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Al Avison

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Nationality  American
Died  December 1984
Name  Al Avison

Notable works  The Whizzer
Area(s)  Penciller, Inker
Education  Pratt Institute
Al Avison The Golden Age of Captain America Al Avison Simon and Kirby
Born  Alfred Avison July 7, 1920 (1920-07-07)
Similar People  Stan Lee, John Buscema, Roy Thomas

Alfred "Al" Avison (July 7, 1920 – December 1984) was an American comic book artist known for his work on the Marvel Comics characters the Whizzer, which he co-created, and Captain America during the 1930-1940s period known to fans and historians as the Golden Age of comic books.


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Early life and career

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The son of Connecticut artist and WPA muralist George Avison, Al Avison was Influenced by the work of his father and of commercial illustrator Albert Dorne. He studied art at Pratt Institute in Brooklyn. His first known comics work is co-inking Jack Kirby's lead story in Novelty Press' Blue Bolt Comics #4 (cover-dated Sept. 1940).

Timely Comics

Al Avison Captain America Simon and Kirby

For Marvel Comics' 1940s predecessor, Timely Comics, penciler Avison and an unknown writer co-created super-speedster the Whizzer in U.S.A. Comics #1 (Aug. 1941). The character would appear in most issues of that comic, and was part of Timely/Marvel's first superhero team, the All-Winners Squad.

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After Captain America creators Jack Kirby and Joe Simon moved on following Captain America Comics #10 (Jan. 1942), Avison and Syd Shores became regular pencilers of the celebrated title, with one generally inking over the other. Avison had been the inker over penciler Kirby on Captain America Comics #4-6 (June-Sept. 1941), and had penciled or inked that character's stories in All Winners Comics as early as issue #3 (Winter 1941-42). Shores would take over as regular penciller, inked by Vince Alascia, while Avison did his World War II military service.

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Avison also worked as a penciler or, more often, as inker on characters including the Vision (in Marvel Mystery Comics); the Blonde Phantom; the Young Allies (in Amazing Comics, Kid Komics and Mystic Comics); the Black Marvel (in All Winners Comics); and Tommy Tyme (in Mystic Comics). With Joe Simon, he was one of two inkers on the Kirby-drawn debut of Marvel Boy in Daring Mystery Comics #6 (Sept. 1940). Avison's Timely work appears as late as Captain America Comics #71 (March 1949).

Other work

Al Avison Catalog

Avison additionally worked on the original Captain Marvel for Fawcett Comics in 1941-42. He also freelanced for Harvey Comics both during and after his Timely stint, on such features as "The Red Blazer" (introducing him in Pocket Comics #1, Aug. 1941), "Casper the Friendly Ghost", "Captain Freedom" (including inking Jack Kirby's cover art on Speed Comics #16 & #18, Jan. & May 1942), "Joe Palooka", "The Green Hornet", "Humphrey", "Little Dot" and "Shock Gibson" (including the cover of Speed Comics #14, Dec. 1941), through at least the early 1950s.

Al Avison The Golden Age of Captain America Al Avison Simon and Kirby

Avison's last known work is penciling and inking the cover of Harvey's horror anthology Chamber of Chills #26 (Dec. 1954).

Al Avison 4 DC early Simon and Kirby Page 2

According to his son and widow, Avison was also at least one of the artists who contributed to the design of Mr. Met, the New York Mets mascot which debuted in 1963.

Al Avison Al Avison Did Not Need Any Help Simon and Kirby


Al Avison Wikipedia

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