7.2 /10 1 Votes
7/10 Letterboxd Produced by Yongxin Li Starring Cai Hongxiang Initial release 14 April 1990 (Japan) Screenplay Liu Heng | 7.3/10 IMDb Written by Liu Heng Cinematography Xiao Feng Story by Liu Heng | |||||||||||||||||||||||||||||||||
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Awards Hundred Flowers Award for Best Picture Cast Jiang Wen, Cheng Lin, Hong Yue, Renee O'Connor, Tian Liang Similar Ju Dou, Red Sorghum, Woman Sesame Oil Maker, Li Lianying: The Imperial, The Story of Qiu Ju | ||||||||||||||||||||||||||||||||||
Black Snow (Chinese: 本命年; pinyin: běn mìng nián) is a 1990 Chinese drama film directed by Xie Fei. It was written and adapted from a novel by Liu Heng. It was entered into the 40th Berlin International Film Festival, where it won the Silver Bear for an outstanding single achievement. Although the English film title follows the original name of the novel, the Chinese film title 本命年 běnmìngnián means the year when someone is aged 12, 24, 36, and so on when the Twelve Terrestrial Branches come round again.
Contents
Black snow 1990 car chase
Plot
The film captures the social impact of political change in China at the time. A semi-literate who was deprived of schooling during the Cultural Revolution, Li Huiquan, is released from labor camp. He arrives back in his native Beijing to find that he has no family or prospects or friends, just his underworld contacts trying to drag him back into a life of crime. His attempts to make good are continually thwarted. His street stall selling clothes puts him on the fringe of the black market, and he soon gets lured back into his old neighbourhood gangs. His disenchanted comrades include a nightclub chanteuse as well as an escaped convict. The film's lurking handheld camera visually presents realistic footage of a man destined for the past from which he left behind.
Cast
Awards
DVD release
In 2010, Black Snow was released as a DVD in a new High-Definition transfer and a booklet featuring essay by author and academic Professor Shaoyi Sun. It includes a 32-minute interview with Xie Fei, in which the director discusses a variety of topics from his training in cinema, to the Cultural Revolution and his approach to teaching filmmaking.
