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Almudena Cid Tostado

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Full name
  
Almudena Cid Tostado

Retired
  
2008

Years on national team
  
1994~2008

Name
  
Almudena Tostado

Disciplines
  
Rhythmic gymnastics

Club
  
Beti Aurrera

Role
  
Gymnast

Country represented
  
Spain

Height
  
1.67 m


Almudena Cid Tostado Almudena Cid Tostado Ball


Born
  
June 15, 1980 (age 43) Vitoria, Spain (
1980-06-15
)

Eponymous skills
  
Cid Tostado Element (ball)

Spouse
  
Christian Galvez (m. 2010)

Similar People
  
Christian Galvez, Carolina Cerezuela, Paloma Lago, Paloma del Rio

Profiles


Former coach(es)
  
Iratxe Aurrekoetxea

Assistant coach(es)
  
Anna Baranova

Cid almudena esp rope 2008 world cup kiev rhythmic gymnastics


Almudena Cid Tostado (born 15 June 1980 in Vitoria, País Vasco, Spain) is a former Spanish individual rhythmic gymnast who competed on the Spanish national team.

Contents

Almudena Cid Tostado Almudena Cid39s Feet ltlt wikiFeet

She has been the only rhythmic gymnast who has competed in four Olympic Finals.

She became the first Spanish gymnast in history to have competed in two Olympic finals, Atlanta and Sydney, and she is the only rhythmic gymnast to make the finals at four consecutive Olympic Games: Atlanta 1996, Sydney 2000, Athens 2004 and Beijing 2008

Almudena Cid Tostado Almudena Cid Tostado Rhythmic Gymnastics Info

She also won the gold medal in the XVth Mediterranean Games Almería 2005 and she has been awarded many other national and international recognitions; among others, the gold medal in the Royal Order of Sports Merit in 2009, which is a Spanish civil Order of Merit intended to recognise yearly activities in the fields of sport and physical education.

Almudena Cid Tostado Almudena Cid Tostado Almudena Cid 014

In June 2001, the Fédération Internationale de Gymnastique announced that Almudena's "body-apparatus relationship" with the ball was approved by the Rhythmic Gymnastics Technical Committee. As the code describes the Cid Tostado element:

Almudena Cid Tostado Almudena Cid Tostado Almudena Cid 173

Starting position: on one knee, leg forward, ball held with the foot. large roll of the ball on both legs. Originality 0.10 (§ 2.6.5.)

After a 21 year long career, she retired from the sport on 23 August 2008. Currently, she is working as a sports commentator for rhythmic gymnastics competitions. Since 2014, she has also been writing Olympia, a children’s collection of stories in which she talks about her sporting life.

Early life and training

She started practising rhythmic gymnastics at the age of 7. She first went to Arabatxo club and then to Beti Aurrera club in Vitoria, in which other important gymnasts such as Tania Lamarca and Estíbaliz Martínez were trained. Her coaches there were Aurora Fernández del Valle and Iratxe Aurrekoetxea. One of Almudena’s first sports references, as she named them because she doesn't like to call them idols, was the Russian gymnast Oxana Kostina.

In May 1994, at the age of 13, she took part in the first international competition, in which she received three medals (one gold medal and two bronze medals). In November of the same year, she was asked by Emilia Boneva to start being part of the Spanish national individual team in Madrid, where she trained an average of 8 hours a day in the gym Gimnasio Moscardó.

At the 1995 Spanish Individual Championships, Almudena took the lead at a national level for the first time. In June 1995 she got the 12th position at the Final European Cup in Telford (England).

Senior career

Since she started her sporting career, she has been awarded many recognitions, apart from the ones obtained at the Olympics Games.

1996

In 1996, she went to her first Olympics Games in Atlanta, where she participated for the individual team, along with her colleague Alba Caride. She achieved the fifth position in the preliminary round and the ninth position in the semi-final. Finally, she got the ninth position in the Olympics final, being the youngest participant in the competition.

2000

Due to her good marks at the European Championship in Zaragoza, she was selected in order to represent Spain at the 2000 Sydney Olympics. Again she got the ninth position.

In her home town, Vitoria, she met her former trainer Iratxe, who motivated Almudena’s sporting life. They both moved to Barcelona and started working again together.

2004

In 2004, the Spanish Gymnastics Federation decided that Almudena Cid and Jennifer Colino had to compete against each other in order to choose who would represent Spain at the 2004 Athens Olympics. The competition was at a very high level - nearly at Olympic level - causing mental and physical weariness and increasing the risk of injury before the Olympics Games. After obtaining the best marks, Almudena went to the 2004 Athens Olympics.

In these Games she reached her third olympic final, something that any other rhythmic gymnastic had got until then. In the final, that took place on 29 August, she got the eighth position, along with the Olympic diploma.

2008

Once again, Almudena was selected to represent Spain at 2008 Beijing Olympics, her fourth and last Olympics Games.

Retirement

On 23 August 2008, she put an end to her sporting career. It coincided with the very last day of the Olympics finals in Beijing, in which she got the eighth position, along with the Olympic diploma.

Her last exercise was with ribbon, accompanied by an adaptation of “Nessun dorma”, which is an aria by Giacomo Puccini. As a final gesture as a gymnast, she drew the shape of a heart on the mat and she kissed it.

Some years later, Almudena explained in an interview about her retirement and legacy in the field of rhythmic gymnastics:

“It was hard to decide when to retire, but I chose the moment that I wanted [...]. I’ve been trying for 8 years to avoid the idea that I was already too old to practise this sport. At the age of 28, I managed to show the world that I could be on top [...]. If it’s a sport in which judges evaluates also your facial expressions and how you use the apparatus, because people tend to think that rhythmic gymnastics only have to do with flexibility, but the apparatus is also very important. It’s an art and it is something that comes along with maturity [...]. I didn’t really get what it was about, and I therefore wondered: why do rhythmic gymnasts retire so soon? Because it is the society that retires you from it. I fought against all that.”

References

Almudena Cid Tostado Wikipedia