Died c. 1890 (aged 68–69) Name Aimee Cheron Spouse(s) Amedee Paul Cheron | Known for Miniature painting Nationality French | |
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Full Name Aimee Julie Jovin Born 26 April 1821 ( 1821-04-26 ) Paris, France | ||
Aimée Julie Cheron (née Jovin in Paris, 26 April 1821 – c. 1890) was a French miniature painter.
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Biography
She was a pupil of François Meuret (1800–1887) and she belonged to the Salon in Paris from 1846 to 1870. After 1870, when portrait miniature started declining, she only painted still portraits and landscapes on porcelain, first in Paris, where she lived for a long time in 52 rue De Chabrol and in 22 rue Montholon, and then, in Samois sur Seine, in the last years of her life.
On 27 August 1850, she married Amedée Paul Cheron (Paris, 11 March 1819 – 5 May 1881) and had one son, Jacques Paul (b. 12 April 1953).
On 7 July 1881, Jacques Paul married Lucie (Lucy) Josephine Fehrenbach (19 December 1856 - ?), who was a pupil of her mother and a miniature painter in Paris where she lived at 18 rue de L’Ancienne Comédie and participated to the Salon in Paris from 1875 to 1880 painting also the portrait of the famous poet François Coppée (1842–1908). In the same 1881, after the death of Amedée, was granted to Aimée a civil pension.
Amedée was a well known bibliographer entered in 1845 at the Imperial Library as director of the department for reprinting rare books regarding fine art French history. Then in 1855/1856 he wrote for the editor Jannet the General catalogue of all literary works published in the period 1800–1855 and an additional book for Causeries du Lundi by Charles Augustin de Sainte Beuve. Aimée’s style was very detailed, in the pointillist style typical of her teacher Francois Meuret. This style was also adopted by another of Meuret's pupils, Camille Cornéile Isbert (1825–1911), who often exhibited her miniatures at the Salon together with Aimée. She was a good drawer, she treated with great care all the details of the sitter's face, especially the skin tones. Also the clothing is painted with great attention and the backgrounds are various: landscapes, interiors, or simple monochrome.
She had a deep faculty of introspection and succeeded in rendering the temperamental and psychological dimension of the sitters.
She signed her miniatures "Aimée Jovin" until 1850. From 1852 to 1872 she exposed at Salon signing "Aimée Cheron". Cheron is also the surname of another great painter and miniaturist, Elisabeth Sophie Cheron (1684–1711). Among her pupils was also remember Tatiane Gerardin, who exhibited her works at the Salon from 1875 to 1885. In 1865, Aimèe was represented in a marble bust by the famous sculptor Charles Cordier (1827–1905), which is now in the private collection of the descendants of Cordier.