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Alfredo Jaar

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Nationality
  
American, Chilean

Name
  
Alfredo Jaar


Role
  
Artist

Children
  
Nicolas Jaar

Alfredo Jaar Alfredo Jaar on the Geopolitics of the Contemporary Art

Born
  
1956 (age 59–60)
Santiago de Chile, Chile

Education
  
University of Chile (1981)

Books
  
Alfredo Jarr, a Hundred Times Nguyen, Let There be Light: The Rwanda Project 1994-1998

Awards
  
MacArthur Fellowship, Guggenheim Fellowship for Creative Arts, Latin America & Caribbean

Known for
  
Conceptual art, Installation art

Alfredo jaar venezia venezia pavilion of chile venice art biennale 2013


Alfredo Jaar (born 1956) is a Chilean-born artist, architect, and filmmaker who lives in New York City. He was born in 1956 in Santiago de Chile. From age 5 to 16, he lived in Martinique before moving back to Chile. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war - the best known perhaps being the 6-year-long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21.

Contents

Alfredo Jaar Alfredo Jaar tells NYC again This is Not America Art

Alfredo jaar gramsci pasolini art21 exclusive


Work

Alfredo Jaar mediaguggenheimorgcontentfoundationMAPartist

The art of Alfredo Jaar is usually politically motivated, strategies of representation of real events, the faces of war or the globalized world, and sometimes with a certain level of viewer participation (in the case of many public interventions and performances).

Alfredo Jaar QampA Alfredo Jaar SCAD speaker and global gadfly on

"There's this huge gap between reality and its possible representations. And that gap is impossible to close. So as artists, we must try different strategies for representation. [...] [A] process of identification is fundamental to create empathy, to create solidarity, to create intellectual involvement."

Exhibitions

Alfredo Jaar Alfredo Jaar Venice Venice

His work has been shown extensively around the world, notably in the Biennales of Venice (1986, 2007), São Paulo (1987, 1989, 2010), Istanbul (1995), Kwangju (1995, 2000), Johannesburg (1997), and Seville (2006). His work, Park of the Laments, was part of the 100 Acres: The Virginia B. Fairbanks Art and Nature Park which opened in 2010 at the Indianapolis Museum of Art. For the "Revolution vs Revolution" exhibition held at the Beirut Art Center, he produced a new version of his photographic project 1968.

Alfredo Jaar Art in the twentyfirst century Es Baluard Museu d39Art

Important individual exhibitions include the New Museum of Contemporary Art, New York (1992); Whitechapel Gallery, London (1992); Museum of Contemporary Art, Chicago (1992); Moderna Museet, Stockholm (1994); Museum of Contemporary Art of Rome (2005); Fundación Telefónica, Santiago (2006); Musée des Beaux Arts, Lausanne (2007); and the South London Gallery in 2008.

Jaar represented Chile at the 2013 Venice Biennale.

Jaar is represented by Kamel Mennour in Paris and Galerie Lelong, New York.

Awards

Jaar became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He was also a 2006 recipient of Spain's Premio Extremadura a la Creación.

Jaar received the Chilean Premio Nacional de Artes Plásticas in 2013

Family

Alfredo's son Nicolas Jaar is a musician and composer.

References

Alfredo Jaar Wikipedia