Aldo Cibic

Career

By the age of 22, Aldo was working at the studio of Ettore Sottsass. In 1980, he became a founding partner of the studio Sottsass & Associati. That same year, in collaboration with Sottsass, Cibic became a founding member of Memphis Group – a collective association dedicated to design and architecture. The Memphis group would remain active until 1987. The Memphis experience led Cibic to assume an experimental approach as his norm.

Decisive the relationship with Ettore Sottsass, who chose him as a partner when Aldo was in his twenties, and in his last interview declares: “I do not think I have left any traces of my work, maybe something in Aldo Cibic” .

Towards the end of the 1980s, Aldo began to reflect on a more personal concept of creativity, which inspired the launch of his first independent project. In line with his idea of a more human, less heroic form of design, he choose not only to design objects for the home, but also to sell them, He presented his first self-produced collection, entitled “Standard”, to the public from his loft home in Milan, inaugurating a tradition of impromptu exhibitions, which have since become a means of testing his design projects and continue to guide his research.

His research activity in the field of "social innovation design" has developed through teaching in various schools of Design and Architecture (Domus Academy Milan, Politecnico Milan, IUAV Venice, Tongji University Shanghai).Starting with Family Business, in the "The Solid Side" initiative, launched in collaboration with Philips Corporate Design at the Domus Academy in the early 1990s, has produced pioneering projects, such as New Stories New Design (2002), and CitizenCity (2003). These research projects fostered a dynamic relationship between people and space and offered a new mode of designing places based on social interactions, revolving around a central theme: the interpretation of sustainability. An experience culminating with the "Microrealities" project presented at the Biennale di Venezia in 2004.

For the 12th edition of Biennale di Venezia in 2010, 43 artists were invited by Kazuyo Sejima, including Aldo Cibic to propose a project called "Rethinking happiness" aimed at creating and enhancing happiness in new communities through 4 unique projects. Aldo Cibic invited architects, agronomists, designers, sociologists and energy consultants for the projects.

In 2015, he curated the Venice Pavilion at the 56th International Art Exhibition Biennale of Venice, exploring the declinations of the creative process between globalization and territorial roots.

Cibic Workshop

Using investigative research into design, Cibic Workshop observes the built environment from a different perspective and on a different scale. The individual becomes the central focus, along with his/her complex system of relationships, his/her ability to imagine and invent, to discover new opportunities and to take advantage of change.

From 2010, Cibicworkshop, began to focus more heavily on alternative sustainable project types aimed at enhancing whole local areas and defining new cultural, emotional and environmental awareness of public space.

Architecture

Exhibition Design

Interior Design

Design

Design Research

Publications