Bloomingburg Reformed Protestant Dutch Church

Building

The church building is a two-story, three-by-five-bay rectangle sided in white clapboard. The heavy timber framing is supported by a fieldstone foundation. The moderately-pitched gabled roof is shingled in asphalt, with a single chimney near the roofline on the east side. The church is entered at the tower or south end. Unusually, this originally brought the congregation in at the sides of the altar, which was also at this end.

From the projecting central front bay, the multi-staged tower rises, interrupted only by the bracketed cornice on the front roofline. It continues to a narrow frieze with cornice and modillions. All four sides have a window, a small roundel on the front and sides and a small rectangle on the rear, overlooking the roof. Above the oculus there has traditionally been a painted clock face, set at 11:07.

The belfry above is octagonal and ornate. Tuscan columns frame panels that are alternately louvered and plain. These support a similar frieze and cornice as the one below. The final stage uses the same treatment, with all panels louvered, and the tower's cap is an octagonal dome with weathervane.

All the three front bays are filled with entrances. The main entrance is a pair of doors recessed behind fluted architraves. A fanlight surmounts the doorway, their muntins making intersecting Gothic arches. These are echoed on the side entrances.

Both sides are fully fenestrated on both stories with 20-over-20 double-hung sash windows. The rear elevation features no decorative treatment at the roofline, and one window in each story at the sides, similar to the windows along the sides.

A vestibule separates the main door from the sanctuary, while both side entrances lead directly to it. The altar is of plain wood, with some elliptical framing in the wall above paralleling a larger frame opposite that leads to the stairway to the choir loft, supported by thin octagonal columns. Simple round columns support the 10-foot–deep (3 m) second-story galleries with balustrade on either side. All walls except the front have wainscoting to the sill level; the front has shelving.

All the woodwork inside save the altar and gallery handrails is painted white. Much of it is original. The ceilings are pressed metal.

A set of stone steps from the front leads to a flagstone walkway that in turn descends a set of steep stone steps to Main Street. In the back is a small bungalow that once served as a parsonage.

Aesthetics

The Bloomingburg Reformed Protestant Dutch Church is similar to the style of churches that began to appear in New England after 1800, as well as some of Charles Bulfinch's designs. It was common to copy church designs at the time, usually from other nearby examples. The steeple appears to be some similarity between the Bloomingburg church and a pattern for a rural church in Asher Benjamin's influential 1797 The Country Builder's Assistant.

But unlike the other designs, there is no small pediment on the front of the tower, matching the larger pediment on the front face, nor is there any sign there ever was. The three-bay front is a variant found more frequently in New York, as opposed to the five-bay facades found in New England. Also unusual is the placement of the altar at the front of the church, later changed.

History

The Associate Reformed Church was formed in Bloomingburg in 1799. Twenty years later, in 1819, some members who wished for a pastor recognized by the Dutch Reformed Church broke away to form the Reformed Protestant Dutch Church of Bloomingburgh (as it was then spelled). They chose the small Gillen's Hill, which overlooked the village, and established a building committee.

The cornerstone was laid in 1821. Church records credit Peter Weller, an elder of the church and George Miller, a local builder and carpenter who was not a member of the congregation, with the construction. A year later, the pews were finished and subscribed. The church was dedicated in spring 1822 and opened in December.

At the time, the church interior was slightly different. The altar was at the entrance end, and a small semicircular window in the gable apex opened into the rear. These were changed in the middle of the century, along with the conversion of the box pews into slips, the extension of the galleries and construction of the choir loft and accompanying stairways. A new bell was installed in 1868.

In the late 1880s, the exterior got renovated. The roof eaves were extended and the brackets installed, per the late Italianate trends of the era. A memorial stained-glass window was installed in 1901 above the front door. Other stained-glass windows installed shortly afterwards have since been lost. New carpets and pews were installed later in that decade.

To celebrate the church's centennial, in 1922 the parsonage was built. In 1950 the roof was converted from tin to asphalt shingling, the last major change to the church's exterior. A decade later, in 1962, the dwindling congregation merged with Bloomingburg's Methodist Church to form the Community Church of Bloomingburg. The old Reformed Church building was for a time used as a church school, but then a new educational wing was added to the Community Church building, and the old church was sold to the county.

It was neglected for a few years, with some of the interior furnishings stolen and vandalized. In 1977 the Bloomingburg Restoration Foundation was established to preserve the church and use it as a regional history museum; it is open today for that purpose by appointment. In 1999 the county transferred the church to the Town of Mamakating.