First awarded 2000 | ||
Awarded for Best short story by an African writer in the English language Official website | ||
The Caine Prize for African Writing is an annual literary award for the best original short story by an African writer, whether in Africa or elsewhere, published in the English language. The £10,000 prize was founded in the United Kingdom in 2000, and was named in memory of Sir Michael Harris Caine, former Chairman of Booker Group plc. Because of the Caine Prize's connection to the Booker Prize, the award is sometimes called the "African Booker".
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History
It was first awarded in 2000 to the Sudanese writer Leila Aboulela for her short story "The Museum", at the Zimbabwe International Book Fair in Harare. In its first year the Prize attracted entries from 20 African countries.
The winner is announced at a dinner in Oxford in July, to which the shortlisted candidates are all invited. This is part of a week of activities for the candidates, including readings, book signings and press opportunities.
Supporters
Among supporters of the prize are friends of Sir Michael Caine in the UK, United States and Africa, the Oppenheimer Memorial Trust, the Zochonis Foundation, the Marit & Hans Rausing Foundation, the Gatsby Charitable Foundation, the Headley Trust, the Esmee Fairbairn Charitable Trust, the David Alliance Family Foundation, the Cairns Charitable Trust, the Botwinick-Wolfensohn Family Foundation, the Sunrise Foundation, the Von Clemm Charitable Trust, the Royal Over-Seas League, Sarova Hotels, Bata Shoes (Kenya) Ltd and (Zimbabwe) Ltd and Kenya Airways.
The four African winners of the Nobel Prize for Literature have supported the Caine Prize as patrons: Wole Soyinka, Nadine Gordimer, Naguib Mahfouz and J. M. Coetzee. Baroness Nicholson of Winterbourne, Sir Michael's widow, is President of the council and Jonathan Taylor is the chairman.
Critical reception
In 2011, African writer Ikhide R. Ikheloa criticized the prize, suggesting that
"The creation of a prize for 'African writing' may have created the unintended effect of breeding writers willing to stereotype Africa for glory. The mostly lazy, predictable stories that made the 2011 shortlist celebrate orthodoxy and mediocrity.... The problem now is that many writers are skewing their written perspectives to fit what they imagine will sell to the West and the judges of the Caine Prize...."