Length 56:57 Release date 7 January 2013 Movie Berberian Sound Studio | Artist Broadcast Genre Alternative/Indie Label Warp | |
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Released 7 January 2013 (2013-01-07) Similar The Future Crayon, Tender Buttons, Haha Sound, Broadcast and The Focus Gr, Work and Non Work | ||
Broadcast the equestrian vortex taken from berberian sound studio out january 7 8
Berberian Sound Studio is an original soundtrack album by the British band Broadcast. The album is a soundtrack to Peter Strickland's 2012 horror film Berberian Sound Studio. Recording for the album began after Strickland approached Broadcast members James Cargill and Trish Keenan about providing the music for the soundtrack to an unseen fictional film contained within the main Berberian Sound Studio film; Cargill completed the album following the sudden death of Keenan in 2011. Berberian Sound Studio was released by Warp in January 2013, and marked Broadcast's first new material since 2009's Broadcast and The Focus Group Investigate Witch Cults of the Radio Age.
Contents
Background and recording
Berberian Sound Studio director Peter Strickland had previously worked with Broadcast's former keyboard player, Roj Stevens, who had provided input for Stricklands debut film Katalin Varga in 2009. Stevens put Strickland in touch with Broadcast members Trish Keenan and James Cargill and he asked them to provide the music to Il Vortice Equestre – the unseen fictional film that is contained within Berberian Sound Studio. The band's work then expanded to providing the entire soundtrack to Berberian Sound Studio.
Cargill drew inspiration from the Nicola Piovani's score for Le Orme and Luboš Fišer's score to Valerie and Her Week of Wonders. Cargill was also influenced by Czech New Wave film-making and the work of Zdeněk Liška. The album was composed and partly recorded prior to the death of Keenan in 2011, with Cargill then using sounds and dialogue from the film in the soundtrack itself. Cargill's main equipment was a laptop and dictaphone, with other sounds coming from synthesizers, Mellotron, flutes, autoharp and harpsichord. The recording process took place chiefly at Cargill's home.
Reception
Upon its release, Berberian Sound Studio received critical acclaim. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 75, based on 27 reviews, indicating "generally favorable reviews."
Allmusic rated Berberian Sound Studio OST four stars out of five with reviewer Heather Phares describing it as "clever, eerie, and beautiful", adding that it is "the perfect accompaniment to a film that examines the nature of fear and sound's part in it." Ian Wade of BBC Music remarked on the album's "perfect spooky mood" and stated that "Berberian Sound Studio and Broadcast are a perfect match." George Bass, writing for Drowned in Sound, said that the album was "as extraordinary and original as the film itself" and noted that it was "both a bona fide film score and consistent electronica album", awarding it a score of eight out of ten. Fact magazine gave the album four and a half stars out of five, remarking that it was "wonderful, intense and darkly beautiful."
In his review for The Guardian, Alexis Petridis scored Berberian Sound Studio four stars out of five, commenting that the "39 short pieces offer a partial index of Broadcast's various styles" but opining that "what's missing... is Keenan's remarkable voice." A review for the NME awarded the album eight out of ten, noting that its "creepily beautiful style" fitted well with the themes of the film. Pitchfork writer Nick Neyland said that while the album was "an attempt at subtlety emulating the work of others" it had "a recognizable identity of its own" and awarded a score of 7.4 out of 10. Rating the album seven out of ten, Arnold Pan of PopMatters remarked that the soundtrack was "best experienced as a single unit all the way through" and that it was "a surprisingly complete and coherent effort". In his nine out of ten review for Uncut, Stephen Troussé described the album as "not an easy listen" but declared that it helped to make Broadcast "increasingly look like the key British group of the last 20 years."
Track listing
All tracks written by Broadcast.