Address 53 Berkeley Street Type Music venue Opened 1967 | Location Boston, Massachusetts Closed 1971 | |
Similar Grande Ballroom, The Avalon, Deer Island Light, Faneuil Hall, The First Church of Christ - Sc | ||
The Boston Tea Party was a concert venue located at 53 Berkeley Street (later relocated to 15 Lansdowne Street in the former site of competitor, the Ark) in the South End neighborhood of Boston, Massachusetts. It operated from 1967 to early 1971. Its closing was due in part to the increasing cost of hiring bands who were playing more and more at large outdoor festivals and arena rock concerts.
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The venue became associated with the psychedelic movement, being similar in this way to other contemporary rock halls such as New York's Fillmore East and Electric Circus, San Francisco's Fillmore West, and Philadelphia's Electric Factory.
History
The building was constructed in 1872. Originally the site of a Unitarian meeting house, and then a street mission, it was later converted into a venue that showed underground films, before being bought by Ray Riepen and David Hahn and converted again into a concert venue. It opened as a rock music hall on January 20, 1967.
Originally playing host exclusively to local acts, the venue quickly began to attract famous artists, including the Grateful Dead, Neil Young, The J. Geils Band, Frank Zappa, Pink Floyd, Cream, Fleetwood Mac, The Allman Brothers Band, Joe Cocker & the Grease Band, Led Zeppelin, Jimi Hendrix, Dr. John, The Buddy Miles Express, Charlie Musselwhite, Jeff Beck, The Who, The Byrds, Santana, Taj Mahal, Ten Years After and Sly and the Family Stone. In 1968 the first album fm rock station in Boston, WBCN, began broadcasting out of the back room of the Tea Party and went on to be the highest rated rock station in the market. WBCN was owned by the same owners as the Tea Party. In 1968 Don Law assumed the management of the Tea Party and Law began bringing it major acts from England. The cost of admission at the time ranged between $3.00 and $3.50 per show, although The Who exacted a premium for their performance of Tommy, charging $4.50. Light shows designed by Roger Thomas, John Boyd, Deb Colburn, and Ken Brown and performed by Lights By The Road provided the lighting and other effects for many of the performances. Above the stage, a distinctive arched inscription reading "PRAISE YE THE LORD", remaining from the hall's original use, provided a backdrop.
The Velvet Underground shows
"This is our favorite place to play in the whole country."The Velvet Underground, not widely known or appreciated in their own time, played regularly to a packed house at the Boston Tea Party. According to the club's former manager, Steve Nelson, "People in Boston just adopted them, and that ranges from Harvard graduate students to tough kids from the neighborhood...and that really was the start of their, I guess we could call it a residency."
Jonathan Richman, who was strongly influenced by the Velvet Underground, often came to the Tea Party to hear them play.
The crowd was FUN! Wall-to-wall hippies, bikers, Harvard students, Northeastern students, fashion models, professors, drug dealers, art teachers, groupies, MIT students, photographers, local thugs, local disc jockeys, skinny-bohemian-artist girls, visiting dignitaries from the New York art scene, and the royalty of the Boston music set — the local singers and guitar-players in their mod suits strolling around with their beautiful girlfriends.An infamous concert featuring the Velvet Underground (as headliners) and the recently signed MC5, took place at the Tea Party in December 1968. The MC5 opened with their high energy performance, playing "Kick Out the Jams" to a room full of Up Against the Wall Motherfuckers anarchists (known primarily as "Motherfuckers"). After the MC5's energized performance, one of the Motherfuckers got on stage and started haranguing the audience, directing them to "...burn this place down and take to the streets..." After that display of anarchy, Lou Reed addressed the audience, assuring fans that "...we have nothing to do with what went on earlier and in fact we consider it very stupid." Sterling Morrison (the Velvet Underground's bass and guitar player) is on record as saying that he "...always liked the MC5 musically" but thought they were "...surrounded by and exploited by leeches."
The Tea Party was also the site of a 1969 Velvet Underground show whose bootleg became known as the Guitar Amp Tapes because the microphone was placed inside Lou Reed's amplifier.
In its previous incarnation as a branch of the Filmmakers' Cinémathèque, the Tea Party building itself had a connection to the Velvet Underground: it served as a showcase for underground filmmakers such as Andy Warhol, who managed the band for a time, and Jonas Mekas, a friend who let them rehearse in his loft and filmed their famous performance at the Annual Dinner of the New York Society for Clinical Psychiatry in 1966.
The early history of this venue is documented in the book Mansion on the Hill by Fred Goodman.