Name Adam Madebe | ||
 | ||
Adam Madebe Born 1954 in Bulawayo, Zimbabwe Lives and Works in Johannesburg.
Contents
Adam Madebe has had a long career in the arts and is now widely considered to be Zimbabwe's most famous indigenous sculptor in metal, winning many awards for his works, including the notable President’s Award for Excellence in 1994. His sculptures, which are often life-size or larger, are part of prestigious collections across the world with some of his works such as his Fallen Warrior shown at the British Museum, still used as case studies for fine art students in Zimbabwe today. He won a succession of major prizes in national exhibitions and has received commissions for a number of important public sculptures in Zimbabwe, South Africa and Botswana including a monumental set of three workers displayed at Construction House, Harare, completed in 1992 and a tribute to miners located at Krugersdorp, completed in 2005. In 2014 his brass sculpture of Mahatma Gandhi was unveiled in Rustenburg. The subject of an educational television programme made for Channel 4, he is known primarily for his figurative work, but has also achieved great acclaim for his semi-figurative and conceptual work such as 'Hot Seat' (1989)[1]. This and other works by this artist will be shown at the 1:54 Contemporary African Art Fair in Somerset House in London in October 2015.
Workshops
Adam Madebe participated in the 1989 Pachipamwe II Workshop held at Cyrene Mission outside Bulawayo, Zimbabwe alongside such luminaries as Joram Mariga, Bernard Matemera, Bill Ainslie, Voti Thebe, Sokari Douglas Camp and David Koloane.
He was then invited by the Triangle Arts Trust to attend their annual workshop in Pine Plains, New York State in 1990 and in 1995 attended an International Artists Workshop at the Yorkshire Sculpture Park.
Controversy
In 1985, Adam Madebe won the Tower Gardens Sculpture Competition in Bulawayo with his figurative 3.5 metre tall sculpture, 'Looking To The Future'. This male nude work generated significant local discussion about its suitability for public display in a somewhat conservative country and was summarily removed from the Gardens. Later displayed within the internal Gallery courtyard of the magnificent fully renovated Douslin House, it again fell foul of local governmental censorship in 2010 and once again remains hidden with a storeroom.
Awards
1st prize Tower Gardens Sculpture Competition, Bulawayo, Zimbabwe with 'Looking To The Future'
1st Prize, WeldArt 87, Harare, Zimbabwe, with 'Jacket'
Award Of Merit, Zimbabwe Heritage Exhibition 1988, Harare, Zimbabwe with ' Contemplation'
2nd Prize, WeldArt 89, Harare, Zimbabwe, with 'Togetherness'
Award Of Merit, Zimbabwe Heritage Exhibition, Harare, Zimbabwe with 'Hot Seat'
President's Award Of Honour, Zimbabwe Heritage, Harare, Zimbabwe 1994