Ape Escape (video game)

Gameplay

Ape Escape is a platform game that is viewed from a third-person perspective. Players traverse several different environments to advance through the game. For most of the game, players control Spike—a boy tasked with pursuing and capturing the apes across time, preventing them from rewriting history. Players use various gadgets to pursue and capture the apes, such as the Stun Club, used as an offensive measure against enemies, and the Time Net, used to capture apes and transport them to present day. More gadgets become available as players progress through the game. Players also control vehicles throughout the game, including a rubber raft, which allows travel over water, and the water net, which assists in traversing underwater. The game's controls are heavily centered around the analog sticks: the left stick is used to move players, while the right stick manipulates the various gadgets.

The apes are equipped with helmets, which feature a siren representing their alarm level: blue means relaxed, and unaware of the player characters' presence; yellow is alert; and red indicates fully alarmed, resulting in attempting to escape or becoming hostile. An ape's personality can also be determined by the colour of shorts: yellow is standard, light blue means timid, and red represents aggressive. Some apes are equipped with weaponry, allowing them to attack players, or binoculars that allow them to identify players from long distances. Players are required to capture a specific amount of apes to clear a level; remaining apes can be captured upon revisiting the level.

Should players take damage, they lose a life. Players can recharge their health by collecting cookies. Throughout the game, players can gather Specter Coins, which can be found in hidden locations in each stage. Collecting enough Specter Coins unlocks three bonus mini-games: Ski Kidz Racing, a skiing game in which players race against opponents; Galaxy Monkey, a shoot 'em up where players fight against aliens; and Specter Boxing, a boxing game where players dodge and punch using the analog sticks.

Plot

The story begins when Specter, a white-haired monkey at a monkey park, puts on an experimental Pipo Helmet created by a Professor, which increases his intelligence beyond that of a regular monkey, but also twists his mind, turning him evil. Imbued with this new power, Specter gives Pipo Helmets to all the monkeys in the park and sets them loose, having them take over the local laboratory where the Professor and his assistant Katie (Natalie/Natsumi) are currently building a time machine. As Spike (Kakeru) and his best friend Buzz (Jake/Hiroki) arrive at the laboratory, they find themselves transported by Specter, along with all the other monkeys, to the various reaches of time. Realising that leaving the monkeys to their own devices could rewrite history in disastrous ways, the Professor tasks Spike with finding all of the monkeys scattered across time and sending them back to the present.

Spike must also face off against Specter, who has not only built himself an advanced Peak Point Helmet further increasing his own intelligence, but has also brainwashed Buzz to his side. After a lengthy series of captures and battles in segments of history ranging from the roam of the dinosaurs, medieval times and present day, Spike is eventually able to capture all of the apes. Spike chases Specter to his deranged theme park, where he is holding a recently captured Professor, Katie, and his friend Buzz. Spike frees Buzz of his and releases both the professor and Katie, and goes on to find Specter in an alternative universe he calls the "Peak Point Matrix". Spike defeats Specter after a final battle, and he is captured and sent back to the zoo.

Development

The development of Ape Escape lasted approximately two-and-a-half years. Shortly after the development team began conceiving the design and concept for Ape Escape, they attended a meeting regarding the development of the DualShock. Intrigued by the potential of the controller, the team implemented its use in Ape Escape, making it the first video game to require the use of the DualShock for gameplay. Conceptualizing the controls for the controller's analog sticks was the greatest challenge for the team, and the controls underwent great testing prior to finalization.

The game's music was composed by Soichi Terada. After a game director listened to Terada's track "Sumo Jungle", he was given the opportunity to compose the music for Ape Escape. The music changes in-game depending on the situation and level; for example, should players act stealthily, the music alters slightly to give a mellow atmosphere. Music from the game was included in Ape Escape Originape Soundtracks, published on November 18, 2011 by Terada's label Far East Recording. The gameplay sound effects were designed by Masaaki Kaneko, while the sound effects in the cutscenes were provided by Masatoshi Mizumachi. The English voice acting was recorded at Dubey Tunes Studios in San Francisco, California, with Sara Holihan and Hunter A. Pipes III serving as voice-over director and producer, respectively.

Ape Escape was officially announced in the April 1999 issue of Official U.S. PlayStation Magazine. Promotions for the game were held on Cartoon Network during Sony's winter holiday marketing campaign of 1999. A remake of the game, titled Ape Escape: On the Loose, was announced on May 11, 2004, during Sony's press conference at the Electronic Entertainment Expo. It was released as a launch title for the PlayStation Portable (PSP) on March 24, 2005. The remake features altered controls, due to the lack of a right analog stick on the PSP, as well as some slightly different graphics and mini-games.

Critical reception

Ape Escape received critical acclaim. Metacritic calculated an average score of 90 out of 100, indicating "universal acclaim", based on 19 reviews. Japanese publication Famitsu awarded the game 32 out of 40, based on four reviews. Reviewers praised the game's use of analog controls, as well as its graphics and music, with minor criticism directed towards the voice acting.

Reviewers praised the gameplay, and the game's use of analog controls. Johnny Liu of Game Revolution wrote that the innovative controls were one of the game's standout features. GameSpot's Peter Bartholow declared the controls "beautifully executed", praising the ease of use. Doug Perry of IGN felt that, while the controls are initially difficult, using the analog sticks became "new and refreshing". Scott Alan Marriott of AllGame similarly noted the initial difficulty of the controls, but found it easier upon continued play, particularly praising the raft controls.

The graphics were met with generally positive comments. GameSpot's Bartholow praised the visuals, naming the game "a sight to behold" and commending the use of colour and detail. IGN's Perry wrote that the textures "aren't terribly stunning", and found the character design "rather fundamental", but felt that the game's lighting and camera blended to create "a fantastic and gratifying effect". Game Revolution's Liu named the graphics "good, but not the best", noting frame rate slowdown. Marriott of AllGame similarly mentioned pop-up issues and other glitches, but ultimately commended the graphics, noting the "distinct Japanese style".

The game's audio was commended by many reviews. AllGame's Marriott praised the appropriateness of the music to the game's setting. GameSpot's Bartholow echoed similar remarks, applauding the interactivity of the soundtrack. Liu of Game Revolution felt that the music improves as the game progresses, similarly commending its use with gameplay. IGN's Perry described the soundtrack as "a weird concoction of J-pop and techno-synth", and noted that the "poppy tunes" were catchier than the "techno tunes". Conversely, particular criticism was directed at the voice acting in the game; GameSpot's Bartholow described it as "uniformly atrocious", while IGN's Perry referred to Spike's voice as "nothing special". The game's other sound effects, such as the ape noises, were met with positive reactions.

PlayStation Portable version

Ape Escape: On the Loose, the game's remake for PlayStation Portable, was met with mixed reviews. Metacritic calculated a score of 66 out of 100, indicating "mixed or average reviews", based on 35 critics. Jeff Gerstmann of GameSpot lamented the loss of the "finely tuned control" of the original, but felt that the game "still has considerable charm". GameSpy's David Chapman felt that, despite the noticeable flaws of the game, particularly the controls, it still remains "a lot of fun to play". Juan Castro of IGN praised the game's use of colour, noting its enhancement on the PlayStation Portable screen. Castro also warned that "fans of the series will probably miss the second analog stick", but felt that the gadgets mapped to the PSP's face buttons would suffice. 1UP's Jeremy Parish criticised the porting of the game for being outdated, declaring it "a game that was better in another time, on another system, ported simply for cynical convenience". Parish felt that On the Loose served "to blemish the PSP's reputation ... as a dumping ground for warmed over 32-bit offerings far beyond their sell-by date".

Legacy

Ape Escape is considered one of the most significant titles on the PlayStation console. Doug Perry of IGN declared it "the best 3D platform game on the PlayStation", and GameSpot's Peter Bartholow named it "one of the best 3D platformers to date". Scott Alan Marriott of AllGame described the game as "one of the most enjoyable 3D platform games" on the PlayStation. IGN included Ape Escape in an article documenting the greatest PlayStation 3D platform games, and later named it the eighth greatest game on the console. In March 2004, Official UK PlayStation Magazine named it the ninth greatest game of all time. Game Informer ranked it 100 on its list of best games in 2001, praising its gameplay and innovation.

Ape Escape spawned a series of games, including sequels and spin-offs. A direct sequel, Ape Escape 2, was released for the PlayStation 2 (PS2) in July 2001, followed by Ape Escape 3 for PS2 in July 2005. Several spin-off titles were released exclusively in Japan: Pipo Saru 2001 in July 2001 and Saru! Get You! Million Monkeys in July 2006 for the PS2, followed by Saru Get You: Pip Saru Racer in December 2006 and Saru! Get You! SaruSaru Big Mission in July 2007 for the PSP. Another spin-off, Ape Quest, was also released worldwide for PSP in January 2008. A series of party games has also been released: Ape Escape: Pumped & Primed in July 2004 and EyeToy: Monkey Mania in August 2004 for PS2, as well as Ape Academy 2 for PSP in December 2005, and PlayStation Move Ape Escape for the PlayStation 3 in December 2010. The character of Spike is available as a playable character in PlayStation All-Stars Battle Royale (2012), and an ape costume is available as a downloadable outfit in some of the LittleBigPlanet games (2008–12). A mini-game featuring an ape from Ape Escape is included in Metal Gear Solid 3: Snake Eater (2004).