Balan (film)

Cast

Production

There were several attempts to make a talkie in Malayalam, right from the days Vigathakumaran (1928) got released. One among them, A. Sundaram Pillai, had an unpublished story entitled Vidhiyum Mrs. Nayarum (Mrs. Nair and the Fate) with him. He contacted several production houses to adapt this story into a film. Several of his attempts failed, but at last he got a letter from T. R. Sundaram, a Tamil based producer informing him that he was ready to produce the film. T. R. Sundaram owned the production company Modern Theatres, which he established in 1936. A. Sundaram had already finished casting, which included several theatre artists from Malayalam. K. Kunjunair, credited as K. K. Aroor in the film, of the Kottakkal Nataka Samithi was selected to do the title role. M. K. Kamalam was chosen as the heroine.

A. Sundaram wanted himself to direct the film, but later agreed to sign S. Nottani as the director. Nottani rejected the screenplay of A. Sundaram and wanted to rewrite it. Eventually, he signed renowned writer Muthukulam Raghavan Pillai, who wrote the screenplay and dialogues, as well as lyrics for the songs. The filming was started on 17 August 1937 from Salem. After completing a length of 2000 feat, T. R. Sundaram dropped the project following differences in opinion with A. Sundaram. T. R. Sundaram had spent ₹ 30,000 on the project. A. Sundaram himself financed the project thereafter. Most parts of the film was shot from Powerful Studios. The filming was completed within five months, on December 1937. A. Sundaram could not find a distributor for many months. Later, Shyamala Pictures, Madras bought the rights and the film was released on 19 January 1938.

Songs

Balan's music was composed by K. K. Aroor, who played the male lead, and Ibrahim. It had 23 songs, most of them recorded by the actors themselves. K. N. Lakshmi, K. K. Aroor, M. K. Kamalam and Master Madanagopan are the credited singers. Playback singing was not possible that time, so the producer had to sign actors those who could excel in singing also. Most of the songs followed popular Hindi and Tamil film tunes of the time. Gramaphone records of the songs were not produced. The most popular song was a solo by M. K. Kamalam "Jaathaka Doshathale", based on Chenjurutti raga. It was a direct copy of "Theyila Thottathle" by M. K. Radha from the Tamil film Sathi Leelavathi (1936). Lyrics for the songs are penned by Muthukulam Raghavan Pillai, who also wrote the screenplay and dialogues for the film.