Harman Patil (Editor)

Be Glad for the Song Has No Ending

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Released
  
March 1971

Label
  
Island

Producer
  
Joe Boyd

Length
  
50:19

Release date
  
1970

Genre
  
Psychedelic folk

Be Glad for the Song Has No Ending httpsimagesnasslimagesamazoncomimagesI5

Recorded
  
July 1968 - April 1969, Sound Techniques, Chelsea, London

Artist
  
The Incredible String Band

Movie
  
The Incredible String Band: Be Glad for the Song Has No Ending

Similar
  
The Incredible String Band albums, Contemporary folk music albums, Other albums

Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label, and the last to feature Joe Boyd as the producer.

Contents

Recording

Recording of the album and soundtrack came during a transitional period for the band. Tracks were completed during Wee Tam and the Big Huge and I Looked Up sessions. As a result, the girlfriends Licorice McKechnie and Rose Simpson are more involved in some tracks in comparison to others. Even the compositions themselves reflect differentiation from the dream-like folk pieces to the less experimental contemporary ones that are more similar to Liquid Acrobat as Regards the Air. The whole B-side of the album is instrumentals that were the soundtrack of the documentary. They appear in the film to set mood to significant scenes. Three additional tracks were added from the Wee Tam sessions that did not make it to the album to have a completed LP. Joe Boyd stated the whole development was "a kind of clear out the cupboard thing".

The Documentary

The documentary film was released in July 1970 and was based on the members of The Incredible String Band. The film is broken down into two parts. Part one featured stage performances and interviews of the band with the intent of learning about the group's thought process and way of living. Part two involves the group with friends dressing up to create a short, 20-minute drama play called The Pirate and The Crystal Ball.

Filming began as early as a March 1968 Royal Festival Hall concert, and was budgeted by Ominibus for what they expected to be a straightforward documentary. Since there was limited camera angles, the concert was broken down into brief clips of pre-selected segments. After concert segments of material including "Mercy I Cry City" and "A Very Cellular Song", brief questioning is taken up by reporters. On one particular intense, regarding the meaning of their music, Heron responds, "If I could describe my songs I wouldn't sing them". Then, extensive interviews are conducted at the group's communal home in Glasgow along with clips of their daily lives. Finally, was the fable drama designed by the band, which was completed in one weekend. A basic-storyline included a pirate attempting to steal a crystal ball from three fates (Simpson, McKechnie, and Schofield). The fates enlist a hunter (Maistre) to set matters right, and the hunter captures the pirate to be judged by two Gods (Williamson, Heron). In the end, the pirate is forced into an endless reincarnation cycle. A collage of psychedelic images relating to the pirate's past begin and end with the sound of a baby's cry, concluding the fable.

Track listing

Side one

Side two

Personnel

  • Robin Williamson - bass, claves, fiddle, finger cymbals, gimbri, guitar, keyboard, mandolin, piano, sarangui, shakers, violin, vocals
  • Mike Heron - bass, chimes, glockenspiel, guitar, harp, horn, keyboard, organ, sitar, vocals
  • Licorice McKechnie - backing vocals, keyboard, violin
  • Rose Simpson - backing vocals, bass, percussion
  • Songs

    1Come With Me3:56
    2All Writ Down4:28
    3Veshengro5:07

    References

    Be Glad for the Song Has No Ending Wikipedia