"As the Stomach Turns" is a series of comedy sketches parodying the soap opera As the World Turns featured on The Carol Burnett Show, with one installment airing on Carol Burnett & Company. The sketch was created by show writers Kenny Solms and Gail Parent. The Carol Burnett Show introduced the series during its first season in 1967–68 and continued to air new installments for the remainder of its 11-season run, through its final season in 1977–78. However, the final installment of "As the Stomach Turns" would not air until September 8, 1979, on a different four-week summer series titled Carol Burnett & Company. This was the only installment of "As the Stomach Turns" that did not air on The Carol Burnett Show which had completed its run almost a year and a half earlier on March 29, 1978.
Contents
Premise
The sketch's premise was to describe, in great detail, the problems of a woman in her 30s named Marion (played by Carol Burnett), who lived in the fictional town of Canoga Falls. The sketch dealt with problems that were more likely to be seen on a soap opera than in real life. For example, Marion's niece Raven (played by Bernadette Peters in a guest spot) came to visit her and was possessed by the devil, Marion assumed, because Raven was such a nice girl normally. The town exterminator/freelance exorcist (played by Tim Conway, using the same faux-Romanian dialect that he would use to play character Mr. Tudball) was forced to exorcise the demon from her body, a story that was eventually done, in all seriousness, on Days of Our Lives decades later.
The sketch also touched on stereotypical aspects of production values in American soaps. Many times, Marion forgot what she wanted to say, reminiscent of the times when soap operas were broadcast live and actors routinely forgot their next line. Marion also answered the door either too soon or too late when someone rang her doorbell. Other times, she would miss the correct time to answer the phone, saying "Hello" before the sound effect came for it to ring. On live soap opera productions, these were big problems; due to the live nature of the show, they happened fairly frequently, and were subsequently spoofed at length on The Carol Burnett Show.
In addition to the missed cues, the sketch was notorious for overusing loud and plangent organ music, a reference to a time when soap operas would have in-house organists play dramatic music as well as the show's theme song (when this skit first ran, organ music was still in wide use on the serials). Organ music was eventually discontinued in the mid-1970s, around the time The Carol Burnett Show wrapped up its run, so when the sketch is seen in syndication today, it brings back a sense of production technique that is now seen by many younger soap viewers as archaic and outdated.
One of the sketch's recurring characters is Marion's "ne'er-do-well" daughter (played by Vicki Lawrence) who arrives at the door holding a baby (a doll), usually says "Don't you recognize me mother? I'm your daughter," then leaves after giving the baby to Marion who immediately stashes it in the umbrella stand. This was a parody of the fact that traditional soap operas have little use for child-age characters, either dropping them from the plot line shortly after they are introduced or unnaturally aging them into adulthood or, more recently, into the teenage years (for example, a young character might be sent upstairs to put on his or her shoes and never be referred to again).
The sketch also marks the first appearances of Harvey Korman's Mother Marcus character, who had also become a recurring resident of Canoga Falls, as well as Tim Conway's oldest man character.
The sketch was famous for the parody ending in which the announcer would ask foreboding, progressively nonsensical questions about the characters while focusing on their puzzled reactions.