Badjelly's Bad Christmas

Prologue – The Children go on a Journey

The show starts with a mockery of the notice commonly seen at the beginning of films stating where it can be shown. It states "This production is licensed for theatre use only. The definition of theatre use excludes the use of this production in places such as schools, oil rigs, prisons, sweet shops, sweatshops..." it then goes on in this manner for a long time, the places getting more and more ridiculous each time, until at the end it gives a random address in the area. This announcement is followed by "I'm Walking Backwards for Christmas". The song is then interrupted by a loud smashing of glass, and the mother of the two main characters, Kate and Laura, tells them off for stopping the song. Kate offers her mother some tablets for the stress (which Kate, being 8, called Smarties). Her mother refuses them, saying that she doesn't need any tablets, and says she is sending them to Grandad's house. The children are very reluctant, as their Grandad is crazy and has an imaginary world in his head, called the Land of the Bumbly Boo, but they give in and leave for Grandad's house. This is then followed by "Walking Backwards for Christmas" again, this time not cut off, in which Kate and Laura travel by train to Grandad's house. During the train ride, two children and their mother (played by Dina Williams) are arguing. Kate and Laura then have an argument in which Kate states that if she had one wish, it would be to never ever have to see Laura ever again.

Scene I – And arrive at Grandad's House

The children arrive at Grandad's house, and are greeted with a very frosty reception by a woman called Barbara Jelly, who doesn't allow them into the house. Then they distract her, and go into the house. They find Grandad doing a jigsaw puzzle. This confuses them, as Grandad had never liked jigsaw puzzles, much preferring to skateboard in the garden. They learn that Barbara Jelly and Grandad are boyfriend and girlfriend. The couple met on holiday in Scarborough. Laura then asked how long they'd been together, to which Grandad replies "Oh, well, it's early days". This is followed by the song "It's Early Days", in which Grandad proclaims his love for Barbara Jelly, while Barbara Jelly tries to maim him, and on one occasion, Kate, which she disguises as dancing. At the end of the song they attempt to kiss, but they're interrupted by Kate asking if Grandad will show her his magic baubles. The "magic baubles" are 5 baubles which each hold a figurine of one of the characters in Grandad's imaginary world.

Grandad goes through all the baubles in turn, explaining what each one represents. The baubles are:

Laura, who is passing the baubles to Grandad then says that the fifth one is broken. Grandad initially refuses to believe her, until she pours the smashed remains of the outer shell of the bauble on to the floor.

The fifth bauble represents evil, and should hold a figure of Badjelly. However the figure is missing, and Grandad says this means Badjelly is somewhere around them. Grandad then realises that Barbara Jelly appeared on the very same day he brought his baubles on the coach to Scarborough, and "Barbara Jelly" confirms that she is in fact, Badjelly the Witch. She hints that she has plans to turn The Land of the Bumbly Boo evil, before she promptly escaped to the Land of the Bumbly Boo, Grandad's "imaginary" world, taking the baubles with her.

Scene 2 – The Adventure Begins

Grandad reveals that The Land of the Bumbly Boo is in fact, real, and it is based on the five baubles that he owns. If all the baubles are united on a Christmas tree, the owner of the baubles can make a wish. He thinks that Badjelly has stolen the baubles, which she will put on her Christmas tree and as she said, turn the Land of the Bumbly Boo evil. He says they have to follow her and get the baubles back. The only way to travel to the Land of the Bumbly Boo is by "B.E.D.S.I.R.", which stands for Best Ever Driving Scheme Invented Recently. He then reveals that the B.E.D.S.I.R. is in fact, what they thought was a broken chairman in his living room. Laura says that she thinks the whole thing is completely stupid, and starts saying things such as "You don't know what it's like to do the things I've done, and to care". Grandad gets slightly worried about her, until Kate tells him that they're just quotes from various vampire-related TV shows and books, such as Twilight. Kate says that she thinks they should put a stake through her heart, but her Mum has told her that it's just a phase. Laura then asks if the B.E.D.S.I.R. has a key, which it doesn't. It is what Grandad calls a "push start" B.E.D.S.I.R., essentially meaning they have to push it. They then push the B.E.D.S.I.R. ten and a half feet across the lounge, before Grandad says they're in the Land of the Bumbly Boo, which confuses Laura and Kate because they don't appear to have moved very far at all.

Suddenly there is a blackout, and they find themselves surrounded by a tribe of Bumbly Boos – creatures dressed in red, white and blue, with glowing hands, and blue war-paint on their faces. We then learn more about Bumbly Boos, in the song "In the Land of the Bumbly Boo", while The Bumbly Boos attempt to kill Grandad, Kate and Laura using their spears, until their leader, Sir Nobonk recognises Grandad from his last visit.

At first, Sir Nobonk appears to be knighting people, while saying the words "Arise Sunny". This confuses Laura and fascinates Kate, but Grandad says that he is in fact "knighting and daying" people. Sir Nobonk, in his excitement of having recognised Grandad, knights and days the remaining few of his Bumbly Boos whom he has not already knighted. He is fascinated by the fact that Grandad has both children and grandchildren, and says that they must have a party to celebrate this fact. He then sends the Bumbly Boos off to find the Mayor Naise, after it turns out he has no servants to help with preparations for the party, because he's knighted them all. However, he seems to forget about the party soon afterwards, as it isn't mentioned again.

Kate explains Grandad's situation to Sir Nobonk, and after commenting on Grandad's bad choice in girlfriends, Sir Nobonk says they need King Twytt to help them.

King Twytt then arrives on a tricycle, along with his Twytts, Queen Twytt and Mayor Naise, and we learn about King Twytt through the song "He's the Twytt of the Highest Order". King Twytt and his Twytts are trying to make Queen Twytt laugh, because she doesn't find anything funny any more. After several unsuccessful attempts, they give up, and Grandad and Sir Nobonk tell King Twytt about the situation they're in. King Twytt reacts by laughing hysterically, then realising they are in a very sticky situation. He then says they need someone cleverer than him to sort it out, and they go off in search of The Werkling.

Scene 3 – Meanwhile on the other side of town

Badjelly's sisters, Wobble and Ice Cream arrive back to the Land of the Bumbly Boo after a day of pretending to be a nurse and a nun respectively, before Badjelly arrives cheerfully telling them that she's hatched an evil plan. She tells them all about and it, and they then excitedly put the baubles on their Christmas tree, but nothing happens. They're all very confused, until they realised that as they stole the baubles, they are not the rightful owners. Kate was the last owner of the baubles, as she handed them all to Badjelly. They then make a plan to kidnap Kate, and turn her in to one of them so she will wish for the Land of the Bumbly Boo to become evil.

Scene 4 – They come to the place where the Cows go Bong

As Grandad, Kate, Laura, Sir Nobonk and King Twytt near The Werkling's Factory (aka The Ning Nang Nong), they are all given earmuffs because the factory is incredibly loud. They then finally arrive at the factory, which has many Werkers, creatures which are part machine. We learn about the factory in the song "On the Ning Nang Nong", and we then meet the Werkling. King Twytt and Sir Nobonk then tell the Werkling what's happened, and the Werkling claims that he knows it all already.

After much thought and telling a long story in nonsense about Badjelly, he concludes that they must "follow the string", reasoning that "String is a very important thing. Rope is thicker but string is quicker." They find a long red string running out of the Ning Nang Nong, which they follow. They then arrive in a field, where Badjelly, Wobble and Ice Cream are waiting for them. It turns out the string was actually a trap, set up by Badjelly to lure to kidnap Kate.

Scene 5 – And as the sun rises a great duel takes place...

They decide they have to have a duel, Sir Nobonk versus Badjelly. In the end there is no clear winner, but Wobble, Ice Cream and Badjelly succeed in kidnapping Kate.

Starts with a goodnight to all

A man comes on the voice-over saying "Due to circumstances beyond our control, the second half will begin shortly." Then Sir Nobonk accidentally think it's the end of the show, and says goodbye to the audience and gives them instructions for what to do as they leave (flirting with several of them as he does so) in the song "The Party's Over". The signers then come on, and tell Sir Nobonk to apologise to the audience for the confusion. He does this, and ends his song with the words "Hello, hello, hello, hello!"

Scene 1 – The Adventure Continues

Grandad says they have to go to the court of the Itchy Koo. Laura gets worried, because she doesn't want to have to walk there. Grandad agrees to get a taxi, which turns out to be a wheelbarrow. The taxi driver then makes an excuse to leave, and "drives" away.

Scene 2 – On the other side of town

Badjelly, Ice Cream and Wobble have kidnapped Kate, but they all, especially Ice Cream, find Kate's long rambling stories and advice about what to do when you're arguing, which have been driving Laura mad for years, very very boring. Kate also doesn't want to become evil, so they tell her about their childhood in the song "The Beauty of our Childhood" in the hope it'll make her want to become evil with them. Their plan succeeds, and Kate turns evil.

Scene 3 – On the way

The judge arrives at the court of the Itchy Koo, and tells us about Noses in "The Nose Song".

Scene 4 – They arrive

Grandad, Laura, Sir Nobonk, King Twytt, and The Werkling arrive at the Court of the Itchy Koo, and the Itchy Koos arrive, singing "I wish I were in Itchy Koo land", and decorate the courtroom in brightly coloured ribbons. Coincidentally, soon after their arrival, Badjelly, Wobble, Ice Cream and Kate arrive.

Scene 5 – And find themselves in court

The Itchy Kooks decide they need to have a court session to sort it out. Everyone in The Land of the Bumbly Boo turns out to be a juror. The Judge hears both sides of the story, and discovers that Kate is the rightful owner of the baubles. He asks Kate what she wants to with the baubles, to which she replies that she wants to crush honour, laughter, bravery, and wit in her hand. Laura tries to tell the judge that she's been turned evil, but the Judge tells her if it's what Kate wants to wish, so be it. But then Grandad claims that Badjelly tried to kill Sir Nobonk in the duel, so the judge says they should have a joust to settle the argument. This is met by cheering from the jurors, but then the Conkerer decides that they have to have a hip hopera, a rap battle of nonsense. Whoever raps the best nonsense wins. This commences "The Itchy Koo Hip Hopera".

First it is King Twytt's go, and he raps a story about jam. Then Wobble and Ice Cream do their rap using only nonsense words. Badjelly raps a story about eels, and then Sir Nobonk raps a story about a doctor. Then Wobble, Ice Cream and Badjelly sing a story about a "Wiggle-Woggle", who has a stomach ache. This knocks out Sir Nobonk, King Twytt and The Werkling, and Wobble, Ice Cream and Badjelly are convinced they've won. However, slowly King Twytt comes round and gives the microphone to The Werkling, who is terrified as he has never performed a nonsense rap in his life. However, it turns out he is in fact incredibly good at nonsense, and he wins the hip hopera. However, Badjelly, Wobble and Ice Cream refuse to accept the decision, and storm off with Kate, yelling that they'll get their way.

Scene 6 – Something has to be done but who will do it

Grandad goes through a period of what could be considered depression, where he says that he's now half the man he was without Grandma here in the song "I'm half the man". He finds Kate sleeping, and manages to walk in to her dream, which is about Grandma. Grandma continues the song "I'm half the man", and essentially tells him that he needs to pull himself together, and to stop wallowing in self-pity, and asks him where's that "surly sourpuss" that she once knew got to? She tells him he's twice any man, and to stop "shedding lonely tears". He then walks out of the dream, and hears Grandma's voice telling him that he doesn't need baubles to be funny, brave or kind, and to show Kate that he loves her to stop her being evil, because love conquers all.

Scene 7 – Time to go home

Badjelly then interrupts, telling Kate to make her wish quickly. Kate is about to make the wish, when Grandad tells her in nonsense how much he loves her. Kate then stops being evil, and runs up and hugs Grandad. Then Laura, King Twytt, Queen Twytt, The Werkling, the Conkerer and Sir Nobonk arrive to see the happy scene unfolding. Enraged by the failure of her evil plan, Badjelly shouts "Smelly poo to all of you", which everyone, including Queen Twytt, finds hilarious. King Twytt realised that Badjelly has just made Queen Twytt laugh, and tells her that she is actually quite funny. Badjelly gets very annoyed because no one is scared of her. Then Sir Nobonk reveals that he is actually very attracted to her. She then makes the joke "Have you ever been to Scarborough?" (as Scarborough was where she and Grandad met), which causes the judge to come along, saying that someone has to be punished because that joke was awful. He asks the Conkerer to come forward to be punished, but he protests, saying that he didn't make the joke. The Judge insists on punishing him, based on the fact that he was there when the joke was made. He then asks for the "Royal Jelly", and on comes Mayor Naise, holding a red jelly with whipped cream on top. The Conkerer is then "jellied" in the face, but Badjelly says that that was just plain cruel. Sir Nobonk, while handing The Conkerer a towel, says it's just a bit of fun, and Badjelly realises that she can be funny instead of mean. She then makes friends with Queen Twytt, and they leave to go shopping. Suddenly, the train from the Land of the Bumbly Boo to reality comes, and Grandad, Kate and Laura have to go home. When they arrive home, they realise that Kate still has a wish left. Laura expects Kate to wish to never have to see her again, as she said on the journey to Grandad's house. However, Kate decides to save her wish for when she needs it. Then Mum calls and tells them it's time to go home, but says that they can come over again after Christmas.

The Epilogue

Laura, Kate and Grandad are sitting in Grandad's lounge, with the baubles, when suddenly the door opens, and in come several pairs of creatures from the Land of the Bumbly Boo, and they dance to the song "There is a song in man". Halfway through the song, the Conkerer, Sir Nobonk, Badjelly, King Twytt, Queen Twytt, Wobble and Ice Cream also enter. They are soon followed by more creatures from the Land of the Bumbly Boo, (the rest of the cast), and by the end of the song, the whole cast are on stage.

And then...

For the final bows, the casts sing "The Ying Tong Song", and do their bows in character, before character group by group, they leave, leaving Grandad, Kate and Laura on stage. Grandad then wishes the audience a Merry Christmas (and on the performances nearing New Year's Eve, a Happy New Year), before exiting with Kate and Laura. To end the show, an image of Spike Milligan is projected on to a piece of set.

Act I

Act II

Epilogue

Inclusivity

The Chickenshed Theatre Company was the first company to introduce the idea of inclusive theatre in both performing and watching.

Watching

Every performance of Badjelly's Bad Christmas had sign language fully integrated. On some nights it was captioned for the deaf, and audio described for the blind. The theatre was, and still is, wheelchair accessible.

Performing

The Chickenshed Theatre Company didn't hold auditions for any of the roles, however all the performers were members of the company. They relied slightly on typecasting, but mainly on previous knowledge of how hard working the members were.

Critical response

Overall, Badjelly's Bad Christmas received very good reviews, and all the critics seemed to agree that it was a very good show, if a little crazy. The Stage magazine said "The nonsense of Spike Milligan meets the madness of Chickenshed and the results are suitably deranged." They went on to say "Dave Carey has achieved the playwright's equivalent of nailing jelly to a wall", and as for the signers, they said "it's all duplicated just to the side of the main action as three brilliant young performers not just sign but enact the entire piece in a virtual mini play within a play." However, they also said "A little more fire in its bad belly in the first half and a little less from the band – in danger of drowning out those hilarious lyrics – and I’m sure Milligan will be dancing and blowing raspberries from the wings." A Younger Theatre said "It's a little off-the-wall, but absolutely a joy and delight to watch." and commented on the energy of the cast, "It's fun, it's bursting with imagination, and the cast gives more energy in one single show than half of the shows I saw last year put together", the staging "Where Badjelly really excels is the continual revealing of new devices, characters, and methods of presenting the story to the audience", and the signers "The on-stage signing ... was excellently presented to be part of the action". They also commented on the attitude of the performers and staff "It's not often that a venue affects me as much as a show, but you can tell that rooted at the heart of Badjelly's Bad Christmas is the support, determination and love from the staff and the young people involved." This was generally considered one of the best reviews the show got.

Public response

There was a fantastic audience response to Badjelly's Bad Christmas, so much so many of the nights were sold out before the run of the show began, and even on a day when all the roads in the area were iced over, making it dangerous to drive, both performances (the matinee and evening performance) received reasonably large audiences. One audience member said "It was absolutely fantastic...Chickenshed is really good at doing some real stuff, and just stretching your mind, and you think "How is all this working?" They also commented on the use of a German wheel in the Ning Nang Nong scene and the final bows, saying "There's a big wheel that comes across the stage with two fantastic male dancers". Other comments included:

One blogger said " The rap battle scene has the audience in fits of laughter and the directing of Louise Perry and Mary Ward should be congratulated, as the stage is buzzing with energy." She too commented on the signers, saying "They dance, act and sign the show for any audience members who may be deaf or hard of hearing. They are in fact so outstanding there comes a point when you realise, rather than watching the characters, you are instead watching them, especially as it is not every day you see rapping being translated to sign language."

Rotas

In 1994 Chickenshed came up with the concept of having rotas and a fixed cast. All performers who are either a youth theatre, children's theatre or lunar theatre member are put on a rota, either Red, Yellow, Blue or Green, and the performances are shared out equally between all the rotas. Green rota has no performances during the annual Christmas holidays. All students at Chickenshed are put on more than one rota. The fixed cast is made up of adults who perform with Chickenshed for a living, usually referred to as the professional company. The fixed cast do all the performances. The understudies are usually students, who are put on rotas as usual, except of course if they are needed as an understudy they are expected to turn up regardless of whether or not their rota performs on that day. There were originally three rotas, along with a fixed cast. The same system is used today, except with four rotas.