Blow Fly (novel)

Plot introduction

Blow Fly is the twelfth book of the Dr. Kay Scarpetta series by author Patricia Cornwell.

Plot summary

After her resignation as Virginia's Chief Medical Examiner and the horrifying events which threatened her life in The Last Precinct, Kay Scarpetta has abandoned her elegant home in Richmond, Virginia, and is quietly living in Florida, beginning to get some balance back in her life and slowly establishing herself as a private forensic consultant. (Her first class involves the blow fly, which sometimes lays eggs on corpses.) But her past will not let her rest, and her grief for Benton Wesley continues to grow, not diminish, as does the rage within Lucy, her niece. Then the architect of her changed fortunes contacts her from his cell on death row: deformed, blinded by Scarpetta's own actions, incarcerated in Texas' strongest prison, Jean-Baptiste Chandonne still has the ability to terrify. But, unknown to Scarpetta, there are other forces behind the wolfman's apparent actions, invisibly shepherding her and those closest to her towards eliminating those who threaten them all. It is all orchestrated by the one man in her life who knows every nuance of her soul. In Szczecin, Poland, Lucy and a colleague apparently commit a premeditated murder, using blow-fly larvae to alter the perceived time of death. The novel then ends with the killing of four further people by Scarpetta's associates.

Characters in "Blow Fly"

Major themes

Literary significance & criticism

Some reviewers considered this to be a "highly suspenseful read in which surprises explode and the characters move to another level of believability." One finds that the book,"while not for the squeamish... is a tremendous read." Others, however, as also noted in reviews for later books in the series, such as Trace, considered it to be disappointing. Gail Pennington of the St Louis Post Dispatch states that "even the most ardent Cornwell fans may reluctantly realize that enthusiasm for the Scarpetta series is mainly a relic of books past."

In Blow Fly, we see a change in narrative style from the first-person narration of Kay herself to a third-person, omniscient, narrator. This device not only allows for more characters and their perspectives to come to the fore, but also marks a significant transformation in the way that the novels represent the criminal. Where previously the criminal’s mind was never made available to the reader—thus intensifying their “otherness”—the later novels allow space to explore their point of view and uncover their motivations.

This approach does, however, come in for criticism. One reviewer notes that "Blow Fly is written in 124 chapters, some as short as a few paragraphs, with close to a dozen shifting points of view. Everyone, it seems, has something to describe, and every bit of description gets equal weight, from a new outfit bought at Saks to a highly technical selection of handguns to the leisurely, sexually charged torture of a young woman. ("Every female character in "Blow Fly" is either miserable or doomed, adding weight to the frequent argument that Cornwell is not just anti-feminist, but anti-woman altogether.")