Puneet Varma (Editor)

Borghese Gladiator

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Type
  
Marble

Artist
  
Agasias

Period
  
Hellenistic Art

Dimensions
  
199 cm (78 in)

Location
  
The Louvre

Year
  
101 BC

Borghese Gladiator Hellenistic Art The Borghese Gladiator or warrior

Similar
  
Hellenistic Art artwork, Artwork at The Louvre, Other artwork

The Borghese Gladiator is a Hellenistic life-size marble sculpture portraying a swordsman, created at Ephesus about 100 BCE.

Contents

Sculptor

Borghese Gladiator Warrior socalled Borghese Gladiator Paris Louvre Museum

The sculpture is signed on the pedestal by Agasias, son of Dositheus, who is otherwise unknown. It is not quite clear whether the Agasias who is mentioned as the father of Heraclides is the same person. Agasias, son of Menophilus may have been a cousin.

Rediscovery

Borghese Gladiator FileThe 39Borghese Gladiator39 LACMA M200245jpg Wikimedia Commons

It was found before 1611, in the present territory of Anzio south of Rome, among the ruins of a seaside palace of Nero on the site of the ancient Antium (modern Anzio and Nettuno). From the attitude of the figure it is clear that the statue represents not a gladiator, but a warrior contending with a mounted combatant. In the days when antique sculptures gained immediacy by being identified with specific figures from history or literature, Friedrich Thiersch conjectured that it was intended to represent Achilles fighting with the mounted Amazon, Penthesilea.

Borghese Gladiator The Borghese Gladiator by Agasias of Ephesus

The sculpture was added to the Borghese collection in Rome. At the Villa Borghese it stood in a ground-floor room named for it, redecorated in the early 1780s by Antonio Asprucci. Camillo Borghese was pressured to sell it to his brother-in-law, Napoleon Bonaparte, in 1807; it was taken to Paris when the Borghese collection was acquired for the Louvre, where it now resides.

Borghese Gladiator Flickriver Photoset 39Borghese Gladiator39 by bcmng

Misnamed a gladiator due to an erroneous restoration, it was among the most admired and copied works of antiquity in the eighteenth century, providing sculptors a canon of proportions. A bronze cast was made for Charles I of England (now at Windsor), and another by Hubert Le Sueur was the centrepiece of Isaac de Caus' parterre at Wilton House; that version was given by the 8th Earl of Pembroke to Sir Robert Walpole and remains the focal figure in William Kent's Hall at Houghton Hall, Norfolk. Other copies can be found at Petworth House and in the Green Court at Knole. Originally a copy was also located in Lord Burlington's garden at Chiswick House and later relocated to the gardens at Chatsworth in Derbyshire. In the United States, a copy of "The Gladiator at Montalto" was among the furnishings of an ideal gallery of instructive art imagined by Thomas Jefferson for Monticello.

In painting

Borghese Gladiator httpsuploadwikimediaorgwikipediacommonsthu

  • Having seen the sculpture on his Italian travels, Rubens included a figure of Fury in the same pose (seen from behind) in one of the scenes of his allegorical Palais de Luxembourg cycle of paintings for Marie de' Medici, the Conclusion of the Peace at Angers, conserved at the Louvre; the figure of Fury is bottom right.
  • The figure in the water (Brook Watson) in Watson and the Shark by John Singleton Copley is based on the sculpture's pose.
  • It was known, although not in the French national collection, when Ménageot included it in the background of his The Death of Leonardo da Vinci in the arms of Francis I (1781); indeed, he probably saw it at the Villa Borghese during his stay at the French Academy in Rome from 1769 to 1774. However, it was an anachronism in such a setting since Leonardo died in 1519, about ninety years before the statue was discovered.
  • The stance and attitude of the warriors in Sydney Parkinson's Two of the Natives of New Holland, Advancing to Combat, a typical painting in the noble savage ideal, is said to have been based upon the Borghese Gladiator.
  • The headless statue in Thomas Cole's 1836 painting Destruction (the fourth painting in his The Course of Empire series) is based on the Borghese warrior.

  • Borghese Gladiator The Borghese Gladiator Agasias as art print or hand painted oil

    Borghese Gladiator FileThe Borghese Gladiatorlouvrejpg Wikimedia Commons

    Borghese Gladiator Borghese Gladiator by Agasias of EphesusD Brucciani amp Co London

    Borghese Gladiator Borghese Gladiator Me My Thoughts and Richard Armitage

    References

    Borghese Gladiator Wikipedia