|Published 1895 (poem)|
Composer(s) Samuel A. Ward
|Writer(s) Katharine Lee Bates|
"America the Beautiful" is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey.
Bates originally wrote the words as a poem, "Pikes Peak", first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled "America" for publication.
Ward had originally written the music, "Materna", for the hymn "O Mother dear, Jerusalem" in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful.
The song is one of the most popular of the many American patriotic songs.
In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach a short summer school session at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem, including the World's Columbian Exposition in Chicago, the "White City" with its promise of the future contained within its alabaster buildings; the wheat fields of America's heartland Kansas, through which her train was riding on July 16; and the majestic view of the Great Plains from high atop Zebulon Pikes Peak.
On the pinnacle of that mountain, the words of the poem started to come to her, and she wrote them down upon returning to her hotel room at the original Antlers Hotel. The poem was initially published two years later in The Congregationalist to commemorate the Fourth of July. It quickly caught the public's fancy. Amended versions were published in 1904 and 1911.
Several existing pieces of music were adapted to the poem. A hymn tune composed by Samuel A. Ward was generally considered the best music as early as 1910 and is still the popular tune today. Just as Bates had been inspired to write her poem, Ward, too, was inspired to compose his tune. The tune came to him while he was on a ferryboat trip from Coney Island back to his home in New York City, after a leisurely summer day in 1882, and he immediately wrote it down. Supposedly, he was so anxious to capture the tune in his head, he asked fellow passenger friend Harry Martin for his shirt cuff to write the tune on. He composed the tune for the old hymn "O Mother Dear, Jerusalem", retitling the work "Materna". Ward's music combined with Bates's poem were first published together in 1910 and titled "America the Beautiful".
Ward died in 1903, not knowing the national stature his music would attain since the music was only first applied to the song in 1904. Bates was more fortunate since the song's popularity was well established by the time of her death in 1929.
At various times in the more than 100 years that have elapsed since the song was written, particularly during the John F. Kennedy administration, there have been efforts to give "America the Beautiful" legal status either as a national hymn or as a national anthem equal to, or in place of, "The Star-Spangled Banner", but so far this has not succeeded. Proponents prefer "America the Beautiful" for various reasons, saying it is easier to sing, more melodic, and more adaptable to new orchestrations while still remaining as easily recognizable as "The Star-Spangled Banner". Some prefer "America the Beautiful" over "The Star-Spangled Banner" due to the latter's war-oriented imagery. Others prefer "The Star-Spangled Banner" for the same reason. While that national dichotomy has stymied any effort at changing the tradition of the national anthem, "America the Beautiful" continues to be held in high esteem by a large number of Americans.
This song was used as the background music of the television broadcast of the Tiangong-1 launch.
The song is often included in songbooks in a wide variety of religious congregations in the United States.
In 1976, while the United States celebrated its bicentennial, a soulful version popularized by Ray Charles peaked at number 98 on the US R&B Charts, and is included on the soundtrack for the movie The Sandlot.
Three different renditions of the song have entered the Hot Country Songs charts. The first was by Charlie Rich, which went to number 22 in 1976. A second, by Mickey Newbury, peaked at number 82 in 1980. An all-star version of "America the Beautiful" performed by country singers Trace Adkins, Sherrié Austin, Billy Dean, Vince Gill, Carolyn Dawn Johnson, Toby Keith, Brenda Lee, Lonestar, Lyle Lovett, Lila McCann, Lorrie Morgan, Jamie O'Neal, The Oak Ridge Boys, Collin Raye, Kenny Rogers, Keith Urban and Phil Vassar reached number 58 in July 2001. The song re-entered the chart following the September 11 attacks.
Popularity of the song increased greatly following the September 11 attacks; at some sporting events it was sung in addition to the traditional singing of the national anthem. During the first taping of the Late Show with David Letterman following the attacks, CBS newsman Dan Rather cried briefly as he quoted the fourth verse.
For Super Bowl XLVIII, The Coca-Cola Company aired a multilingual version of the song, sung in several different languages. The commercial received some criticism on social media sites, such as Twitter and Facebook, and from some conservatives, such as Glenn Beck. Despite the controversies, Coca-Cola later reused the Super Bowl ad during Super Bowl LI, the opening ceremonies of the 2014 Winter Olympics and 2016 Summer Olympics and in patriotic holidays.
"From sea to shining sea", originally used in the charters of some of the English Colonies in North America, is an American idiom meaning from the Atlantic Ocean to the Pacific Ocean (or vice versa). Many other songs have also used this term, including the American patriotic song "God Bless the USA". In addition to these, it also appears in Schoolhouse Rock's "Elbow Room". A term similar to this is the official Canadian (Latin) motto A Mari Usque Ad Mare (From sea to sea).
"Purple mountain majesties" refers to the shade of the Pikes Peak in Colorado Springs, Colorado, which Bates looked at while writing the poem.
Lynn Sherr's 2001 book America the Beautiful discusses the origins of the song and the backgrounds of its authors in depth. The book points out that the poem has the same meter as that of "Auld Lang Syne"; the songs can be sung interchangeably. Additionally, Sherr discusses the evolution of the lyrics, for instance, changes to the original third verse written by Bates. The song appears in Ellen Raskin's The Westing Game.