| Composer|| French Music for Harp|
| Anna-Maria Ravnopolska-Dean|Anna-Maria Ravnopolska-Dean Wikipedia
Anna-Maria Ravnopolska-Dean (Bulgarian: Анна-Мария Равнополска-Дийн; born 3 August 1960) is a Bulgarian harpist and composer.
Anna-Maria Ravnopolska-Dean was born in Sofia. She studied with the Italian Professor and Harpist Liana Pasquali and continued her education in the USA with the pre-eminent Harpist and Professor Susann McDonald, at Indiana University, Bloomington. Both of her teachers were students of the French Harp School; Marcel Tournier (Liana Pasquali) and Henriette Renie (Susann McDonald). At the Indiana University School of Music, Anna-Maria was awarded an Artist Diploma for 'Superior Artistic Achievement in Harp Performance'. She made her New York début at Carnegie Hall's Weill Recital Hall in 1992. Anna-Marie had previously been introduced to American audiences on the 'McGraw-Hill Young Artists Showcase' of WQXR radio in New York, and later participated in a series of notable international competitions, including those of Gargilesse in Berry, Munich, and Jerusalem.
In 1992, she became one of the founders of the American University in Bulgaria. At the university, she teaches several theoretical and applied courses on the harp and the piano. In 2008 students of hers played the full version of the Tchaikovsky seasons for first time on the Balkan peninsula.
One of her most notable performances was at the Eighth World Harp Congress, Geneva, in 2002. There she played the first harp in an ensemble of six harps and had a separate solo performance despite suffering partial paralysis of her left hand.
In 2003, she discovered a talent for composing. Her first composition "Improvisation", was written in Bulgarian folk style.Modeling orchestration on harp techniques in the works of Wagner, Smetana and Stravinsky, “WHC Review”, to be published
The Harp in the orchestral works of Bulgarian Composers (1900–1930)
"Music yesterday-today", 2002The Harp as a Coloristic Instrument in the Beginning of the Twentieth Century ("Арфата като колористичен инструмент в началото на ХХ век"), 200 pp., ISBN 954-90353-9-5, Music Society “Vassil Stefanov”, 2001
The Harp as a Coloristic Instrument in the works of Claude Debussy,
“Musical Horizons”, vol. 7 - 8, 2001, 21- 25, 27 - 33.Transcriptions for solo harp, Sofia String Institute, 1995
Regular contributor to the World Harp Congress Review, 1981–present
Arrangements for solo harp: Granados, Valses Poeticos, Albeniz, Suita Espagnol, 1988
Improvisation for harp solo, June 2003
“The turtle’s castle” for harp solo, September 2003
Four compositions for harp on Haiku poetry, October 2003
Waltz and Lullaby for piano solo, November 2003
Rap Tango for harp and voice, November 2003
Suite of eight dances: Laendrer, Tango, Fandango, Horo,
Kazachok, Arabian dance, Pavane, April 2004"Fantasy on Traviata”, June 2005
Two haiku pieces on Basho, February 2006
“The mystic trumpeter” on Walt Whitman, February 2006
Five haiku pieces “Solo Honkadorae Renga”, February 2006
Bulgarian Harp Favorites, Arpa d’oro, CD 2003
Legende: French Music for Harp, Gega compact disc, 1999
Harpist at the Opera (honoring the Donizetti bicentennial), Arpa d'oro CD, 1997
Harps of the Americas (Paraguayan and pedal harps), Arpa d'oro CD, 1996
Erich Schubert Pop Harp Festival, Gega CD, 1994
A Harpist's Invitation to the Dance, Gega CD, 1992