Emeritus Professor Barry Ernest Conyngham, AM, (born 27 August 1944) is an Australian composer and academic. He has over seventy published works and over thirty recordings featuring his compositions, and his works have been premiered or performed in Australia, Japan, North and South America, the United Kingdom and Europe. His output is largely for orchestra, ensemble or dramatic forces. He is an Emeritus Professor of both the University of Wollongong and Southern Cross University. He is currently Dean of the Faculty of the VCA and MCM at the University of Melbourne.
Conyngham was born in Sydney. He was initially interested in jazz, and studied with Raymond Hanson and Richard Meale but turned his attention to orchestral writing in the mid-1960s with encouragement from Peter Sculthorpe. He completed a Bachelor of Arts at the University of Sydney in 1967, and a Master of Arts (Hons.) at the same university in 1971. In 1970 he visited Japan on a Churchill Fellowship, where he studied with Toru Takemitsu. This was unusual, as Australian composers typically chose Europe and Britain as their location for further study.
In 1972 he went to the United States on a Harkness Fellowship and gained a Certificate of Post-Doctoral Studies from the University of California, San Diego in 1973. He was a Fellow of Princeton University 1973–74, and Composer-in-Residence at the University of Aix-Marseille in 1974–75. He was a Lecturer at the University of Melbourne from 1975 to 1979, then Senior Lecturer 1975–79. He was a Visiting Scholar at the University of Minnesota, was a Senior Fulbright Fellow in 1982, and that year gained a Doctorate in Music from the University of Melbourne. He became Professor and Head of the School of Creative Arts at the University of Wollongong 1989–94. He was the Foundation Vice-Chancellor of Southern Cross University 1994–2000, based in Lismore, New South Wales.
He was the first musician to hold the Chair of Australian Studies at Harvard University (2000–2001).
In 1978, he won the Albert H. Maggs Composition Award (he won it again in 2008). In 1997, he was appointed a Member of the Order of Australia (AM), "for service to music as a composer and to music education and administration".
In 2000, Barry Conyngham was invited to give the 2nd Annual Peggy Glanville-Hicks Address for the Sydney Spring Festival.
In 2003, he was given a commission by the Ian Potter Music Commission Fellowship.
Conyngham has been involved with a number of arts organisations, including the World Music Council, Opera Australia, the Australian Music Centre and the Swiss Global Artistic Foundation. He has also been chairman of the Music Board of the Australia Council.
After retiring from academic life to concentrate on composition and music performance, on 22 December 2010 he was appointed Dean of the Faculty of the VCA and Music at the University of Melbourne.
Bennelong (about the Australian Aborigine Bennelong; included puppets by Mirka Mora)PUBLISHED SCORES
(Universal Edition London, Vienna. Boosey & Hawkes London, Sydney. Hal Leonard/CoEdition Melbourne.)
CRISIS: THOUGHTS IN A CITY (1968) for orchestra UE 29004THE LITTLE SHERIFF (1969) for solo piano UE 29132FIVE WINDOWS (1969) for orchestra UE 29007THREE (1969) for string quartet and percussion UE 29010FIVE (1970) for wind quintet UE 29088WATER...FOOTSTEPS...TIME... (1970) for orchestra UE 29060ICE CARVING (1970) for orchestra UE 29085PLAYBACK (1972) for solo contrabass and 4-channel tape UE 29081WITHOUT GESTURE (1973) for orchestra UE 29080FROM VOSS (1973) for soprano and percussion UE 29090(10)EDWARD JOHN EYRE (1971–73) chamber opera UE 29067SNOWFLAKE (1973) solo for keyboards UE 29082SIX (1971) for percussion and orchestra UE 29128MIRROR IMAGES (1975) for ensemble UE 29127NED (1974–77) opera UE 29133SKY (1977) for string orchestra UE 29212THE APOLOGY OF BONY ANDERSON (1978) opera UE 29218MIRAGES (1978) for orchestra UE 29223BONY ANDERSON (1978) chamber opera UE 29225SHADOWS OF NOH Concerto for Double Bass (1979) UE 29244(20)BASHO (1980) for soprano and ensemble UE 29239JOURNEYS (1980) solo wind (clarinets and saxophones) UE 29242VIOLA (1981) for solo viola UE 29222IMAGINARY LETTERS (1981) for chamber choir UE 29230HORIZONS, Concerto for Orchestra (1980) UE 29270SOUTHERN CROSS, Concerto for Violin and Piano (1981) UE 29252DWELLINGS (1982) for ensemble UE 29255VOICINGS (1983) for ensemble and tape UE 29265CELLO CONCERTO (1984) for cello and string orchestra UE 29262FLY (1982–84) opera UE 29338(30)PREVIEW (1984) for solo cello UE 29292ANTIPODES (1984–85) for orchestra, chorus and soloists UE 29300GENERATIONS (1985) for orchestra UE 29300THE OATH OF BAD BROWN BILL (1985) children’s opera UE 29303RECURRENCES (1986) for large orchestra UE29323VAST I 'The Sea' (1987) for orchestra UE 29326VAST II 'The Coast' (1987) for orchestra UE 29329VAST III 'The Centre' (1987) for orchestra UE 29332VAST IV 'The Cities' (1987) for orchestra UE 29335GLIMPSES (1987) for chamber orchestra UE 29348(40)BENNELONG (1988) puppet opera UE 29345MATILDA (1988) chorus and orchestra UE 29340STREAMS (1988) for flute, harp and viola UE 29350MONUMENTS, Concerto for Piano (1989) UE 29400WATERWAYS, Concerto for Viola (1990) UE 29401CLOUDLINES, Concerto for Harp (1991) UE 29500AWAKENINGS (1991) for solo harp UE 29501SHININGS (1992) for ensemble UE 29550DECADES (1992) for orchestra UE 29552BUNDANON (1994) for piano and orchestra Boosey&Hawkes(50)AFTERIMAGES (1993) for koto and percussion UE 29560AFTERIMAGES 2 (1994) for koto and orchestra Boosey&HawkesDAWNING (1996) for orchestra Boosey&HawkesNOSTALGIA (1997) for string orchestra Boosey&HawkesPASSING (1998) for orchestra Boosey&HawkesYEARNINGS (1999) for ensemble Boosey&HawkesSTRING QUARTET (1999) Boosey&HawkesSEASONS (2000) for percussion and orchestra Boosey&HawkesFLUTE (2001) for solo flute Boosey&HawkesANTIPODS (2001) for two pianos Boosey&Hawkes(60)ORGAN (2001) for organ Boosey&HawkesFIX (2001-2004) for solo baritone and orchestra Boosey&HawkesPLAYGROUND (2002) for violin, clarinet and piano Boosey&HawkesVEILS 1 (2003) for solo piano Boosey&HawkesVEILS 2 (2003) for solo piano Boosey&HawkesDREAMS GO WANDERING STILL (2003) orchestra Hal Leonard/CoEditionCATHEDRAL 1 (2005) for cello and piano Hal Leonard/CoEditionNOW THAT DARKNESS (2005) for orchestra Hal Leonard/CoEditionCATHEDRAL 2 (2006) for clarinet and piano Hal Leonard/CoEditionTO THE EDGE (2006) for chamber orchestra Hal Leonard/CoEdition (70)ELECTRIC LENIN (2005-6) chamber opera Hal Leonard/CoEditionSTRING QUARTET 3 (2007) (Bushfire Dreaming) Hal Leonard/CoEditionCALA TUENT (2007-8) orchestra & folk instruments Hal Leonard/CoEditionKANGAROO ISLAND, Concerto for Double Bass (2009) Hal Leonard/CoEditionSHOWBOAT KALANG (2010) for ensemble Hal Leonard/CoEditionGARDENER OF TIME (2009–11) for orchestra Hal Leonard/CoEditionFALLINGWATER (2011) two bassoons and orchestra Hal Leonard/CoEditionSILHOUETTES (2011) Flute and Guitar Hal Leonard/CoEditionSYMPHONY (2012) for orchestra Hal Leonard/CoEditionTIME TIDES TENDERNESS (2013) piano trio and strings Hal Leonard/CoEdition(80)DRYSPELL…DELUGE (2014) Ensemble Hal Leonard/CoEditionANZAC (2014) for Nine Soloist and orchestra Hal Leonard/CoEdition