water from which Pilate will subsequently wash his hands, whilst a soldier waits and we finish with three soldiers leading Jesus off, Pilate having declared his verdict. On the lower corniche we have depictions of the Nativity, the Adoration of the Magi and Jesus talking with the lawyers.

  • In the Nativity scene Jesus lies on some straw surrounded by his parents who are kneeling. Jesus holds a terrestrial globe in his left hand and gives a blessing with his right hand. It was Bastien Prigent who executed the Nativity scene. Henry had sculpted that at Pleyben.
  • The Adoration of the Magi scene is the work of Bastien Prigent, as was the case with the Pleyben calvary.
  • In the scene where Jesus is in discussion with lawyers in the temple, Jesus is standing on a pedestal as was the case at Pleyben. This helps to underline his ascendancy. At Plougonven, there are four lawyers, two on each side of Jesus whilst at Pleyben there were just two, one each side of Jesus. At Plougonven the sculpture of this scene was divided between the two Prigent brothers, Bastien sculpted the figure of Jesus, Henry the rest.
  • The scene showing Jesus being baptized by John the Baptist was not repeated at Pleyben. John pours the Jordan river water used in the ceremony from a shell. Jesus is kneeling and the sculptor carves stripes into the ground to suggest the waters of the river Jordan.
  • In the scene depicting Satan tempting Jesus, Larhantec had to redo the devil's head and critics have been complimentary as to the way this head integrates with the existing body sculpted by the Prigents. The devil pulls up his robe slightly to show his cloven feet.
  • In the scene depicting Jesus' arrest, Judas stands beneath Malchus' lantern holding his purse. Peter and James are sleeping but Peter's hand rests on his sword. Judas appears again when Jesus is shown standing between two soldiers who have arrested him. Judas leans towards Jesus ready to kiss him and thus betray his identity. Then we see Peter with Malchus crying out in pain laying at his feet, a hand to the wound where Peter had cut off his ear.
  • In the scene showing Jesus being mocked, one of the soldiers is carved back to back with another looking in at the "mise au tombeau" scene.

    • The south face

    At the foot of Jesus' cross there is a statue depicting a kneeling Mary Magdalene. In front of her is the Resurrection scene with Jesus emerging from his Sarcophagus, his right hand raised and giving a blessing and a "Resurrection cross" or "Triumphal cross" in his left hand. A kneeling soldier sleeps on the right hand side of the tomb and another soldier, also sleeping, sits to the right, holding on to a musket, an anachronism explained by the fact that this part of the scene was by Larhantec. Behind him two other soldiers look on. On the right of the resurrection scene we see Jesus being mocked and ridiculed by four soldiers ("Christ aux outrages") and then a scene showing Jesus being flogged. Next to the depiction of Mary Magdalene at the foot of the cross is a pietà and around this are the figure of a standing man and John the Evangelist. On the other side of the cross from the pietả, there is an "Ecce Homo". To the right of the pietả there is a depiction of the open mouth of Hell Harrowing of Hell. Adam has already emerged but a demon is stopping Eve from joining him. On the lower corniche the depiction of Jesus' arrest includes Judas Iscariot shown holding a purse, St Peter asleep by the side of a colleague then Peter drawing his sword, Malchus struck and falling to the ground and Judas embracing Jesus. These sculptures are then followed by a depiction of St Yves standing between a depiction of a rich man and a poor man. We finish with a depiction of the Annunciation and finally the Visitation (Christianity)

  • Bastien Prigent carried out the work on the scene depicting the descent into hell. The mouth has teeth unlike that at Pleyben and dragons guard it. A demon armed with a fork tries to stop Eve leaving. Adam is slumped in Jesus' arms having already left.
  • In the Annunciation scene, the angel of the Annunciation leans on one knee and holds a banner saying " AVE MARIA GRATIA PLENA". The Virgin Mary kneels before a Prie-dieu with hands clasped. There is a face carved on the side of the Prie-dieu.
  • The "Visitation" scene was the work of Henry Prigent who also executed this scene for the Pleyben calvary.

    • Yann Larhantec's restoration

    Larhantec was commissioned to carry out a restoration in July 1897. He created three new crosses. He repaired the horses and their riders, restored all the statuary and, under strict instruction from the clergy, he changed the order of the statues bringing them into line with the text of the gospel.

    The costumes

    Apart from Jesus and the Virgin Mary, the characters depicted wear the clothes worn in the 16th century by Breton peasants and the bourgeoisie. The guards wear helmets, breastplates and leggings. Pontius Pilate wears ermine and has a mortar on his head looking much like a bailiff of the time. The depiction of the devil wears the attire of a pilgrim which he raises slightly to display his forked feet. Mary Magdalene wears the dress of a châtelaine of Henry II's time, with heavily pleated robe, slashed sleeves and a lace guimpe

    "Sculpteurs sur pierre en Basse-Bretagne. Les Ateliers du XVe au XVIIe Siècle" by Emmanuelle LeSeac'h. Published by Presses Universitaires de Rennes. ISBN 978-2-7535-3309-7.

    Yves-Pascal Castel. "Guide des sept grands calvaires Bretons / Ar seizh kalvar braz" published August 2005 ISSN 1148-8824.

    Victor-Henri DEBIDOUR, "Grands Calvaires de Bretagne". Éditions d'Art Jos Le Doaré. 1998. ISBN 2-855-43-191-3

    References

    Calvary at Plougonven Wikipedia
    (Text) CC BY-SA