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Academy Award for Best Sound Mixing

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First awarded
  
1930

Category of
  
Academy Awards

Instituted
  
1930

Official website
  
oscars.org

Country
  
United States of America

Academy Award for Best Sound Mixing httpslh3googleusercontentcomefIq8cCxtYAAA

Presented by
  
Academy of Motion Picture Arts and Sciences

People also search for
  
Academy Award for Best Sound Editing

Currently held by
  
Chris Jenkins, Gregg Rudloff, Ben Osmo

Winners & Nominees
  
Andy WrightHacksaw Ridge, Andy Wright, Winner, Peter GraceHacksaw Ridge, Peter Grace, Winner, Kevin O'ConnellHacksaw Ridge, Kevin O'Connell, Winner, Robert MackenzieHacksaw Ridge, Robert Mackenzie, Winner, Steven MorrowLa La Land, Steven Morrow, Nominee, Jeffrey J Haboush13 Hours: The Secret Soldiers of Benghazi, Jeffrey J Haboush, Nominee, Stuart WilsonRogue One: A Star Wars Story, Stuart Wilson, Nominee, David ParkerRogue One: A Star Wars Story, David Parker, Nominee, Mac Ruth13 Hours: The Secret Soldiers of Benghazi, Mac Ruth, Nominee, Bernard Gariépy StroblArrival, Bernard Gariépy Strobl, Nominee, Gregg RudloffMad Max: Fury Road, Gregg Rudloff, Winner, Chris JenkinsMad Max: Fury Road, Chris Jenkins, Winner, Ben OsmoMad Max: Fury Road, Ben Osmo, Winner, Jon TaylorThe Revenant, Jon Taylor, Nominee, Stuart WilsonStar Wars: The Force Awakens, Stuart Wilson, Nominee, Chris DuesterdiekThe Revenant, Chris Duesterdiek, Nominee, Mac RuthThe Martian, Mac Ruth, Nominee, Drew KuninBridge of Spies, Drew Kunin, Nominee, Frank A MontañoThe Revenant, Frank A Montaño, Nominee, Mark TaylorThe Martian, Mark Taylor, Nominee, Craig MannWhiplash, Craig Mann, Winner, Ben WilkinsWhiplash, Ben Wilkins, Winner, Thomas CurleyWhiplash, Thomas Curley, Winner, Mark WeingartenInterstellar, Mark Weingarten, Nominee, Gary RizzoInterstellar, Gary Rizzo, Nominee, Thomas VargaBirdman, Thomas Varga, Nominee, Gregg RudloffAmerican Sniper, Gregg Rudloff, Nominee, Jon TaylorBirdman, Jon Taylor, Nominee, Jon TaylorUnbroken, Jon Taylor, Nominee, Gregg LandakerInterstellar, Gregg Landaker, Nominee, Niv AdiriGravity, Niv Adiri, Winner, Skip LievsayGravity, Skip Lievsay, Winner, Christopher BensteadGravity, Christopher Benstead, Winner, Chris MunroGravity, Chris Munro, Winner, Michael SemanickThe Hobbit: The Desolation of Smaug, Michael Semanick, Nominee, Christopher BoyesThe Hobbit: The Desolation of Smaug, Christopher Boyes, Nominee, Greg OrloffInside Llewyn Davis, Greg Orloff, Nominee, Andy KoyamaLone Survivor, Andy Koyama, Nominee, Beau BordersLone Survivor, Beau Borders, Nominee, Michael HedgesThe Hobbit: The Desolation of Smaug, Michael Hedges, Nominee, Simon HayesLes Misérables, Simon Hayes, Winner, Mark PatersonLes Misérables, Mark Paterson, Winner, Andy NelsonLes Misérables, Andy Nelson, Winner, Ron JudkinsLincoln, Ron Judkins, Nominee, Gregg RudloffArgo, Gregg Rudloff, Nominee, Stuart WilsonSkyfall, Stuart Wilson, Nominee, Scott MillanSkyfall, Scott Millan, Nominee, Drew KuninLife of Pi, Drew Kunin, Nominee, Doug HemphillLife of Pi, Doug Hemphill, Nominee, Gary RydstromLincoln, Gary Rydstrom, Nominee

The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording, and is generally awarded to the production sound mixers and re-recording mixers of the winning film. Compare this award to the Academy Award for Best Sound Editing. In the lists below, the winner of the award for each year is shown first, followed by the other nominees.

Contents

For the second and third years of this category (the 4th Academy Awards, 5th Academy Awards) only the names of the film companies were listed. Paramount Publix Studio Sound Department won both years.

1930s

  • 1929–1930: The Big House: Douglas Shearer, Metro-Goldwyn-Mayer Studio
  • The Case of Sergeant Grischa: John Tribby
  • The Love Parade: Franklin Hansen
  • Raffles: Oscar Lagerstrom
  • The Song of the Flame: George Groves
  • 1930–1931: Paramount Publix Studio Sound Department
  • MGM Studio Sound Department
  • RKO Radio Studio Sound Department
  • Samuel Goldwyn-United Artists Studio Sound Department
  • 1931–1932: Paramount Publix Studio Sound Department
  • MGM Studio Sound Department
  • RKO Radio Studio Sound Department
  • Walt Disney
  • Warner Bros. First National Studio Sound Department
  • 1932–1933: A Farewell to Arms: Franklin Hansen, Paramount Studio
  • 42nd Street: Nathan Levinson
  • Gold Diggers of 1933: Nathan Levinson
  • I Am a Fugitive from a Chain Gang: Nathan Levinson
  • 1934: One Night of Love: John Livadary, Columbia Studio
  • The Affairs of Cellini: Thomas T. Moulton
  • Cleopatra: Franklin B. Hansen
  • Flirtation Walk: Nathan Levinson
  • The Gay Divorcee: Carl Dreher
  • Imitation of Life: Theodore Soderberg
  • Viva Villa!: Douglas Shearer
  • The White Parade: Edmund H. Hansen
  • 1935: Naughty Marietta: Douglas Shearer, Metro-Goldwyn-Mayer Studio
  • 1,000 Dollars a Minute: Republic Studio Sound Department
  • Bride of Frankenstein: Gilbert Kurland
  • Captain Blood: Nathan Levinson
  • The Dark Angel: Thomas T. Moulton
  • I Dream Too Much: Carl Dreher
  • The Lives of a Bengal Lancer: Franklin B. Hansen
  • Love Me Forever: John Livadary
  • Thanks a Million: E. H. Hansen
  • 1936: San Francisco: Douglas Shearer, Metro-Goldwyn-Mayer Studio
  • Banjo on My Knee: E. H. Hansen
  • The Charge of the Light Brigade: Nathan Levinson
  • Dodsworth: Thomas T. Moulton
  • General Spanky: Elmer Raguse
  • Mr. Deeds Goes to Town: John Livadary
  • The Texas Rangers: Franklin B. Hansen
  • That Girl from Paris: John Aalberg
  • Three Smart Girls: Homer G. Tasker
  • 1937: The Hurricane: Thomas Moulton, United Artists Studio
  • The Girl Said No: A. E. Kaye
  • Hitting a New High: John Aalberg
  • In Old Chicago: E. H. Hansen
  • The Life of Emile Zola: Nathan Levinson
  • Lost Horizon: John Livadary
  • Maytime: Douglas Shearer
  • One Hundred Men and a Girl: Homer G. Tasker
  • Topper: Elmer Raguse
  • Wells Fargo: Loren L. Ryder
  • 1938: The Cowboy and the Lady: Thomas Moulton, United Artists Studio
  • Army Girl: Charles L. Lootens
  • Four Daughters: Nathan Levinson
  • If I Were King: Loren L. Ryder
  • Merrily We Live: Elmer Raguse
  • Suez: Edmund H. Hansen
  • Sweethearts: Douglas Shearer
  • That Certain Age: Bernard B. Brown
  • Vivacious Lady: James Wilkinson
  • You Can't Take It with You: John Livadary
  • 1939: When Tomorrow Comes: Bernard B. Brown, Universal Studio
  • Balalaika: Douglas Shearer
  • Gone with the Wind: Thomas T. Moulton
  • Goodbye, Mr. Chips: A. W. Watkins
  • The Great Victor Herbert: Loren L. Ryder
  • The Hunchback of Notre Dame: John Aalberg
  • Man of Conquest: Charles L. Lootens
  • Mr. Smith Goes to Washington: John Livadary
  • Of Mice and Men: Elmer Raguse
  • The Private Lives of Elizabeth and Essex: Nathan Levinson
  • The Rains Came: E. H. Hansen
  • 1940s

  • 1940: Strike Up the Band: Douglas Shearer, Metro-Goldwyn-Mayer Studio
  • Behind the News: Charles L. Lootens
  • Captain Caution: Elmer Raguse
  • The Grapes of Wrath: E. H. Hansen
  • The Howards of Virginia: Jack Whitney
  • Kitty Foyle: The Natural History of a Woman: John Aalberg
  • North West Mounted Police: Loren L. Ryder
  • Our Town: Thomas T. Moulton
  • The Sea Hawk: Nathan Levinson
  • Spring Parade: Bernard B. Brown
  • Too Many Husbands: John Livadary
  • 1941: That Hamilton Woman: Jack Whitney, General Service
  • Appointment for Love: Bernard B. Brown
  • Ball of Fire: Thomas T. Moulton
  • The Chocolate Soldier: Douglas Shearer
  • Citizen Kane: John Aalberg
  • The Devil Pays Off: Charles Lootens
  • How Green Was My Valley: E. H. Hansen
  • The Men in Her Life: John Livadary
  • Sergeant York: Nathan Levinson
  • Skylark: Loren Ryder
  • Topper Returns: Elmer Raguse
  • 1942: Yankee Doodle Dandy: Nathan Levinson, Warner Brothers Studio
  • Arabian Nights: Bernard B. Brown
  • Bambi: Sam Slyfield
  • Flying Tigers: Daniel Bloomberg
  • Friendly Enemies: Jack Whitney
  • The Gold Rush: James L. Fields
  • Mrs. Miniver: Douglas Shearer
  • Once Upon a Honeymoon: Stephen Dunn
  • The Pride of the Yankees: Thomas T. Moulton
  • Road to Morocco: Loren Ryder
  • This Above All: E. H. Hansen
  • You Were Never Lovelier: John Livadary
  • 1943: This Land Is Mine: Stephen Dunn, RKO Radio Studio
  • Hangmen Also Die!: Jack Whitney
  • In Old Oklahoma: Daniel J. Bloomberg
  • Madame Curie: Douglas Shearer
  • The North Star: Thomas T. Moulton
  • Phantom of the Opera: Bernard B. Brown
  • Riding High: Loren L. Ryder
  • Sahara: John Livadary
  • Saludos Amigos: C. O. Slyfield
  • So This Is Washington: James L. Fields
  • The Song of Bernadette: E. H. Hansen
  • This Is the Army: Nathan Levinson
  • 1944: Wilson: E. H. Hansen, 20th Century-Fox Studio
  • Brazil: Daniel J. Bloomberg
  • Casanova Brown: Thomas T. Moulton
  • Cover Girl: John Livadary
  • Double Indemnity: Loren L. Ryder
  • His Butler's Sister: Bernard B. Brown
  • Hollywood Canteen: Nathan Levinson
  • It Happened Tomorrow: Jack Whitney
  • Kismet: Douglas Shearer
  • Music in Manhattan: Stephen Dunn
  • Voice in the Wind: Mac Dalgleish
  • 1945: The Bells of St. Mary's: Stephen Dunn, RKO Radio Studio
  • Flame of Barbary Coast: Daniel J. Bloomberg
  • Lady on a Train: Bernard B. Brown
  • Leave Her to Heaven: Thomas T. Moulton
  • Rhapsody in Blue: Nathan Levinson
  • A Song to Remember: John P. Livadary
  • The Southerner: Jack Whitney
  • They Were Expendable: Douglas Shearer
  • The Three Caballeros: C. O. Slyfield
  • Three Is a Family: W. V. Wolfe
  • The Unseen: Loren L. Ryder
  • Wonder Man: Gordon E. Sawyer
  • 1946: The Jolson Story: John Livadary, Columbia Studio
  • The Best Years of Our Lives: Gordon E. Sawyer
  • It's a Wonderful Life: John Aalberg
  • 1947: The Bishop's Wife: Gordon Sawyer, Samuel Goldwyn Studio
  • Green Dolphin Street: Douglas Shearer
  • T-Men: Jack Whitney
  • 1948: The Snake Pit: Thomas Moulton, 20th Century-Fox Studio
  • Johnny Belinda: Nathan O. Levinson
  • Moonrise: Daniel J. Bloomberg
  • 1949: Twelve O'Clock High: Thomas Moulton, 20th Century-Fox Studio
  • Once More, My Darling: Leslie I. Carey
  • Sands of Iwo Jima: Daniel J. Bloomberg
  • 1950s

  • 1950: All About Eve: Thomas Moulton, 20th Century-Fox Studio
  • Cinderella: C. O. Slyfield
  • Louisa: Leslie I. Carey
  • Our Very Own: Gordon Sawyer
  • Trio: Cyril Crowhurst
  • 1951: The Great Caruso: Douglas Shearer, Metro-Goldwyn-Mayer Studio
  • Bright Victory: Leslie I. Carey
  • I Want You: Gordon E. Sawyer
  • A Streetcar Named Desire: Nathan Levinson
  • Two Tickets to Broadway: John Aalberg
  • 1952: The Sound Barrier: London Films Sound Department
  • The Card: Pinewood Studios Sound Department
  • Hans Christian Andersen: Gordon E. Sawyer
  • The Quiet Man: Daniel J. Bloomberg
  • With a Song in My Heart: Thomas T. Moulton
  • 1953: From Here to Eternity: John Livadary, Columbia Studio
  • Calamity Jane: William A. Mueller
  • Knights of the Round Table: A. W. Watkins
  • The Mississippi Gambler: Leslie I. Carey
  • The War of the Worlds: Loren L. Ryder
  • 1954: The Glenn Miller Story: Leslie I. Carey, Universal-International Studio
  • Brigadoon: Wesley C. Miller
  • The Caine Mutiny: John P. Livadary
  • Rear Window: Loren L. Ryder
  • Susan Slept Here: John Aalberg
  • 1955: Oklahoma!: Fred Hynes, Todd-AO Sound Department
  • Love Is a Many-Splendored Thing: Carlton W. Faulkner
  • Love Me or Leave Me: Wesley C. Miller
  • Mister Roberts: William A. Mueller
  • Not as a Stranger: Watson Jones, RCA Sound Department
  • 1956: The King and I: Carlton W. Faulkner, 20th Century-Fox Studio
  • The Brave One: Buddy Myers
  • The Eddy Duchin Story: John P. Livadary
  • Friendly Persuasion: Gordon R. Glennan and Gordon E. Sawyer
  • The Ten Commandments: Loren L. Ryder
  • 1957: Sayonara: George Groves, Warner Brothers Studio
  • Gunfight at the O.K. Corral: George Dutton
  • Les Girls: Wesley C. Miller
  • Pal Joey: John P. Livadary
  • Witness for the Prosecution: Gordon E. Sawyer
  • 1958: South Pacific: Fred Hynes, Todd-AO Sound Department
  • I Want to Live!: Gordon E. Sawyer
  • A Time to Love and a Time to Die: Leslie I. Carey
  • Vertigo: George Dutton
  • The Young Lions: Carlton W. Faulkner
  • 1959: Ben-Hur: Franklin Milton, Metro-Goldwyn-Mayer Studio
  • Journey to the Center of the Earth: Carlton W. Faulkner
  • Libel: A. W. Watkins
  • The Nun's Story: George Groves
  • Porgy and Bess: Gordon E. Sawyer and Fred Hynes
  • 1960s

  • 1960: The Alamo: Fred Hynes, Todd-AO Sound Department and Gordon Sawyer, Samuel Goldwyn Studio
  • The Apartment: Gordon E. Sawyer
  • Cimarron: Franklin Milton
  • Pepe: Charles Rice
  • Sunrise at Campobello: George Groves
  • 1961: West Side Story: Gordon Sawyer, Samuel Goldwyn Studio and Fred Hynes, Todd-AO Sound Department
  • The Children's Hour: Gordon E. Sawyer
  • Flower Drum Song: Waldon O. Watson
  • The Guns of Navarone: John Cox
  • The Parent Trap: Robert O. Cook
  • 1962: Lawrence of Arabia: John Cox, Shepperton Studios
  • Bon Voyage!: Robert O. Cook
  • The Music Man: George Groves
  • That Touch of Mink: Waldon O. Watson
  • What Ever Happened to Baby Jane?: Joseph D. Kelly
  • 1963: How the West Was Won: Franklin Milton, Metro-Goldwyn-Mayer Studio
  • Bye Bye Birdie: Charles Rice
  • Captain Newman, M.D.: Waldon O. Watson
  • Cleopatra: James Corcoran and Fred Hynes
  • It's a Mad, Mad, Mad, Mad World: Gordon E. Sawyer
  • 1964: My Fair Lady: George Groves, Warner Brothers Studio
  • Becket: John Cox
  • Father Goose: Waldon O. Watson
  • Mary Poppins: Robert O. Cook
  • The Unsinkable Molly Brown: Franklin Milton
  • 1965: The Sound of Music: James Corcoran and Fred Hynes, 20th Century-Fox Studio
  • The Agony and the Ecstasy : James Corcoran
  • Doctor Zhivago: A. W. Watkins and Franklin Milton
  • The Great Race: George Groves
  • Shenandoah: Waldon O. Watson
  • 1966: Grand Prix: Franklin Milton, Metro-Goldwyn-Mayer Studio
  • Gambit: Waldon O. Watson
  • Hawaii: Gordon E. Sawyer
  • The Sand Pebbles: James Corcoran
  • Who's Afraid of Virginia Woolf?: George Groves
  • 1967: In the Heat of the Night: Samuel Goldwyn Studio Sound Department
  • Camelot: Warner Bros.-Seven Arts Studio Sound Department
  • The Dirty Dozen: Metro-Goldwyn-Mayer Studio Sound Department
  • Doctor Dolittle: 20th Century-Fox Studio Sound Department
  • Thoroughly Modern Millie: Universal City Studio Sound Department
  • 1968: Oliver!: Shepperton Studios Sound Department
  • Bullitt: Warner Bros.-Seven Arts Studio Sound Department
  • Finian's Rainbow: Warner Bros.-Seven Arts Studio Sound Department
  • Funny Girl: Columbia Studio Sound Department
  • Star!: 20th Century-Fox Studio Sound Department
  • 1969: Hello, Dolly!: Jack Solomon, Murray Spivack
  • Anne of the Thousand Days: John Aldred
  • Butch Cassidy and the Sundance Kid: William Edmondson and David Dockendorf
  • Gaily, Gaily: Robert Martin and Clem Portman
  • Marooned: Les Fresholtz and Arthur Piantadosi
  • References

    Academy Award for Best Sound Mixing Wikipedia