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Azar Nafisi

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Occupation  Writer, professor
Language  English
Name  Azar Nafisi

Ethnicity  Iranian
Role  Writer
Citizenship  American
Education  University of Oklahoma
Azar Nafisi httpspbstwimgcomprofileimages4840893657363
Notable works  Reading Lolita in Tehran: A Memoir in Books
Awards  Book Sense Book of the Year Award for Adult Nonfiction
Books  Reading Lolita in Tehran, Things I've Been Silent About: M, The Republic of Imaginati
Similar People  Saeed Nafisi, Marjane Satrapi, Azadeh Moaveni, Hamid Dabashi, Vladimir Nabokov

Alma mater  University of Oklahoma

Azar Nafisi: Were you writing about an Iran that no longer exists?

Azar Nafisi (Persian: آذر نفیسی‎‎; born 1948) is an Iranian writer and professor of English literature. She has resided in the United States since 1997 and became an American citizen in 2008.


Azar Nafisi Latest from 39Reading Lolita39 author Azar Nafisi explores

Nafisi has been a visiting fellow and lecturer at the Foreign Policy Institute of Johns Hopkins University’s School of Advanced International Studies (SAIS) and served on the Board of Trustees of Freedom House. She is the niece of famous Iranian scholar, fiction writer and poet Saeed Nafisi. Azar Nafisi is best known for her 2003 book Reading Lolita in Tehran: A Memoir in Books, which remained on the New York Times Bestseller list for 117 weeks, and has won several literary awards, including the 2004 Non-fiction Book of the Year Award from Booksense.

Azar Nafisi Review 39The Republic of Imagination39 by Azar Nafisi

Since Reading Lolita in Tehran, Nafisi has written Things I've Been Silent About: Memories of a Prodigal Daughter and The Republic of Imagination: America in Three Books.


The republic of imagination interview with author azar nafisi

Early life and education

Nafisi was born in Tehran, Iran. She is the daughter of Nezhat and Ahmad Nafisi, a former mayor of Tehran (1961–1963), who was the youngest man ever appointed to the post up to that time.

Azar Nafisi Azar Nafisi Wikipedia

She was raised in Tehran, and at thirteen years old she moved to Lancaster, to finish her studies. After this, she moved to Switzerland. She got a degree in English and American literature and received her Ph.D. from the University of Oklahoma.

Azar Nafisi Reading Lolita in Tehran author Azar Nafisi on her new book and the

Nafisi returned to Iran in 1979, after the Iranian Revolution, where for a time she taught English literature at Tehran University, where she stayed during eighteen years struggling against the implementation of the revolution ideas and procedures.

In 1995, in disagreement with faculty authorities, she quit teaching at the university, and instead invited seven of her female students to attend regular meetings at her house, every Thursday morning. They studied literary works -including some considered controversial in post-revolutionary Iranian society- such as Lolita alongside other works such as Madame Bovary. She also taught novels by F. Scott Fitzgerald, Henry James and Jane Austen, attempting to understand and interpret them from a modern Iranian perspective.


Nafisi left Iran on June 24, 1997 and moved to the United States, where she wrote Reading Lolita in Tehran: A Memoir in Books, a book where she describes her experiences as a secular woman living and working in the Islamic Republic of Iran. In the book, she declares "I left Iran, but Iran did not leave me."

Nafisi has held the post of a visiting fellow and lecturer at the Foreign Policy Institute of Johns Hopkins University’s School of Advanced International Studies (SAIS) in Washington, DC and has served on the Board of Trustees of Freedom House, a United States nongovernmental organization (NGO) which conducts research and advocacy on democracy.

On October 21, 2014, Viking Books released Nafisi's newest book, The Republic of Imagination: America in Three Books, in which using The Adventures of Huckleberry Finn, Babbitt, and The Heart Is a Lonely Hunter as well as the writings of James Baldwin and many others, Nafisi responds to an Iranian reader that questioned whether Americans care about or need their literature. Jane Smiley wrote in The Washington Post that Nafisi "finds the essence of the American experience, filtered through narratives not about exceptionalism or fabulous success, but alienation, solitude and landscape." Laura Miller of Salon wrote that "No one writes better or more stirringly about the way books shape a reader’s identity, and about the way that talking books with good friends becomes integral to how we understand the books, our friends and ourselves.

She appeared on Late Night with Seth Meyers and PBS NewsHour to promote the book.


In 2004, Christopher Hitchens wrote that Nafisi had dedicated Reading Lolita in Tehran to Paul Wolfowitz, the United States Deputy Secretary of Defense under George W. Bush and a principal architect of the Bush Doctrine. Hitchens had stated that Nafisi was good friends with Wolfowitz and several other key figures in the Bush administration. Nafisi later responded to Hitchen's comments, neither confirming nor denying the claim.

In a 2003 article for The Guardian, Brian Whitaker criticized Nafisi for working for the public relations firm Benador Associates which he argued promoted the neo-conservative ideas of "creative destruction" and "total war".

In 2006, Columbia University professor Hamid Dabashi, in an essay published in the Cairo-based, English-language paper Al-Ahram (Dabashi's criticism of Nafisi became a cover story for an edition of the Chronicle of Higher Education) compared Reading Lolita in Tehran to "the most pestiferous colonial projects of the British in India," and asserted that Nafisi functions as a "native informer and colonial agent" whose writing has cleared the way for an upcoming exercise of military intervention on Middle Eastern. He also labelled Nafisi as a "comprador intellectual," a comparison to the "treasonous" Chinese employees of mainland British firms, who sold out their country for commercial gain and imperial grace. In an interview Z magazine, he classed Nafisi with the U.S. soldier convicted of mistreating prisoners at Abu Ghraib: "To me there is no difference between Lynndie England and Azar Nafisi." Finally, Dabashi stated that book's cover image (which appears to be two veiled teenage women reading Lolita in Tehran) is in fact, in a reference to the September 11 attacks, "Orientalised pedophilia" designed to appeal to "the most deranged Oriental fantasies of a nation already petrified out of its wits by a ferocious war waged against the phantasmagoric Arab/Muslim male potency that has just castrated the two totem poles of U.S. empire in New York."

Critics such as Dabashi have accused Nafisi of having close relations with neoconservatives. In the acknowledgements she makes in Reading Lolita in Tehran, Nafisi writes of Princeton University historian Bernard Lewis as "one who opened the door". Nafisi, who opposed the U.S. invasion of Iraq in 2003, rejects such accusations as "guilt by association," noting that she has both "radical friends" and "conservative friends."

In a critical article in the academic journal Comparative American Studies, titled "Reading Azar Nafisi in Tehran", University of Tehran literature professor Seyed Mohammad Marandi states that "Nafisi constantly confirms what orientalist representations have regularly claimed". He also claimed that she "has produced gross misrepresentations of Iranian society and Islam and that she uses quotes and references which are inaccurate, misleading, or even wholly invented."

John Carlos Rowe, Professor of the Humanities at the University of Southern California, states that: "Azar Nafisi’s Reading Lolita in Tehran: A Memoir in Books (2003) is an excellent example of how neo-liberal rhetoric is now being deployed by neo-conservatives and the importance they have placed on cultural issues." He also states that Nafisi is "amenable.. to serving as a non-Western representative of a renewed defense of Western civilization and its liberal promise, regardless of its historical failures to realize those ends."


Nafisi responded to Dabashi's criticism by stating that she is not, as Dabashi claims, a neoconservative, that she opposed the Iraq war, and that she is more interested in literature than in politics. In an interview, Nafisi stated that she has never argued for an attack on Iran and that democracy, when it comes, should come from the Iranian people (and not from US military or political intervention). She added that while she is willing to engage in "serious argument...Debate that is polarized isn't worth my time." She stated that she did not respond directly to Dabashi because "You don't want to debase yourself and start calling names."

Nafisi was also defended by a number of sources.

  • Ali Banuazizi, the codirector of Boston College’s Middle East studies program, stated that Dabashi's article was very ‘‘intemperate’’ and that it was ‘‘not worth the attention’’ it had received.
  • Christopher Shea of the Boston Globe argued that while Dabashi spent "several thousand words...eviscerating the book," his main point was not about the specific text but rather the book’s black-and-white portrayal of Iran.
  • Writing in The New Republic, Marty Peretz sharply criticized Dabashi, and rhetorically asked ‘‘Over what kind of faculty does [Columbia University president] Lee Bollinger preside?"
  • In an article posted on, author Gideon Lewis-Kraus described Dabashi's article as "a less-than-coherent pastiche of stock anti-war sentiment, strategic misreading, and childish calumny" and that Dabashi "insists on seeing [the book] as political perfidy" which allows him "to preserve his fantasy that criticizing Nafisi makes him a usefully engaged intellectual."
  • Robert Fulford sharply criticized Dabashi's comments in the National Post, arguing that "Dabashi's frame of reference veers from Joseph Stalin to Edward Said. Like a Stalinist, he tries to convert culture into politics, the first step toward totalitarianism. Like the late Edward Said, he brands every thought he dislikes as an example of imperialism, expressing the West's desire for hegemony over the downtrodden (even when oil-rich) nations of the Third World." Fulford added that "While imitating the attitudes of Said, Dabashi deploys painful clichés."
  • Firoozeh Papan-Matin, the Director of Persian and Iranian Studies at the University of Washington in Seattle, stated that Dabashi's accusation that Nafisi is promoting a "'kaffeeklatsch' worldview... callously ignores the extreme social and political conditions that forced Nafisi underground." Papan Matin also argued that "Dabashi’s attack is that whether Nafisi is a collaborator with the [United States]" was not relevant to the legitimate questions set forth in her book.
  • Works

  • Nafisi, Azar. "Images of Women in Classical Persian Literature and the Contemporary Iranian Novel." The Eye of the Storm: Women in Post-Revolutionary Iran. Ed. Mahnaz Afkhami and Erika Friedl. New York: Syracuse University Press, 1994. 115-30.
  • Anti-Terra: A Critical Study of Vladimir Nabokov’s Novels (1994).
  • Nafisi, Azar. "Imagination as Subversion: Narrative as a Tool of Civic Awareness." Muslim Women and the Politics of Participation. Ed. Mahnaz Afkhami and Erika Friedl. New York: Syracuse University Press, 1997. 58-71.
  • "Tales of Subversion: Women Challenging Fundamentalism in the Islamic Republic of Iran." Religious Fundamentalisms and the Human Rights of Women (1999).
  • Reading Lolita in Tehran (2003).
  • Things I've Been Silent About (2008).
  • The Republic of Imagination (2014).
  • "Foreword," Adventures of Huckleberry Finn (Penguin Classics, 2014)
  • References

    Azar Nafisi Wikipedia