Name Alan Curtis | Role Harpsichordist | |
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Died July 15, 2015, Florence, Italy Books Sweelinck's Keyboard Music: A Study of English Elements in Seventeenth-century Dutch Composition Albums Drama Queens, Handel: Alcina, Hidden Handel Awards Juno Award for Classical Album of the Year – Large Ensemble or Soloist(s) with Large Ensemble Accompaniment Similar People Karina Gauvin, Joyce DiDonato, Sonia Prina, Ann Hallenberg, Romina Basso |
Alan curtis harpsichord bach goldberg variationen bwv 988 and 14 kanons bwv 1087
Alan Curtis (November 17, 1934 – July 15, 2015) was an American harpsichordist, musicologist, and conductor of baroque opera.
Contents
- Alan curtis harpsichord bach goldberg variationen bwv 988 and 14 kanons bwv 1087
- Alan curtis harpsichord louis couperin pieces de clavecin
- References

Born in Mason, Michigan, Curtis did graduate studies at the University of Illinois, and received his PhD in 1960, with a dissertation on the keyboard music of Sweelinck. He then relocated to Amsterdam to work with Gustav Leonhardt, with whom he subsequently recorded a number of the Bach concerti for multiple harpsichords. In the 1960s and 1970s, he made a number of recordings of solo harpsichord music, including albums dedicated to the keyboard music of Rameau and the works of Johann Sebastian Bach, such as his recording of the Goldberg Variations made on a 1728 Christian Zell harpsichord.
Following an academic career divided between UC Berkeley and Europe, Curtis devoted his time to performing dramatic music from Monteverdi to Mozart. As a student in the 1950s, he was the first modern harpsichordist to examine problems surrounding Louis Couperin's unmeasured preludes for harpsichord, to commission the first modern copy of a chitarrone and the first chromatic (split-key) harpsichord constructed in the 20th century. He also researched operas from the baroque and pre-baroque eras, using period instruments and authentic choreography.
In the late 1970s, Curtis founded the European ensemble Il Complesso Barocco, with which he made a number of commercial recordings for such labels as Virgin Classics, Deutsche Grammophon (Archiv), and Deutsche Harmonia Mundi.