Miguel Antonio Caro, Francisco Antonio Cano Cardona, Carlos Jacanamijoy
Entrevista con el artista colombiano antonio caro enclave com n
Antonio Caro (born 1950, Bogotá, Colombia) is a contemporary artist known for using conceptualizations and iconic visuals that often make political commentary about his home country. Since 1970, Caro has built a career that, according to the categorizations of history and criticism, denotes an authentic example of conceptual art in Colombia. Since then, Caro's work has proposed a critical eye on social and political conditions in his country, as to their academic and popularly understood historical connotations. Caro's work is achieved through the implementation of informal procedures in traditional artistic practice, including photocopying, public installations, lectures, posters, and materials related to indigenous cultural practices, such as salt or achiote. The vast majority of his work makes use of text as a tool to communicate strong messages, but instead acquires the paradoxical nuances of a political nature as a means of production and dissemination. One may classify Caro's art as politically charged pop art. In 1998, Caro received the prestigious Guggenheim Fellowship.
Some of his important works include: Sal (1971), Imperialism is a paper tiger (1972), "aquinocabeelarte" (art does not fit here) (1972), There is no case (1974), Colombia-Marlboro (1975), Colombia-Coca Cola (1977), Defend your talent (1977), "Todo está muy Caro" (Everything is too expensive) (1978), Homage to Manuel Quintin Lame (1979), Project 500 (1987), Onoto, among others.
Antonio caro parte 1 entrevista mapa de las artes bogota interviews with visual artists
Solo shows
2012
"En Montería, todo está muy caro", Museo Zenú de Arte Contemporáneo, Montería, Colombia
2010
Antes de Cuiabá, Galería Casas Riegner, Bogotá, Colombia
2008
Antonio Caro, Museo Antropológico y de Arte Contemporáneo
(MAAC) Guayaquil, Ecuador 2007
Encuentro Internacional Medellín, Medellín, Colombia
Workshop in Cali, Universidad Javeriana, Cali Colombia
2006
Workshop in Manizales, Universidad de Claldas
Workshop Corumbá, Invited by the Festival de América do Sud TODO ESTÁ MUY CARO
Exposición antológica de Antonio Caro, Sala RG, Fundación Celarg, Caracas, Venezuela
2003
TODO ESTÁ MUY CARO, Retrospective 1970-2002, Museo de La Ciudad, Quito, Ecuador
2002
TODO ESTÁ MUY CARO, Retrospective 1970-2002, Museo de Arte Moderno La Tertulia, Cali, Colombia
Los Trabajos del Taller, Centro Cultural Comfandi, Cali, Colombia
2001
Los Trabajos del Taller, Galería Santa Fe, Bogotá, Colombia
2000
Talleres en México, Centro de Información Cultural de México, Bogotá, Colombia
1998
Muestra de trabajos, Museo de Arte Moderno, Bogotá, Colombia
Itinerancia del taller, Convenio Andrés Bello, Bogotá, Colombia
TODO ESTÁ MUY CARO, Banco de la República, Medellín, Colombia
Museo de Arte Moderno, Bucaramanga, Colombia
1997
Installations, Galería Santa Fe, Bogotá, Colombia
TODO ESTÁ MUY CARO, Banco de la República, Pereira, Colombia
1996
TODO ESTÁ MUY CARO, Banco de la República, Cúcuta, Colombia
Museo Tayrona, Santa Marta, Colombia
Teatro Amira de la Rosa, Barranquilla, Colombia
1994
Killkawawa, Museo de “La Bagatela”, Cúcuta, Colombia
Biblioteca Luis Ángel Arango, Bogotá, Colombia
1993
Proyecto Postal, Galería Santa Fe, Bogotá, Colombia