All the Names

Plot summary

The main setting of the novel is the Central Registry of Births, Marriages and Deaths of some ambiguous and unnamed city. This municipal archive holds the record cards for all residents of the city stretching back endlessly into the past. The protagonist is named Senhor José; the only character to be given a proper name (all of the others are referred to simply by some unique and defining characteristic). Senhor José is around fifty years old and has worked as a low-level clerk in the Central Registry for more than twenty years. His residence, where he lives alone, adjoins the building and contains the only side entrance into it. Lost in the tedium of a bureaucratic job, he starts to collect information about various famous people and decides, one evening, to use the side entrance to sneak in and steal their record cards. On one nocturnal venture he grabs the record card of an "unknown woman" by mistake and quickly becomes obsessed with finding her. Senhor José uses his power as a registry clerk to gather information from her past neighbors and, when it is suggested to look her up in a phone book, he ignores the advice choosing instead to keep his distance. The search begins to consume him and affects his work enough to draw attention from the Registrar, head of the Central Registry, who, strangely, begins to regard Senhor José with sympathy. This special attention given to a clerk by the Registrar is unprecedented in the known history of the Central Registry and begins to worry his fellow employees. Senhor José further neglects his duties as a civil servant and risks his career to pursue a woman he knows basically nothing about.

Themes

One of the main themes in All the Names, shown through Senhor José's journey in piecing together the life of the unknown woman and the effects she had on other people/things, as well as the registry's conclusion that the living and dead's files should be put together as one, is that in order to be properly looked at, the human condition must include the lives of the living and the dead, the remembered and the forgotten, and the known and unknown. Indeed, this is a recurring theme in Saramago's works.

Another theme is the absurdity of human action. As Saramago puts it:

"Strictly speaking, we do not make decisions, decisions make us. The proof can be found in the fact that, though life leads us to carry out the most diverse actions one after the other, we do not prelude each one with a period of reflection, evaluation and calculation, and only then declare ourselves able to decide if we will go out to lunch or buy a newspaper or look for the unknown woman.[1]"