Rahul Sharma (Editor)

Bhimpalasi

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Bhimpalasi is a Hindustani classical raga.

Contents

Arohana and Avarohana

Notation: S R g G M Ḿ P d D n N S

Lower caps indicate 'komal' or flat notes, " indicates higher (third) octave, ' indicates lower (first) octave

  • Arohana: Nee Saa Ga Ma Pa Nee Saa"
  • Avarohana: Saa Nee Dha Pa Ma Ga Re Saa

    • The raag has komal Nee and Ga. It is an Odhav-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana.

    Vadi and Samavadi

  • Vadi: M (fourth)
  • Samavadi: S (first)

    • Pakad or Chalan

  • Pakad or Chalan: n' S M g M P M, M g R S

    • Organization and relationships

    Related ragas:

  • Dhanashree, Dhani, Patdeep, Hamsakinkini, Patdeepaki
  • Thaat: Kafi
  • In Carnatic music, Karnataka Devagandhari is the most similar raga, falling with Melakarta 22 (Karaharapriya).
  • BAGESHREE

    • Behavior

    The madhyam (fourth) is the most important note - an important 'nyaas' sthaan (note for rest) with emphasized elaboration around this note - S g M, M g M, g M P, M P g M P (M) g (M) g M... The Rishabh (second) and the Dhaivat (sixth) are skipped in Aarohi (ascending) passages, but are given due importance when descending (Avrohi). Use of the Dhaivat and Rishabh is symmetric and both are approached via the succeeding notes (D from n, and R from g).

    Samay (Time)

  • Samay: Late Afternoon
  • DIN KA TISRA PRAHR

    • Important recordings

    Pt. Jasraj- "Ja Ja Re Apne Mandirva"

    References

    Bhimpalasi Wikipedia
    (Text) CC BY-SA