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Amos Vogel

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Name
  
Amos Vogel

Role
  
Film critic

Education
  
The New School


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Died
  
April 24, 2012, New York City, New York, United States

Spouse
  
Marcia Vogel (m. 1945–2009)

Books
  
Film as a Subversive Art, How little Lori visited Times Square

Children
  
Loring Vogel, Steven Vogel

Parents
  
Mathilde Vogelbaum, Samuel Vogelbaum

Amos vogel film as art 1980


Amos Vogel (born Amos Vogelbaum; April 18, 1921 – April 24, 2012) was a New York City cineaste and curator.

Contents

Amos Vogel Amos Vogel 1921 2012 Film Society of Lincoln Center

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Biography

Amos Vogel Amos Vogel 1921 2012 Film Society of Lincoln Center

Vogel was born in Vienna, Austria. He fled Austria with his parents after the Nazi Anschluß in 1938 and at first studied animal husbandry at the University of Georgia. In the American South, he noted, the racism was as bad as the anti-semitism he witnessed in Europe. Later he received a bachelor's degree from The New School for Social Research in New York.

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He is best known for his bestselling book Film as a Subversive Art (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947–1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. Vogel also wrote a book for children, How Little Lori Visited Times Square, published in 1963 with illustrations by Maurice Sendak. Vogel participated in the documentary In the Mirror of Maya Deren (2003) by Martina Kudlácek. In 2014, a collection of his writings was published by the Austrian Film Museum, where a portion of Vogel's archive resides. Both Columbia University and the Wisconsin Center for Film and Theater Research also hold material relating to Vogel and Cinema 16.

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Vogel died, aged 91 on April 24, 2012, in New York City.

Work

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  • Film as a Subversive Art (1974)
  • Be Sand, Not Oil: The Life and Work of Amos Vogel, FilmmuseumSynemaPublikationen Vol. 24, Vienna: SYNEMA - Gesellschaft für Film und Medien, 2014 (edited by Paul Cronin).
  • Films about Vogel

    Amos Vogel New Cinephilia toward a retromaniacal future Film

  • Film as a Subversive Art: Amos Vogel and Cinema 16, Paul Cronin, UK, 2003; 56m.
  • References

    Amos Vogel Wikipedia