Country United States Structural engineer George A. Fuller Co. Town or city Brooklyn Architect Frank Freeman | Completed 1914 Opened 1914 Architectural style Neoclassical architecture | |
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Client Brooklyn Union Gas Company Similar Herman Behr Mansion, Eagle Warehouse & Storage, Germania Club House, Old Brooklyn Fire Head, Brooklyn Savings Bank | ||
The Brooklyn Union Gas Company Headquarters, also known as 180 Remsen Street, and since 1962 the St. Francis College Arts Building, is an historic building in the Brooklyn Heights neighborhood of Brooklyn, New York City. Designed by Brooklyn architect Frank Freeman and completed in 1914, it was designated a New York City landmark in 2011.
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History
The Brooklyn Union Gas Company was originally established in 1825 as the Brooklyn Gas Light Company, changing its name after a series of mergers in 1895. Rapid growth in the early 1900s prompted the company to establish a new headquarters at 180 Remsen Street. Noted Brooklyn architect Frank Freeman was commissioned to design the new headquarters, which was built in 1914.
The Gas Company continued to occupy the building for the next 47 years. In 1962, it was sold and became the St. Francis College Arts Building. In May 2009, the Landmarks Preservation Committee voted in support of designating the building a New York landmark. It was approved on May 10, 2011.
Description
Although architect Frank Freeman is best known for his work in the Richardsonian Romanesque style, the Brooklyn Union Gas Company Building was completed during his later, Neoclassical period, and is more restrained than his earlier work. The eight-story building is divided into three sections.
The ground floor, constructed of granite, consists of a large central entranceway flanked by a pair of large windows on either side. Above the entrance is a shallow portico supported on two Roman Doric columns, above which is a heavy, decorated cornice running the width of the building. The next four floors are of a very simple design, consisting of four rows of unadorned rectangular windows surmounted by a plain cornice. The final two floors consist of two more rows of windows, spaced by a series of six Ionic columns rising to an entablature and, at the top of the building, a heavy stone cornice. The structure as a whole has been characterized as "a fine, stately office building demonstrating Freeman's infinite versatility."
The AIA Guide to New York City says of the building that it is one of Freeman's "lesser work[s]".