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Appeal to the Great Spirit

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Type
  
Year
  
1909

Location
  
Boston, United States

Created
  
1909

Appeal to the Great Spirit Great American Bronze Works Inc Sculptures Appeal to the Great

Dimensions
  
290 cm × 250 cm × 300 cm (114 in × 100 in × 120 in)

Similar
  
Cyrus Edwin Dallin artwork, Other artwork

Appeal to the Great Spirit is a 1909 equestrian statue by Cyrus Dallin, at the Museum of Fine Arts, Boston. It was the last in his four-piece series, The Epic of the Indian. A statuette of it is in the permanent collection of the White House, and decorated President Bill Clinton's Oval Office.

Contents

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History

Appeal to the Great Spirit httpsuploadwikimediaorgwikipediacommonsthu

Dallin, a native of Utah, had a large amount of interaction with Native American children while growing up. This provided him with unique insights that he was to call upon while creating this, and other, works. The actual model who posed for the sculpture was Antonio Corsi, an Italian, who modeled for the great painters and sculptors of the era.

Appeal to the Great Spirit FileAppeal to the Great Spirit Boston MFA IMG 3432JPG

In 1909, the sculpture was cast in Paris, and won a gold medal for its exhibition in the Paris Salon. On January 23, 1912, it was installed outside the main entrance to the Boston Museum of Fine Arts. A restoration of the Boston version was reversed at Dallin's request because he preferred the light green tones that had developed on the equestrian sculpture over time rather than the typical "statuary brown" patina the conservator applied prior to consulting him.

Smaller versions

Appeal to the Great Spirit FileAppeal to the Great Spirit Boston MFA IMG 3431JPG

An edition of nine 40-inch bronzes of the statue was produced about 1922. One example stands as the centerpiece of the Tower Room of Dartmouth College's Baker Tower, the college's main library and most iconic building. There is a full-scale model in Muncie, Indiana, in the "Y" of the intersection of Walnut and Granville streets in the Wysor Heights Historic District (40.20485°N 85.38602°W / 40.20485; -85.38602), and is considered by many residents to be a symbol of Muncie. A plaster example in this size is at the Cyrus Dallin Museum in Arlington, Massachusetts, and another is in the Rockwell Museum in Corning, New York. Central High School in Tulsa, Oklahoma possesses another plaster example, which was used, in 1985, as the model for a bronze version. The casting was done by American Artbronze Fine Arts Foundry under the direction of Howard R. Kirsch. The heroic sized bronze is now installed in Woodward Park in Tulsa, Oklahoma, at the intersection of 21st Street and Peoria.(36.13276°N 95.97489°W / 36.13276; -95.97489).

Appeal to the Great Spirit APPEAL TO THE GREAT SPIRIT CYRUS DALLIN CALENDAR ART PRINT

Examples of the 21-inch bronze statuette are at the White House, the U.S. Department of State, and many American museums.

Appeal to the Great Spirit FileAppeal to the Great Spirit Boston MFA IMG 3401JPG

An 8-1/2-inch miniature edition was produced by the Gorham Manufacturing Company in 1913; in 2009, No. 263 sold for $9,375.

  • The sculpture is used as the logo for the Beach Boys’ vanity record label Brother Records. It was first seen on the band's 1967 album Smiley Smile and its attending single "Heroes and Villains." When Beach Boy Carl Wilson was asked in 1975 why the group used this as their logo, he said the Indian was chosen because Carl’s grandfather believed that there was a spiritual Indian "guide" who watched over Brian, Dennis, and Carl from the "other side." The choice of the logo was Brian's. Carl called the logo "The Last Horizon."
  • A painting of the sculpture appears on the cover of the album Lysol (1992) by rock group The Melvins.
  • A painting of the sculpture appears on the cover of the album The Time Is Near (1970) by rock group Keef Hartley Band.
  • In the vinyl release of Directions to See a Ghost by the American rock band The Black Angels, the poster inside features a skeleton form of this sculpture with a psychedelic background.
  • A painting of the sculpture appears on the cover of the album Spirit of God (1984) by the Native American Gospel recording artist Johnny P. Curtis.
  • An early instance of the sculpture's place in American culture is its appearance (as photographed by Baldwin Coolidge) on the cover of "A-M-E-R-I-C-A" (1917), a World War I song by May Greene and Billy Lang and published by D. W. Cooper.
  • References

    Appeal to the Great Spirit Wikipedia