Editor and Designer Marvin Hoshino Year founded 1965 Based in New York City | Frequency Quarterly Country United States | |
Publisher Dance Research Foundation, Inc. | ||
Ballet Review is a quarterly color print publication which covers all aspects of dance. It is published by the non-profit Dance Research Foundation, Inc.
Contents
While its name says "ballet," it also covers modern dance, contemporary dance, other choreography, and all kinds of folk dance including Asian traditions. It is noted for its carefully chosen contemporary and historical photographs; in-depth interviews with dancers, choreographers, and company directors; and reports of recent performances in New York City, in world capitals, and from around America.
Arlene Croce, David Vaughan and Robert Cornfield founded Ballet Review in 1965. Croce acted as the publication's first editor. Vaughan continues to write for the magazine, and Cornfield was the magazine's second editor. In 1970 a nonprofit organization, the Dance Research Foundation was created to oversee the publication of Ballet Review. The Foundation is also involved in research about dance and related arts. Francis Mason, co-author of Balanchine’s Complete Stories of the Great Ballets was editor from 1980 until his death in 2009, at which time he was followed by Marvin Hoshino, the current editor.
The Ballet Review table of contents
Ballet Review 41.1 Spring 2013: Cover Photograph by Linda Reyes. National Ballet of Cuba:Viengsay Valdés in Peter Quanz’s Double Bounce.
Ballet Review 41.2 Summer 2013: Cover Photograph by Paul B. Goode.Paul Taylor Dance Company: Sean Mahoney and Michael Trusnovec in Scudorama.
Ballet Review 41.3 Fall 2013: Cover Photograph by Marty Sohl. ABT: Polina Semionova and Marcelo Gomes in Alexei Ratmansky’s Symphony #9.
Ballet Review 41.4 Winter 2013-2014: Cover Photograph by Em Watson. Jacob's Pillow Dance: Wendy Whelan in Restless Creature.
Ballet Review 42.1 Spring 2014:Cover Photograph by Costas. Mark Morris Dance Group at Lincoln Center: L’Allegro, il Penseroso ed il Moderato.
Ballet Review 42.2 Summer 2014: Cover Photograph by Dominik Mentzos. Forsythe Company: Fabrice Mazliah and Christopher Roman in I don’t believe in outer space.
Ballet Review 42.3 Fall 2014: Cover Photograph by Stephanie Berger, Baryshnikov Arts Center. Nrityagram Dance Ensemble: Bijayini Satpathy and Surupa Sen in Songs of Love and Longing.
Ballet Review 42.4 Winter 2014-2015: Cover Photograph by Damir Yusupov. Bolshoi Ballet: Maria Alexandrova and Vladislav Lantratov in Don Quixote.
Ballet Review 43.1 Spring 2015: Cover Photograph by Hideaki Tanioka. Youth America Grand Prix: Onegin with Olga Smirnova and Evan McKie at the 2014 YAGP Gala.
Ballet Review 43.2 Summer 2015: Cover photograph by Zoran Jelenic. Les Ballets Trockadero de Monte Carlo: Yakaterina Verbosovich (Chase Johnsey) and Vyacheslav Legupski (Paolo Cervellera) in Don Quixote.
Ballet Review 43.3 Fall 2015: Cover photograph by Zoran Jelenic. Les Ballets Trockadero de Monte Carlo: Yakaterina Verbosovich (Chase Johnsey) and Vyacheslav Legupski (Paolo Cervellera) in Don Quixote.
Ballet Review 43.4 Winter 2015-2016: Cover photograph by Gene Schiavone, ABT. Gillian Murphy in Alexei Ratmansky’s new production of The Sleeping Beauty for American Ballet Theatre.
Ballet Review 44.1 Spring 2016: Cover Photograph by Paul Kolnik New York City Ballet: Tiler Peck and Robert Fairchild in Who Cares?
Ballet Review 44.2 Summer 2016: Cover photograph by Stuttgart Ballet: Hans van Manen’s Variations for Two Couples with Anna Osadcenko and Jason Reilly.
Ballet Review 44.3 Fall 2016: Photograph by Paul B. Goode, Paul Taylor Dance Company: Jamie Rae Walker and Francisco Graciano in Doug Elkins’ The Weight of Smoke
Ballet Review 44.4 Winter 2016-2017: Cover photograph by Ann Ray, Paris Opera Ballet: Ludmila Pagliero and Germain Louvet in William Forsythe’s Blake Works I
Ballet Review 45.1 Spring 2017: Cover photograph by Julien Benhamou, Paris Opera Ballet: Léonore Baulac and Mathias Heymann in Nureyev’s Romeo and Juliet.
Dance Research Foundation, Inc.
The Dance Research Foundation, Inc. is supported in part by funds from National Endowment for the Arts, the New York State Council on the Arts, The Fan Fox and Leslie R. Samuels Foundation