Amazonas Baroque Ensemble - ABE is a period instruments group based on Manaus, Amazonas, Brasil. Its members join themselves in Amazonas State University as Music and Musicology teachers and former students. Their aims included restoration of ancient Brazilian and Portuguese repertory, in a historically inspired approaching. Many of them joined Musicological research and practical performance projects sponsored by local and federal government agencies, such as Fundação de Amparo à Pesquisa do Amazonas, Petrobrás, Eletrobrás, among others. At this moment ABE performed in many Brazilian and European cities, including festivals (opera, sacred music) and stage productions.
Mirian Abad - sopranoThelvana Freitas - contraltoFabiano Cardoso - tenorRoberto Paulo Silva - bassGustavo Medina (Spalla), Tiago Soares, Juliana Lima Verde, Andreza Viana - baroque violin 1Manoella Costa, Silvia Raquel Lima, Raúl Gustavo Falcón - baroque violin 2Gabriel Lima, Elcione Santos - baroque violaEdoardo Sbaffi - baroque celloDiego Soares, Laércio Gomes - double bassMário Trilha - harpsichordVanessa Monteiro - organArley Raiol - baroque fluteMárcio Páscoa, baroque flute and musical directionAnonymous (Chiquitos, Bolivian Amazonia, 18th century) Trio SonataAnonymous 18th century, Credo de São José do TocantinsAntonio Leal Moreira (1758–1819) - In te confida (Mardocheo recitative and aria from Ester (1786)Antonio Leal Moreira (1758–1819) Ah cangiar può d'affetto (Ismene aria in Gli eroi spartani, 1788)Antonio Leal Moreira (1758–1819) Amor di questa impresa (Alcibiade aria in Gli eroi spartani, 1788)Antonio Teixeira (1707–1774), Guerras do Alecrim e Mangerona (1737) opera jocoseria (in two acts)-Libretto by Antonio José da Silva (1705-1739)
Carlos de Seixas (1704–1742). Simphony movementCorelli, Arcangelo (1653–1713). Concerto Grosso (Op. 6 nº 8) Fatto per la notte di NataleCorelli, Arcangelo (1656–1713). Concerto Grosso (Op. 6, nº10)Corelli, Purcell, Handel and J.S.Bach. Trio SonatesDavid Perez (1711–1778). Trio sonata in D minorDavid Perez (1711-1778): Semplicetta tortorella, (Barsene aria in Demetrio, 1766)Dietrich Buxtehude (1637–1707). Jesu Meines Lebens LebenGiovanni Battista Pergolesi (1710–1736). Stabat Mater Dolorosa (from Stabat mater)*+Gluck, C. W. (1714–1787). Que farei sem o consorte. (Rozaura aria from A mulher amoroza)Haydn, Joseph (1732–1809). Die himmel erzahlenJoão de Deus do Castro Lobo (1794–1832). Seis Responsórios FúnebreJoão de Sousa Carvalho (1745–1799). Con tanto riprove de tenere affeto (duet Giulietta e Armidoro in L'amore industrioso, 1769)João de Sousa Carvalho (1745–1799). Trio (Penelope, Ulisse and Icario in Penelope nella partenza da Sparta, 1782)João de Sousa Carvalho (1745–1799). Se l'interno affano mio (Alcione ária in Alcione, 1787)João de Sousa Carvalho. Padre, amico, non piangete (Isacco aria, from Isacco figura del redentor)José Maurício Nunes Garcia (1767–1830). Lauda Sion (1809)José Mauricio Nunes Garcia (1767–1830). Laudate DominumJosé Mauricio Nunes Garcia (1767–1830). Laudate PueriJosé Maurício Nunes Garcia (1767–1830). Creator alme siderumJosé Maurício Nunes Garcia (1767–1830). Te Christe solum novimus (1800)*José Palomino (1755–1810). Concert for violin (ca.1804, first movement)José Palomino (1755–1810). Harpsichord concertoNiccolo Jommelli (1714-1774): Ah, non son io che parlo (Fulvia aria in Ezio, 1772)Niccolò Jommelli (1714–1774). Nasce al bosco in rozza cuna, (Varo aria in Ezio, 1772)Nicolò Porpora (1686–1768). Lungi dal ben che s'ama (aria from Or che d'orrido verno)*Telemann, Georg Phillip (1681–1767). Ouverture e minor for flute and strings1. Antonio Leal Moreira (1858-1819). Ismene Aria "Ah cangiar non puo d'affetto" from opera "Gli Eroi Spartani" (Lisboa, 1787) - libreto by Gaetano Martinelli
2. José Palomino (1755-1810). Harpsichord concerto (1785) - 1st part
3. José Palomino (1755-1810). Harpsichord concerto (1785) - 2nd part
4. José Maurício Nunes Garcia (1767-1830). "Te Christe Solum Novimus"
5. Niccolò Jommelli (1714-1774). Aria "Nasce al bosco in rozza cuna" from opera "Ezio in Roma" (Bolonha, 1772) - libreto by Pietro Metastasio