Supriya Ghosh (Editor)

Aljafería

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Architectural style
  
Moorish architecture

Phone
  
+34 976 28 96 83

Province
  
Zaragoza

Aljafería

Address
  
Calle de los Diputados, s/n, 50003 Zaragoza, Spain

Hours
  
Open today · 10AM–2PM, 4–6:30PMSaturday10AM–2PM, 4–6:30PMSunday10AM–2PMMonday10AM–2PM, 4–6:30PMTuesday10AM–2PM, 4–6:30PMWednesday10AM–2PM, 4–6:30PMThursday10AM–2PM, 4–6:30PMFriday10AM–2PM, 4–6:30PM

Similar
  
Cathedral of the Savior of, Cathedral‑Basilica of Our Lady of the Pillar, Plaza del Pilar, Ascensor del Pilar, Monasterio de Piedra

Aljafer a palace zaragoza spain 2016


The Aljafería Palace (Spanish: Palacio de la Aljafería; Arabic: قصر الجعفرية‎‎, tr. Qasr al-Jaʿfariya) is a fortified medieval Islamic palace built during the second half of the 11th century in the Taifa of Zaragoza of Al-Andalus, present day Zaragoza, Spain. It was the residence of the Banu Hud dynasty during the era of Abu Jaffar Al-Muqtadir after abolishing Banu Tujibi of Kindah dynasty. The palace reflects the splendor attained by the kingdom of the taifa of Zaragoza at the height of its grandeur. The palace currently contains the Cortes (regional parliament) of the autonomous community of Aragon.

Contents

The structure holds unique importance in that it is the only conserved testimony of a large building of Spanish Islamic architecture of the era of the Taifas (independent kingdoms).

History

After the reconquest of Zaragoza in 1118 by Alfonso I the Battler, the Aljafería became the residence of the Christian kings of Aragon, becoming the main focus of the Aragonese Mudejar diffusion. It was used as a royal residence by Pedro IV Ceremonious and later, on the main floor, was carried out the reform that turned these paradors into the palace of the Catholic Monarchs in 1492. In 1593 it underwent another reform that would make it into a military fortress, first according to Renaissance designs (which today can be seen in their surroundings, pit and gardens) and later as a quarters of military regiments. It underwent continuous reforms and major damage, especially during the Sieges of Saragossa of the War of Independence, until finally it was restored in the second half of the twentieth century and currently houses the Parliament of Aragon.

Originally the building was outside the Roman walls, on the plain of Saria, the place where Muslims developed the military fanfare known as La Almozara. With the urban expansion through the years, the building has remained within the city. It has been respected around a small garden setting

Troubadour Tower

The oldest construction of the Aljafería is called Troubadour Tower. The tower received this name from Antonio Garcia Gutierrez’s 1836 romantic drama The Troubadour. The drama was converted into a libretto for Giuseppe Verdi’s opera Il trovatore in 1853.

The tower is a defensive structure, with a quadrangular base and five levels which date back to the end of the 9th century AD, in the period governed by the first Banu Tujibi, Muhammad Alanqur, who was named after Muhammad I of Córdoba, independent Emir of Cordoba. According to Cabañero Subiza (1998) the Tower was built in the second half of the 10th century. In its lower part, the tower contains vestiges of the beginning of the heavy walls of alabaster ashlar bond masonry, and continues upwards with plank lining of simple plaster and lime concrete, which is a thinner substance for reaching greater heights. The exterior does not reflect the division of the five internal floors and appears as an enormous prism, broken by narrow embrasures. Access to the interior was gained through a small door at such height that it was only possible to enter by means of a portable ladder. Its initial function was, by all indications, military.

The first level conserves the building structure of the 9th century and shelters two separated naves and six sections, which are separated by means of two cruciform pillars and divided by lowered horseshoe arcs. In spite of its simplicity, they form a balanced space and could be used as baths.

The second floor repeats the same spatial scheme as the previous floor, and the remains of Muslim brick-work from the 11th century can be seen in the brick façades, which indicates that the second floor was possibly reconstructed at the same time as the palace during the epoch of Al-Muqtadir.

References

Aljafería Wikipedia