GenreComedy Budget20 million USD CountryUnited States
Release dateDecember 25, 1986 (1986-12-25) WriterNeil Simon (play), Neil Simon (screenplay) CastJonathan Silverman (Eugene Morris Jerome), Blythe Danner (Kate), Stacey Glick (Laurie), Judith Ivey (Blanche), Bob Dishy (Jack), Brian Drillinger (Stanley) Similar moviesBrighton Beach Memoirs and Biloxi Blues are part of the same movie series
Brighton beach memoirs 1986 trailer
Brighton Beach Memoirs is a 1986 American comedy film directed by Gene Saks, written by Neil Simon, and starring Jonathan Silverman and Blythe Danner. Simon adapted his semi-autobiographical 1983 play of the same title, the first chapter in what is known as the Eugene trilogy, followed by Biloxi Blues and Broadway Bound. The film frequently breaks the fourth wall by having Eugene speak directly to the camera.
Brighton beach memoirs official promotional trailer
Set in the Brighton Beach section of Brooklyn, New York in September 1937 amidst The Great Depression, this coming-of-age comedy focuses on Eugene Morris Jerome, a Polish-Jewish American teenager who experiences puberty, sexual awakening, and a search for identity as he tries to deal with his family, including his older brother Stanley, his parents Kate and Jack, Kate's sister Blanche, and her two daughters, Nora and Laurie, who come to live there after their father's death.
Jonathan Silverman - Eugene Morris Jerome, almost 15
Blythe Danner - Kate Jerome, about 40: Eugene's mother, a strong Jewish matriarch
Bob Dishy - Jacob "Jack" Jerome, about 40: Eugene's father
Lisa Waltz - Nora Morton, 16½: Eugene's beautiful older cousin
Roger Ebert, in his review for the Chicago Sun-Times wrote: "The movie feels so plotted, so constructed, so written, that I found myself thinking maybe they shouldn't have filmed the final draft of the screenplay. Maybe there was an earlier draft that was a little disorganized and unpolished, but still had the jumble of life in it.... The movie was directed by Gene Saks, who directs many of Simon's plays on both the stage and the screen, and whose gift is for the theater. His plays have the breath of life; his movies feel like the official authorized version. Everything is by the numbers."