Trisha Shetty

ATGCLVLSSCAP

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Recorded  February 2014
Producer  Ulver
Release date  22 January 2016
Genre  Post-rock
Length  80:05
Artist  Ulver
Label  House Of Mythology
ATGCLVLSSCAP httpsf4bcbitscomimga30082136195jpg
Released  January 22, 2016 (2016-01-22)
Studio  Subsonic Society, Oslo, Norway Oak Hill Studios, Oslo, Norway
Similar  Ulver albums, Post-rock albums

Ulver moody stix


ATGCLVLSSCAP is the twelfth studio album by the Norwegian experimental collective Ulver. Written, performed and produced by Ulver, the album was released on January 22, 2016, via newly formed, London-based label House of Mythology.

Contents

The music was culled from multitrack recordings made at twelve different improvisatory "free rock" live shows the band performed in February 2014, and later edited and enhanced in the studio by Daniel O'Sullivan. The album has been described as "Ultimately a piece of work that exists above and beyond any conventional live recording, rather a hallucinatory travelogue as potent an experience to bear witness to as it was to construct."

On October 30, 2015, the song "Cromagnosis" was broadcast on Baba Yaga’s Hut via online radio station Resonance FM, and later uploaded to Mixcloud.

The song "Moody Stix" features samples from the song "Doom Sticks" from A Quick Fix of Melancholy. "Glammer Hammer" reinterprets "Glamour Box (Ostinati)" from Messe I.X-VI.X. "Nowhere (Sweet Sixteen)" is a new arrangement of "Nowhere/Catastrophe", and "Ecclesiastes (A Vernal Catnap)" reinterprets the ending of "Tomorrow Never Knows"; both original songs are from Perdition City. "England's Hidden" contains vocal samples of "England" from Wars of the Roses.

The album's title, ATGCLVLSSCAP, is an initialism referring to the first letter of each twelve signs of the zodiac, from Aries to Pisces.

Ulver atgclvlsscap promo 1


Background

On January 2, 2014, Ulver announced an 11-date European tour: "the February dates will consist of partly new and improv-based material, likely to revolve around motifs already familiar to our familiars. We had a good experience doing just that (improv) in Oslo in August, so a more free-ranging form is what we are aiming for this time. We are looking forward to get out there, and hope for some interesting music to be born those evenings and nights. We also aim to document some of it for those of you who cannot come." Kristoffer Rygg added, "The tour was to be an experiment, kind of loose and scary for a band as 'set in their ways' as us... It is partly borne out of that feeling, being a bit bored with the circumstances. It was quite liberating to do something more in the moment. One night a jam could be five minutes, and the next it could be fifteen. We couldn’t have captured these songs in a studio environment."

On June 3, 2015 on the band’s official website, in a statement titled "Only Theatre of Pain", Ulver announced Daniel O'Sullivan, working under the moniker "12", had taken the multitrack recordings and begun sculpting and editing hours of material in his North London home, before Anders Møller, Kristoffer Rygg and Tore Ylwizaker got involved, completing the recordings at Subsonic Society and Oak Hill Studios, Oslo.

2014 tour itinerary

ATGCLVLSSCAP was recorded on the following dates:

  • 07/08/13 – Blå - Oslo, Norway
  • 01/02/14 – Savoy Teatteri, Helsinki, Finland
  • 05/02/14 – B90, Gdansk, Poland
  • 06/02/14 – Lido, Berlin, Germany
  • 07/02/14 – Akropolis, Praha, Czech Republic
  • 09/02/14 – Dynamo Grosser Saal, Zurich, Switzerland
  • 10/02/14 – Szene, Wien, Austria
  • 11/02/14 – Backstage, Munich, Germany
  • 12/02/14 – Werkstatt, Koln, Germany
  • 13/02/14 – 013, Tilburg, Netherlands
  • 15/02/14 – Bloom Mezzago, Milano, Italy
  • 16/02/14 – Circolo Degli Artisti, Roma, Italy
  • 26/04/14 – Club Volta, Moscow, Russia
  • Critical reception

    At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, ATGCLVLSSCAP has an average score of 70 based on 8 reviews, indicating "generally favorable reviews".

    The Quietus wrote, "Ulver have clearly perfected the art of musical metamorphosis, yet they opt to balance all of their previous learnings on ATGCLVLSSCAP. Traces of so much lie therein, and each of the twelve tracks gives more with every listen, revealing new depths and fresh signposts to previous musics. ATGCLVLSSCAP is surely the most fully realised album they'll ever release." Dom Lawson of Metal Hammer praised the album, adding, "Ulver continue to transform themselves at will and the results are thrillingly unpredictable but predictably thrilling."

    Writing for musicOMH, Sam Shepherd concludes, "ATGCLVLSSCAP is an album that explores the cosmos through a series of dichotomies. It is instinctive but planned, primal but enlightened, and hazy but focused. The only sure thing about it is that it is Ulver's finest work to date." Benjamin Bland from Drowned in Sound said, "In a not dissimilar fashion to 2014’s collaboration with Sunn O))), ATGCLVLSSCAP unhurriedly glides through its run time (a breezy seventy-nine minutes) without ever feeling ponderous. Building up so many layers of gorgeous sound over its initial hour that its transformation into more traditional song craft near its conclusion feels more like the beginning than the end. Despite its hefty length, then, ATGCLVLSSCAP works as a triumphant departure from the confines of the temporal."

    Jedd Beaudoin of PopMatters said, "Ulver creates its own world with this album, exists on its own terms and asks us to consider embracing something that is outside the norm but well within the human experience and worth the journey of transformation it takes us on. Ulver has once more created a record that will live far beyond this time and will be spoken of in the most reverent of tones and that’s as it should be." John Robb from Louder Than War describes the albums as "an aural adventure to get lost in. A droning dark masterpiece of groundbreaking music that slithers out of dull and boring stuff like categories. 23 years in and the band are on the verge of becoming a major force. ATGCLVLSSCAP is their statement. It’s diverse, multi faceted and beautifully dark. It’s the soundtrack to a film that only exists in your head. It is grand, thrilling and darkly restless. It has a beauty and danger and is utterly compelling.”

    Paul Travers from Kerrang! was much more critical, sayin, "There are some nice hypnotic grooves, but this smells mostly of self-indulgence. Worse, it’s boring as hell, proving even geniuses can misstep."

    Songs

    1England's Hidden
    2Glammer Hammer
    3Moody Stix

    References

    ATGCLVLSSCAP Wikipedia


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