6.6 /10 1 Votes
56% Rotten Tomatoes Production
company Behnegar Music director Armand Amar Costume design Maud Perl | 7.6/10 IMDb Directed by Nacer Khemir Director Nacer Khemir Cinematography Mahmoud Kalari | |||||||||||||||||||||||||||||||||
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Written by Tonino Guerra
Nacer Khemir Starring Parviz Shahinkhou
Maryam Hamid
Hossein Panahi
Nessim Khaloul
Mohamed Graïaa
Maryam Mohaid
Golshifteh Farahani Music by Armand Amar
Abacus Consult
Bulgarian Symphony Orchestra
Naïve
SIF309 Film & Music Productions Distributed by Bavaria Film International
Typecast Releasing
Trigon-Film Initial release 15 December 2005 (Switzerland) Cast Golshifteh Farahani, Parviz Shahinkhou, Maryam Hamid, Hossein Panahi, Mohamed Grayaa Similar The Painting Pool, Ten, Café Transit, Wanderers of the Desert, The Dove’s Lost Necklace | ||||||||||||||||||||||||||||||||||
Bab aziz le prince qui contemplait son me
Summary and themes
The film's complex and nonlinear narrative chiefly centers around the journey of a blind dervish, Bab'Aziz (Parviz Shahinkhou), and his granddaughter, Ishtar (Maryam Hamid), who — while traveling across the desert towards an immense Sufi gathering — encounter several strangers who relate the stories of their own mysterious and spiritual quests.
Contents
- Bab aziz le prince qui contemplait son me
- Summary and themes
- Cast
- Box office
- Critical response
- References
Bab'Aziz is the third part of Khemir's "Desert Trilogy", which also comprises his 1984 Les baliseurs du désert (Wanderers of the desert) and 1991 Le collier perdu de la colombe (The dove's lost necklace). The three films share structural elements and themes drawn from Islamic mysticism and classical Arab culture, as well as an isolated desert setting. Khemir has said:
"The desert… evokes the Arabic language, which bears the memory of its origins. In every Arabic word, there is a bit of flowing sand. It is also one of the main sources of Arabic love poetry. In all three of my movies… the desert is a character in itself."
Bab'Aziz is particularly concerned with Sufi themes. Khemir has stated that he wished to show, in the film, "an open, tolerant and friendly Islamic culture, full of love and wisdom . . . an Islam that is different from the one depicted by the media in the aftermath of 9/11", and that the unusual structure of the film was a deliberate attempt to imitate the structure of Sufi visions and dances, aimed at allowing the spectator to "forget about his own ego and to put it aside in order to open up to the reality of the world".
Cast
Box office
Bab'Aziz has grossed $263,447 worldwide.
Critical response
Bab'Aziz received mixed reviews from critics. Review aggregator Rotten Tomatoes reports that 58% of 24 critics have given the film a positive review. Boston Globe critic Michael Hardy found fault with Khemir's "well-meaning attempt to correct Western misconceptions of Islam", complaining that the film "is set in the present, but resolutely ignores current events in favor of pervasive nostalgia for the glorious past". However, Matt Zoller Seitz of the New York Times praised it as "a structurally audacious fairy tale that imparts moral lessons and shows how narratives reflect and shape life".