ABBA: The Tour

Background

Since forming in 1972, the group had only performed about 24 concert dates over eight years. For many years, the group had refused to tour because they wanted to be the headliner and not the opening act. Pressured to tour by their record company, the group had performed a brief tour in Europe and Australia in the summer of 1977. Upon the release of their sixth album, the group decided to tour North America for one month. Benny Andersson stated that the decision to tour was based on the need for the group to become more "present" to North American audiences. He further felt that the media would not consider ABBA to be a "real" group if they had not toured.

In January 1979, ABBA performed alongside the Bee Gees, John Denver and Earth, Wind & Fire at the "A Gift of Song—Music for UNICEF Concert" at the United Nations General Assembly in New York City. The concert benefited the United Nations Children's Fund. Shortly after, it was revealed that members Björn Ulvaeus and Agnetha Fältskog had been separated for several months. Despite this, Agnetha assured the media that the group was united, stating, "Everyone feels very good at the moment. We are working well together and we still have something to give".

The tour was officially announced by WEA in May 1979, beginning in Canada and the United States before venturing into Europe. While promoting the album, the quartet began rehearsals for the tour in June 1979 at the Stockholm Concert Hall in Stockholm, Sweden. Agnetha and Anni-Frid began taking private vocal lessons while Benny and Björn organized the tour. In the United States, the tour was heavily promoted by various media outlets including Billboard magazine, where a 50-page mini-magazine about ABBA was included in its September 8, 1979 issue. The magazine provided a history of the group as well as outlining their success in over 40 countries worldwide. It also provided details of the upcoming tour, as well as personal interviews with each member of the quartet. During one of the interviews, Andersson and Ulvaeus remarked how important the tour was to the group, especially touring in new territory. They stated:

"To us, the U.S. is mainly a challenge. The whole tour to us is a great challenge. Tonight, the audience was great and everything went smoothly. But it was a very strange feeling when we have not toured in 2 1/2 years. You don't have the self confidence that most artists have that tour a lot and you don't know until you're up there, until you meet the audience face-to-face, whether it's going to work or not…"

Nevertheless, the last scheduled ABBA concert in the United States in Washington, D.C. on October 4, was cancelled due to Fältskog's emotional distress suffered during the flight from New York to Boston, when the group's private plane was subjected to extreme weather conditions and was unable to land for an extended period.

Rehearsals of the tour continued when ABBA made a surprise appearance at a nightclub in Stockholm as a sneak peek for the upcoming tour. Andersson felt this was much need as the group was not primarily known as a touring act. He said the quartet needed to build the self-confidence needed to perform onstage in front of large audiences.

The group returned to rehearsals in August 1979 after promotions in the United States and Mexico ended. While rehearsing at the Europafilm Studios in Sundbyberg, Andersson and Ulvaeus needed to produce a song to help promote the tour. Together, they wrote Gimme! Gimme! Gimme! (A Man After Midnight).

The staging for the tour was a standard endstage with a blue backdrop with several triangular structures, resembling icebergs. It was on this tour that Fältskog and Lyngstad wore the iconic blue, indigo and violet jumpsuits. The suits were later recreated by Madonna on her Confessions Tour as a tribute to the band.

As the group toured the United States, their film ABBA: The Movie was shown in the city after each concert.

Despite critical acclaim, the band would never tour again. Lyngstad stated that she felt secure onstage whereas Fältskog felt more comfortable in the recording studio. The group disliked the conditions of traveling for the tour, with one plane trip that was very traumatic for Fältskog. Their reactions to touring would later be penned in the song Super Trouper. Many fans speculated the song was a long letter written to Ulvaeus' new lover—shown in the lines: "I was sick and tired of everything // When I called you last night from Glasgow // All I do is eat and sleep and sing // Wishing every show was the last show". However the song shifts viewpoint in the lines: "Facing 20,000 of your friends // How can anyone be so lonely // Part of a success that never ends // Still I'm thinking about you only".

Even though ABBA members continue their musical careers as solo artists, they have not regrouped as ABBA for a concert tour. The 1979 tour is considered to be a classic among ABBA fans; many contemporary artists and ABBA tribute bands have included elements of this tour in their shows.

Set list

1. "Gammal Fäbodpsalm" (Instrumental introduction)
2. "Voulez-Vous"
3. "If It Wasn't for the Nights"
4. "As Good as New"
5. "Knowing Me, Knowing You"
6. "Rock Me"
7. "Not Bad at All"
8. "Chiquitita"
9. "Money, Money, Money"
10. "I Have a Dream"
11. "Gimme! Gimme! Gimme! (A Man After Midnight)"
12. "S.O.S."
13. "Fernando"
14. "The Name of the Game"
15. "Eagle"
16. "Thank You for the Music"
17. "Why Did It Have to Be Me"
18. "Intermezzo No. 1" (Instrumental interlude)
19. "I'm Still Alive"
20. "Summer Night City"
21. "Take a Chance on Me"
22. "Does Your Mother Know"
23. "Hole in Your Soul"

24. "The Way Old Friends Do"
25. "Dancing Queen"
26. "Waterloo"

Additional notes

Critical response

Brian Brennan (Calgary Herald) was very impressed with ABBA's stage performance (given the fact that the group had not previously toured in North America) although he felt the concert was very tame compared to the group's popularity stating, "[...] marred by disappointingly poor sound quality, obviously fatal for any band that depends for impact on mastery of studio technology. During the first half, the performers lacked the supercharged vitality and provocative self-assurance normally associated with big-league artists. However, for cool professionalism, assembly-line precision and computer-perfect programming, the show function like a machine from start to finish."

Broadcasts and recordings

The tour was showcased in the film, ABBA in Concert. The film captured ABBA's Wembley Arena November, 1979, concerts in London, England. ABBA in Concert originally aired on BBC and NBC television in 1980, then was released on VHS in 1980 and DVD in 2004.

In late 2013, Benny Andersson mentioned in an interview that a "new ABBA live at Wembley" album is on the way. Benny confirmed on February 6, 2014 on Radio Sweden: "Universal will release a live album, which is the last concert at Wembley, that we did. Whenever it was. 79?. As it was. Nothing fixed. Just sort of... we mixed it and it will come out later this year".

On June 9, 2014, ABBA's official Facebook and Instagram accounts confirmed that Polar Music will release ABBA LIVE AT WEMBLEY ARENA – a whole evening with ABBA. The 2 x CD and 3 x vinyl LP set will include Agnetha's performance of "I'm Still Alive" (which was only ever performed on this tour), which will be released commercially for the first time.

The next day on June 10, the full track list was revealed:

CD:

Disc 1: 1. Gammal fäbodpsalm 2. Voulez-Vous 3. If It Wasn’t For The Nights 4. As Good As New 5. Knowing Me, Knowing You 6. Rock Me 7. Chiquitita 8. Money, Money, Money 9. I Have A Dream 10. Gimme! Gimme! Gimme! (A Man After Midnight) 11. SOS 12. Fernando

Disc 2: 1. The Name Of The Game 2. Eagle 3. Thank You For The Music 4. Why Did It Have To Be Me 5. Intermezzo no. 1 6. I’m Still Alive 7. Summer Night City 8. Take A Chance On Me 9. Does Your Mother Know 10. Hole In Your Soul 11. The Way Old Friends Do 12. Dancing Queen 13. Waterloo

It was released on September 29, September 26 in Australia and September 30 in the U.S. and Canada.

Postage stamp

On October 1, 1983, as part of the World Music Day created by the International Music Council of UNESCO, the Swedish Posten AB released a set of five stamps commemorating music in Sweden.

An image of ABBA, engraved by Czeslaw Slania from a photograph by Anders Hanser at the fourth concert of the tour (Portland Opera House), was immortalized on the Pop-music stamp in the Posten set. Other stamps showcased Swedish Classic, Opera, Folk and Jazz performers.