Neha Patil (Editor)

Bistriji ili tuplji čovek biva kad...

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Released
  
July 1981

Artist
  
Šarlo Akrobata

Label
  
Croatia Records

Recorded
  
April–May 1981

Release date
  
July 1981

Bistriji ili tuplji čovek biva kad... httpsuploadwikimediaorgwikipediaenthumb2

Producer
  
Akpiđoto - (Akrobata, Mile "Pile" Miletić, Đorđe Petrović, Toni Jurij)

Genres
  
New wave, Punk rock, Post-punk, Ska, Reggae

Similar
  
Milan Mladenović albums, New wave albums

arlo akrobata arlo je ne an hd


Bistriji ili tuplji čovek biva kad... (Brighter or Dumber a Man Gets When...) is the only full-length album by Šarlo Akrobata. Extremely well received by the critics, it has nevertheless failed to achieve much commercial success. In the years since, however, it has reached a cult status, having often been labeled "one of the most important links in the complete oeuvre of ex-Yugo rock", and has influenced many artists in the nineties and beyond, including Rambo Amadeus and Jarboli.

Contents

Album

By early 1981 Šarlo Akrobata created enough buzz that PGP RTB came calling with an offer of a full-length album. During April 1981, Šarlo recorded the material that would eventually be named Bistriji ili tuplji čovek biva kad..., which confused PGP's executives so thoroughly that they immediately sold it to Jugoton.

Up to that point Šarlo based their sound around punk and white reggae, whereas on this record they broke new ground even by their own innovative standards.

The creative tasks were divided up according to trio's individual sensibilities. Milan's role was basic melody, Koja did his best to destabilise the sound by mixing Hendrix with punk on his bass, while Vd had the unenviable task of bridging this gap. Even the lyrics bare major differences: Koja's are minimalistic, akin to angry graffiti whereas Milan's are layered and poetic. The approach worked like a charm within the context of the record: by fusing different genres and energies they made something that was inherently their own. Jurij Novoselić, Dejan Kostić and old friend Gagi Mihajlović also took part in the recording sessions.

The album got its name from a text found in Vasa Pelagić's book Narodni učitelj. Excerpts from the same book were used on track "Pazite na decu I", a song that's significant because it features Milan playing drums, Vd on guitar, Dejan Kostić on bass, Gagi Mihajlović on piano, while Koja played percussions and let out an occasional shriek.

The record came out during the summer of 1981.

Track listing

All music and lyrics written by Šarlo Akrobata.

Personnel

  • Milan Mladenović - guitar, vocals
  • Dušan Kojić - bass guitar, vocals
  • Ivan Vdović - drums, vocals
  • Legacy

    In 1998, the album was polled as the 11th on the list of 100 greatest Yugoslav rock and pop albums in the book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best albums of Yugoslav pop and rock music).

    In 2015, the album was pronounced the second on the list of 100 greatest Yugoslav album, published by Croatian edition of Rolling Stone.

    Songs

    1Sarlo je nezan0:56
    2Pazite na decu (I)3:29
    3Fenomen1:59

    References

    Bistriji ili tuplji čovek biva kad... Wikipedia