Artist Ernst Ludwig Kirchner Period Expressionism | Created 1914 Genre History painting | |
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Similar Ernst Ludwig Kirchner artwork, History paintings | ||
Berlin Street Scene (German: Berliner Straßenszene) is a painting from the cycle Street Scenes by the Expressionism artist Ernst Ludwig Kirchner. It was created in the year before the first world war until 1915. The cycle often depicts "Koketten" (prostitutes) with their clients. The overall cycle is dubbed to be one of the most important works of German Expressionism.
Contents
Description
In the paintings foreground one can see two Johns. One is facing the viewer one is facing the prostitutes. The model for the Johns was probably the artist friend of Kirchner Otto Mueller. It could be possible too that Kirchner depicted himself. The models for the two prostitutes are the sisters Erna and Gerad Schilling.
The women are seen wearing very colourful clothing with elaborate lace collars and high-fashion hats. In the background one can see a busy street. On the street are a hackney carriage and the sign of the tram line 15, which at that time drove over the central stations of Berlin like Potsdamer Platz and the Brandenburg Gate. They are looking at the two men provocatively. The Johns reaction to this is giving them their attention or looking away. The style of capturing just a moment in the street life is emphasized through the cut off men.
Style
In the painting influences of Italian Futurism can be found through the hastly dynamic of the work. The angular language of form is borrowed from Cubism.
Interpretation
Kirchner often depicted prostitutes and their relationship to their Johns. This was not meant as social criticism but rather an attempt to depict his idea of a new independent type of woman. Kirchner noted:
The street scenes developed in the years from 1911 to 1914. It was one of the loneliest times in my life, in which I wandered through the long streets full of people and wagons through day and night in agonizing unrest.
Causa Kirchner
In 2006 Anita Halpins, the granddaughter of the Jewish art collector Alfred Hess, demanded the restitution of the painting, which had previously been exhibited in the Brücke Museum in Berlin. The city granted the restitution. After that the painting was sold in the auction house Christie's for 30 million Euros by the art collectors Ronald Lauder and Serge Sabarsky. Then it became part of inventory of the New Galery in New York. The restitution was based on the Washington Declaration from 1998 in which Germany said it would return the paintings that were confiscated during the Nazi era to the heirs of the victims. The public reaction to the restitution was very negative. It was questioned weather the widow of Alfred Hess had been forced to sell the painting. Her family had gotten into financial troubles in 1929 after the world economic crisis and she could therefore have sold the painting for financial reasons. However the circumstances of the selling of the painting are unclear. The painting was transferred to the cologne art association in 1936 and there sold to the art collector Carl Hagemann under unclear circumstances. Many people still questions whether the Washington Declaration was applicable in this case. It was doubted that the selling was connected to the prosecution of Jews. Further more the Washington Declaration wasn't legally binding, therefore it wasn't necessary to restore the painting for legal reasons. Several complaints were filed against politicians from Berlin that had been involved in the restitution. The attorneys office however refused to file charges, which is why there were no convitions. The sponsoring circle of the Brücke museum demands the restitution of the painting back to them until today.