Length 50:44 Artist Danny Gatton Label Elektra Records | 88 Elmira St.
(1991) Cruisin' Deuces
(1993) Release date 19 March 1991 | |
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Released March 19, 1991 (1991-03-19) Producer Danny Gatton
Billy Windsor
Ian Kimmet Genres Blues, Rock music, Jazz, Rockabilly, Country music Nominations Grammy Award for Best Rock Instrumental Performance Similar Cruisin' Deuces, The Humbler: Live, Danny Gatton In Concert 9, Relentless, Unfinished Business | ||
Danny gatton slidin home
88 Elmira St. is a 1991 album by guitarist Danny Gatton. The album was Gatton's fifth, but his first on a major record label—Elektra. The instrumental album covers a number of genres, including jazz, country, rockabilly, and blues.
Contents
Background
When Gatton signed to Elektra, their only stipulation for his first album on the label was that it should be solely instrumental. On presenting his ideas for the album to the label, they suggested he cut his version of the Simpsons theme tune. The manualist flatulence at the end of the recording may have been Gatton's response to the label's suggestion.
The album's title, 88 Elmira St., is a reference to Gatton's home as a child. Gatton stated that at the time of producing the album, he "was playing Scotty Moore's original guitar [...] It's a Gibson ES-295, and I bought it trashed out twelve years ago. It sounded incredibly good; it had some magic in it, but I didn't know it was Scotty's. Then Billy Hancock kept offering me all kinds of money for it, way more than it should have been worth, so I said, 'What's the deal?' He said, 'I think you've got Scotty Moore's guitar there.'" Similarities to Moore, Al Casey and James Burton can be heard on the album.
Recording
The album was produced by Gatton, Billy Windsor and Ian Kimmet, mixed by George Cowan and mastered by Bob Ludwig at Masterdisk. The album was recorded at Bearsville Studios, New York and Big Mo Studio, Maryland.
Equipment
On the album, Gatton used a 1990 Fender Telecaster (his signature version with Joe Barden pickups), a Fender acoustic, a Martin D-28-32, a 1954 Gibson ES 295, a Gibson RB800 5 string banjo, a 1950 Fender 6-string lap steel, and a 1958 5-string Fender Precision Bass. For amplification, he used a 1963 Fender Vibrolux, a 1963 Fender Super Reverb, a 1958 Fender Twin, a 1964 Fender Deluxe, and a 1958 Fender Bassman. Shannon Ford used a Drum Workshop kit with Sabian cymbals. John Previti's basses were the 5-string Fender Precision Bass, a Gibson Ripper and an unspecified upright bass. The keyboards—used by Bill Holloman and Tommy Lepson—were a Hammond B3, a Yamaha DX7, and a Roland D50.
Personnel
Reception
In a review for AllMusic, Cub Koda wrote that the album was "a whole lot more than just yer average fretboard wanking jam-fest". Koda gave the album a 4.5/5 rating. The album peaked at 121 in the Billboard 200 chart.
The entire album was nominated for Best Rock Instrumental Performance at the 1992 Grammy Awards, losing to Eric Johnson's "Cliffs of Dover".
Songs
1Funky Mama5:43
2Elmira St Boogie4:08
3Blues Newburg4:12